f0rrest: (Default)

I've spent the last couple of days writing a short story. This story had been bouncing around in my brain for a few months, and originally I was going to include it somewhere in this novel I'm working on called The Contrarian, but I decided against it because, although this short story ties into some of the themes of that unfinished novel, it wouldn't fit from a timeline slash narrative perspective. And frankly, my attention span is terrible, so I'm fickle as hell artistically, meaning what really happened was that I just randomly felt the strong urge to finally write this story and succumbed to that urge, putting all other free-time-related activities in my life on the back burner. At this point, I could keep going back and forth proofreading and changing things, but that has to stop somewhere, and right now at this exact moment in time and space is when and where I chose to stop and just publish the damn thing.

So, here's my short story titled Supply & Demand. If you happen to read it, I hope you find something to like about it.

 

Supply & Demand (full text) )
f0rrest: (Default)
For the past few months, I’ve been toying around with the idea of making a role-playing game with RPG Maker. This is something I’ve tried once or twice in the past, with varying degrees of progress, yet I always ended up getting distracted, moving on to other things. This time will likely be no different, but that’s not going to stop me from trying, again.

The idea came to me months ago when I was watching my son play in the living room. He’s always been fascinated by long, sword-like things, the swiffer-duster thing being a favorite of his. We always kept the swiffer-duster thing on a high rack above the washer and dryer, and my son knew that, so he would push stools and boxes and things up to the washer and dryer, then position himself dangerously on the stack of these wobbly things, then climb up and grab the swiffer-duster thing, then run around with it, smacking anyone he could find, all while making cute little battle noises. And one time, he fell from the perilously stacked boxes and hurt himself pretty bad, so my wife and I found a new place to hide the swiffer-duster thing, deciding on this thin space between the cushions of our big green couch, thinking that surely the boy would never find it there.

But, of course, we were wrong. And one day, as I was walking through the living room, I saw my son digging through the couch cushions, looking for some lost toy or other, and he paused for a second, looked back at me with this mischievous look on his face, then slowly slid the swiffer-duster thing out from between the cushions, as if he were pulling the sword from the stone, and then he held the thing above his head for a moment, like Link after opening a treasure chest, before running all throughout the house smacking everyone with the thing while making cute little battle noises, at which point we had to find a new hiding place for the swiffer-duster thing, a place so hidden I now have no idea where the thing actually is anymore.

Anyway. The whole thing put this idea in my head of like, what if, upon pulling that swiffer-duster thing out of the cushion, instead of a swiffer-duster thing, it was actually a sword, and all of a sudden, upon pulling that sword out of the couch, instead of being in the real world, my son was now in some fantasy, video-game-like world, where the normal everyday stuff he interacted with on a daily basis was now like walking and talking and being all anthropomorphic? And then I thought, what if, hypothetically, a boy who was neglected by his parents, not that I neglect my son or anything, but what if, what if a boy concocted this fantasy world in his head, because he was so starved for attention due to his parents’ neglect, what if he concocted this fantasy world and sort of like dissociated from the real world to live in this fantasy world, all so he wouldn't have to deal with the confusing pain caused by his parents' neglect, and then I started thinking like, how exactly would that all play out?

And that’s when the idea of “Arthur’s Quest” came to me, which eventually I started calling “The Boy’s Quest,” to sort of distance it from my own life and make it more relatable to a potential player, until eventually I changed the name once more, to “Boy’s Quest,” because I didn’t like the “The” in the title, for flow-related reasons, thinking it made the game’s title a little too awkward and unwieldy to say out loud.

So that’s what I’ve been doing for the past few days, using RPG Maker MV, writing and programming “Boy’s Quest,” a game that will likely never manifest into anything more than yet another incomplete project amongst hundreds of other incomplete projects, but hey at least I’m having fun, for the time being. And I do have the general story overview, main character descriptions, and first scene already mapped out, in a “script” document I've been keeping, and I’m going to share that, and future progress, occasionally, in these “devblog” entries, and I’m only calling these entries “devblogs” because it gets the point across, I’m not actually a developer or anything, as I have absolutely zero experience in real-game coding, RPG Maker being sort of like a drag-and-drop, just-fucking-do-it-for-me kind of game-making tool that I suspect real game developers scoff at and look down upon, and I'm using stolen assets to make the beta version of the game, but hey I’m having fun, at least for the time being.

Anyway, that whole ramble up there was really just a preface to share with you some of the progress I've made, so here's a general overview of the game's plot and a description of some of the main characters.

Plot Overview & Character Descriptions )

The next devblog entry will likely be an overview of the first scene, including the script and a short video of said scene playing in-engine, something that is already about 90% of the way done.

f0rrest: (business time)
It is a constant internal struggle regulating my own stupid-ass behavior.

My life has been characterized by addiction. Addiction to digital entertainment, chemical substances, irrational thought patterns, and feelings both emotional and physical, typified by the chase of dopamine through harmful repetitive behaviors that I am aware are repetitive and harmful yet continue to justify through immature and potentially deadly rationalization, stuff like, “this will be the last time, for real this time” and “I work hard, so don’t I deserve to have a little fun every now and then?” and “hey, I’m here, so I might as well partake in some stupid shit, when in Rome,” and so forth.

“Alcoholism” is a decent categorization tool, it gets the point across, helps diagnose and potentially correct problematic behavior, but it misses the big picture, that being that certain people are just born fucked, like their brains are strongly inclined toward addiction, and not just to alcohol, but to anything that makes them feel good, anything that releases dopamine or one of the various other feel-good chemicals our brains so enjoy, and unfortunately, due to harsh biological reality, some people are just born this way, born fucked, and because of that, their lives forever mirror Sisyphus pushing a giant rock up a near-vertical incline, but the rocks are not rocks, the rocks are brains, their own brains.

As you might have gathered, I am one of these Sisyphusian brain pushers.

On the final night of the big company conference, a customer-appreciation party was held. I was all dressed up in a nice grey sports jacket, tucked light-blue collared shirt, wrinkleless black slacks, dark slip-on dress shoes, and fancy black socks to round it all off. The party was held in this huge open room, and the lighting was turned to like the lowest possible setting so it was all dark in there, but there were strobes and blinky blue fluorescents going off, which made the whole place feel quite surreal and futuristic, and there was a house band playing 80s power ballads and soft rock classics poorly. There must have been like at least a hundred people there, customers and employees both, many wearing cowboy hats with blinking lights strung into them, some with long feminine wigs of many different colors, as the party’s theme was like “Wild West but in Space” or something like that, which I had apparently missed the internal memo for. Everyone was dancing and screaming their conversations over too-loud music and huddling together in their little corporate cliques, because people don’t really change much after high school, and there was an open bar with free drinks, so everyone had a cocktail glass full of auburn liquid or a damp beer bottle or a glass of dark red wine in hand, everyone except for me, of course, because I don’t drink, since I’m pretty much a low-key alcoholic, although I don’t go to AA or anything like that, instead I just regulate my alcoholism internally by choosing not to drink.

But as you know, it is a constant internal struggle regulating my own stupid-ass behavior.

So of course I’m standing there, in the middle of all these happy luminescent people, shrouded in waves of darkness, feeling totally out of place and alone, and I’m hyperfocusing internally on the fact that I’m standing there feeling totally out of place and alone, which makes me loop on the idea that other people see me as being totally out of place and alone, which makes it almost impossible for me to strike up a normal conversation with anyone, since I’m stuck in this I’m-a-weird-awkward-loser type thought loop. So at some point I sulk off to a corner, lean back against the wall, and look at my phone, browsing both my company and personal emails, trying to distract myself from the thought that I’m being a totally weird awkward loser, and that’s when the thought occurs to me that like if I just have a small drink then I’ll loosen up and be able to mingle with all these people and then maybe I’ll have a good time, but I hadn’t had a drink in over a year and was sort of proud of myself for having abstained for so long, so I continue scrolling and swiping through my phone, hoping this nagging just-have-a-drink bullshit goes away, but it doesn’t, instead it just evolves into a myriad of stupid justifications, as if there’s a devil on my shoulder whispering into my ear, like “one beer isn’t going to hurt” and “everyone else here drinks because they’re just as awkward and antisocial as you are, so it’s not like you’re doing anything wrong” and “maybe having a few drinks will facilitate some sort of exciting life experience like a steamy one-night stand with that redhead you keep looking at” and “when in Rome” and “this is a one-time special occasion, you deserve this, go for it” and “why do you have to be so uptight all the time, loosen up, Jesus Christ.” All while the angel on my other shoulder is like, “just go back to your hotel room and read your book” and “you don’t need to fit in or prove yourself to anyone” and “drinking as a social lubricant is a crutch, you shouldn’t need alcohol to socialize with people” and “if you did have that one-night stand, you’d literally never forgive yourself and you’d spiral into an existential crisis and possibly kill yourself” and “what would your wife think?” and “don’t listen to that red guy with the horns and the pitchfork, he has gotten you into trouble before.”

So I take the angel’s advice and leave the futuristic ballroom party place, but I can’t bring myself to take the elevator back up to the fourth floor and return to my room. I just can’t. So I kind of just pace around outside the ballroom, at which point one of my party-going peers, who is wearing this long blue wig, comes up to me and starts saying stuff like, “what are you doing out here by yourself?” and “how about I grab you a drink?” and “are you going out to the bars later tonight?” and “a few customers were asking about you,” and then they take off their wig and hand it to me and say, “wear this, this’ll make you feel better,” so I put on the blue wig, do a funny little pose with a peace sign near my face, and they snap a picture of me with their phone, and it’s around this time that the little devil on my shoulder rips the head off of the sweet little angel on my other shoulder and shits down their neck, and then there I go, back into the dark strobing party room with all the people and the too-loud music, wearing this ridiculous blue wig, and suddenly I’m at the bar saying to myself “just one beer won’t hurt,” and then, before you know it, I’ve got a Corona in hand, and then I’m taking sips of bitter pale liquid, which is just as fucking nasty as I remember it being, and I’m pretty much immediately feeling loose and uninhibited, and so then I start to confidently mingle.

But of course, one Corona turns into two, turns into three, turns into four, and so on, until I’m all warm and toasty and fucked up, having not felt this way in a long time, and, for an hour or two there, I was really enjoying myself. I even talked to that one red-headed woman I was always looking at, and she turned out to be pretty repulsive, personality-wise, because she was pretty wasted and only wanted to talk about all her different semi-automatic rifles, going on and on about the different specs of each gun, so when I jovially told her that I had never held a gun in my life because one, I never needed to, and two, it seems like simply carrying a gun increases the likelihood of being shot by a gun, she started looking at me like I was a huge pussy and eventually wandered off to talk to somebody else, but that was OK with me, because I was feeling happily fuzzy at that point and just found someone else to talk to myself.

But it was around the time of my fifth beer, when the customer-appreciation party ended, that I started to feel a little weird, because the party was ending and I was starting to think stuff like “what the hell am I doing to myself here?” so I was starting to come to terms with the fact that I had failed at internally regulating my own stupid-ass behavior, but I still wanted to drink because I figured the more drinks I had the less I would care about my failure to regulate that stupid-ass behavior. So when I was leaving the ballroom, still wearing the ridiculous blue wig, and one of my team members came up to me and asked if I wanted to continue the party at the local dive bar, I smiled real wide and said “when in Rome” and off I went, out those big hotel double doors, with like six other people, into the concrete jungle of downtown Dallas, where massive obelisks pulsing with technicolor rainbow light pierce the heavens and the pretty faces of huge women on billboards look down on you and corporate brands try their very best to invade your mind. It was all very surreal, being drunk in the middle of a midnight metropolis, having no idea where I was going, chain-smoking cigarettes, following the leader, just hoping for the best.

We must have walked at least half a mile, passing a number of mentally ill homeless people wearing all sorts of dirty ripped-up clothing, some of whom with backpacks nearly bursting on their backs, others with shopping carts full of heavy-duty trash bags and miscellaneous junk all of which seemed entirely useless but surely had some sort of imaginary use to them, the mentally ill homeless people, one of whom was a barely clothed skeletal woman lying supine on the concrete in a pile of her own filth right outside a sketch-as-fuck alley, and she was holding a sign with incomprehensible scribbles on it and screaming some quite unpleasant things about my father as I passed her by.

The bar was called The One-Eyed Penguin. It was one of those second-story bars in which you have to walk up this long flight of claustrophobic stairs with stickers all over the walls to get to the bar proper. The bar itself was pretty small, but it had a pool table and an outdoor space to smoke. The people I was with got themselves some shots then started playing pool. I ordered myself another Corona, my sixth, and asked the bartender if I could smoke in this place, but he said no, you have to go outside to the porch, so I went outside to the porch, sat down on an uncomfortable stool and lit a cigarette, then I gazed out at the midnight metropolis skyline with something like awe before a couple walked out there with me, and then they started smoking, and then they started making out. The woman was pretty cute. I was watching them, perhaps a bit longer than I should have, but they didn’t notice me. I was thinking about how long it had been since I had felt like that, so in love or limerence or whatever that I would be willing to make out with a woman right there in front of people at the local dive bar, and how, being married, that sort of excitement just sort of fades away after a while, fades away into comfort and complacency, and this thought sort of depressed me a bit, so I lit another cigarette and gazed down at the concrete below me, where I saw a homeless man trying to bum cigarettes off some dude walking by, and I started to think like how do you get to that point, that point where you’re wearing like poop-stained pants and bumming cigarettes off random people at midnight in downtown Dallas, and I started wondering like, perhaps it’s addiction, perhaps addiction is how you get to that point, addiction not only to alcohol, but to anything, addiction to digital entertainment, chemical substances, irrational thought patterns, feelings both emotional and physical, and it was at that point that I started to feel bad for that unhoused individual. I started to feel real bad. So I watched him a little while longer. I watched person after person wave him off, ignore him, keep walking, until eventually I watched him stagger off to a street corner, sit down with his knees up, fetal almost, and just rock back and forth. And that’s when I became overwhelmed.

I became overwhelmed with some sort of radical empathy.

Looking down at that dirty man from my smoky perch, I saw a seriously fucked individual. I saw a Sisyphusian brain pusher, someone who had failed to internally regulate his own stupid-ass behavior, someone who was just born that way. I saw an addict. I saw myself.

So, leaving my half-full Corona behind, I stepped down that long flight of claustrophobic stairs, exited the bar, walked right up to that unhoused man, gave him my half-full pack of cigarettes, then I just walked off, back to my hotel, where I took the elevator up to my room, called my wife, and told her all about my night.
f0rrest: (business time)
A few nights ago, I went to one of those fancy five-star Italian restaurants and ordered noodles with butter.

The dinner was part of this big once-a-year two-day company conference in Dallas, Texas, where us employees are expected to hype up our products and wear the suits and build the relationships and pretend we're happy to be there and wake up at like six in the morning because sessions start at seven and end at four at which point everyone goes out to wine and dine customers before sneaking off to seedy dive bars to get totally debauched, all at the company’s expense. 

It was one of those four-star hotel slash convention center tech conferences with keynote speakers and customer panels and announcers saying stuff like “now presenting, the chief technology officer of the best software company in the world, John Smith” over poorly chosen alternative college rock with lyrics that are probably critical of corporate stuff like this if you actually bother to read them and of course there’s breakout sessions and customer-appreciation parties and raffles and long hallways with lots of double doors each opening to identical-looking people behind podiums presenting criminally boring PowerPoints on massive pull-down projector screens, PowerPoints about product roadmaps and industry best practices and return-on-investment case studies, all to an audience of middle-aged middle-management people jotting down notes in cheap little company-branded notebooks between taking iPhone photos of the slides themselves and occasionally burying their heads into their laptops because they're so whipped by work that they’re double-tasking work shit while attending the conference itself. And of course I’m tasked to sit in on all these presentations, mostly to fill out seats, so I’m just sitting in the back row, bored as hell, people-watching, counting the number of laptops in each room for some reason, and, by my count, there must have been at least like a million dollars’ worth of ThinkPads and MacBook Pros in that hotel conference center over the course of those two days, the future e-waste potential kind of mind-boggling to think about.

Anyway. I went to the Italian restaurant on the first night of the conference. About twenty customers were there. My boss was there, too. I was business casual in a gray short-sleeved collared shirt and some long khakis and I had taken my little silver-hoop earring out the night before, because for some reason people still raise eyebrows at men wearing earrings, and I was sitting opposite my boss between two clients, one of whom was a conservative woman who kept going on about her five-year-old son being like totally gifted and having a killer six-pack, for whatever reason, and I knew she was conservative because, after a few glasses of wine, she was not shy about telling me, plainly, that she was a conservative, and that the recent news shattered her faith in humanity, but only in humanity on the left-leaning side of the political spectrum, who, according to her, were irrationally violent and trying to start a civil war and must be stopped at all costs, so of course I was nodding along and smiling and just going with the flow, not wanting to get into some stupid meaningless political debate with a middle-aged wino mom who doesn’t know what the word “objectivity” means. The second customer sitting next to me was this younger African American woman who worked for an online school and kept going on about how she’ll never send her kids to college because it’s a scam and they don’t teach you anything there that you can’t learn online, which I thought was just a little ironic. So of course I hate these dinners with a fucking passion because not only do I not fit in with most of the people who attend these things, but also, despite being surrounded by people on all sides, I always feel this expectation to be host-like, because technically the company I work for is the one hosting, so I always feel like I should be making banal small talk and cracking little jokes and schmoozing everyone, so that’s what I was doing, making banal small talk and whatnot, asking about peoples’ days and their flights and their kids and like what sort of stuff do you like to do in your free time, oh play pickleball? nice, very cool, all while pretending that I don’t think pickleball is just a pussified version of tennis. 

The whole dinner made me feel very fake, as these things always do, so I decided to be daring and, instead of coming up with some sort of lie to get out of eating the food, because I’m very picky, having the diet of like a literal toddler, that being like pizza and Kraft Mac and Cheese and fucking white rice, I decided to be true to myself and just order what I wanted to order, which was noodles with butter, the only thing on the menu that seemed remotely appetizing, and it wasn’t even on the main menu, it was on the children’s menu, so I was ordering from the fucking children’s menu at the five-star Italian restaurant, and instead of alcohol, I just got some water, because I hadn’t drunk alcohol in like a year, which was another thing that kind of separated me from all my peers here, all of whom liberally drink alcohol as a sort of social lubricant, which is something I just cannot do because I have serious addiction problems that can only be avoided if I just do not partake in the things I enjoy, otherwise I will partake in those things until I literally die. 

So, again, there I was, at the upscale and very sophisticated Italian restaurant, sitting at a lavishly decorated table with candles and bread baskets and shit, surrounded by clients, my boss sitting right across from me, me ordering noodles with fucking butter and a glass of water please, somehow having convinced my toddler-ass self that this whole ordering-off-the-children's-menu thing was a good idea.

And by uttering the words “penne pasta with only butter please,” I fear I may have unwittingly gaslighted my boss, because after ordering this very juvenile order at this very expensive Italian restaurant, my boss was looking at me with this what-the-fuck-is-wrong-with-you kind of expression on his face, you know the one where the eyes are narrowed and the hand is at the temple and the mouth is slightly agape and all that. So I can only imagine what he must have been thinking, surely something like “How could this child have come to be employed at my company? What was I smoking when I interviewed this guy? How could this toddler have slipped through the fucking cracks?” And then he just sat there silent for a few seconds, wearing the face of a man wrestling with some sort of serious personal crisis. He was probably rethinking all his life choices up to the very point where he witnessed an employee under his leadership and tutelage ordering noodles with fucking butter, probably questioning his entire ability to judge the character of others and his own effectiveness as a leader. So, needless to say, I was pretty worried about losing my job at that point.

But then, by the grace of God, the woman with the five-year-old with a six-pack said, “That’s exactly what my son eats when we go out,” at which point the conversation shifted to our children and their eating habits and the two women sitting next to me made many jokes at my expense, which kind of annoyed me, internally, like how come food is such a big deal and why can’t people just let others eat what they want without this sort of weird shame attached, like why is having a diverse palate some measure of a man in corporate America, nigh the entire fucking adult world, and how come I can’t just be myself and eat like a toddler and not get low-key ridiculed, and the more I thought about it, and the more jokes were made at my expense, the more I became flustered and annoyed, so, tired of being the butt of so many toddler-tinged jokes and tired of the woman next to me, who was at one point poking meat with a fork and holding it up real close to my face saying try it just try it, I said, “Look, I have a medical condition, so I can’t eat many foods,” which was of course a bold-faced lie, but at least it got everyone to shut up about my eating habits, because that’s when everyone’s demeanor shifted and the subject was changed and the dinner proceeded with its usual banal small talk, until eventually everyone finished their meals and my boss paid the egregiously expensive bill and we all exited the restaurant.

Later that night, at a seedy dive bar with my boss and some peers, after everyone, except me, was nice and debauched, I went up to my boss and I said, “do you want to hear something funny?” And he said, “yeah, sure, what?” And I said, “I don’t have a medical condition.”

And you know what he did, he literally burst out laughing. That’s it. And then he patted me on the back and said,

“You know what, Forrest, I like you.”

So I’m starting to think I overthought the whole thing.
f0rrest: (smoking)
When I got to the door, I pushed my face up to the window to sneak a peek inside. I could see all the paintings on the old brick walls, some abstract stuff, like splatter on canvas, clocks hanging from trees, and faces made from triangles and incomplete circles, and this one especially weird painting of these sun and moon people hugging each other near a black hole so they looked all spaghettified, painted by this girl Phoebe, who always sat in the very front of the class and barely spoke a word but was like idiot-savant levels of talented when it came to painting.

There were about ten kids sitting at these long wooden tables, laughing, drawing, talking, big sheets of tan paper in front of them, rulers too, and I could see Aaron sitting in the back, alone, keeping a spot open for me. Ms. Vickers was nowhere in sight, so I figured she must be in the back, getting supplies or whatever, which was the perfect chance for me to sneak in unnoticed and pretend as if I wasn't eleven minutes late to class, so I cracked the door open, slid through, and pushed my way between the tables, into the back, where I sat down next to Aaron, all without drawing Ms. Vickers’ attention, so I guess my lucky break was actually lucky, because it didn't seem like I would be getting written up, at least not yet.

“Where’ve you been?” Aaron said, all baritone.

“Heaven.” I was only being partially sarcastic.

I guess I was distracted because I kept looking at the classroom door, imagining KB walking in for some reason, so I was sucking my cheeks in a little bit because I thought it made me look thinner, more attractive, and then, elbow on the table, I rested my head on my palm, feigning obliviousness, and said, “What’s going on?”

“Ms. Vickers is on a call.”

“Oh,” eyes flicking back and forth from Aaron to the door, hoping, wishing, wanting for KB to walk through, see me, wave, maybe even walk right up to me, tell me she actually knew what I meant, about what I had said earlier, tell me she wasn’t freaked out that I had just bolted out of the grove like a madman, that she actually found it quite endearing and cute and “here’s my number, we should hang out some time,” and I just couldn’t stop thinking about her, her nerdy glasses, her freckles, her duck lips, her viola, kissing her, holding her, not in a sexual way or nothing, but in a romantic way, even though I’m a terrible romantic, awkward as hell, but I'm excellent at falling down, face first, into love, at first sight, which isn’t so much a skill as a curse, having gotten me into a lot of fucking trouble in the past.

“Do you want to play Counter-Strike tonight?” Aaron said in like a baritone whisper.

But I was twirling my hair, totally unable to look away from the door at this point.

“Nathan.”

I made one of those oblivious huh’s.

Source, Counter-Strike.”

“Yeah, sure, whatever.” I was just saying stuff, having not really heard him. I was too busy hallucinating almost, forever blowing dumb romantic bubbles, wanting so badly for her to walk through the door so we could coyly steal glances at each other like kids in love often do, already pretty much convinced that we were like destined to be together or whatever.

And then that’s when Ms. Vickers walked out to the front of the class, to the big green chalkboard, ruler in hand. She started pointing at something on the board, then, noticing me, she stopped and simply said, “Mr. Wheeler.” And that’s when the class went all silent, some kids looked back at me, oh-shit looks on their faces. And then Ms. Vickers said, in her most stern teaching voice, “Mr. Wheeler, when did you get in?” and that’s when Aaron gave me a nudge, because I guess I was staring off again.

“Oh,” I said, adjusting my gaze to Ms. Vickers, taking my elbow off the table. “I’ve been here,” I added, leaning back in my chair, arms crossed, all casual as hell. “What’s up?”

Ms. Vickers’ eyes narrowed, then she shook her head, sighed, and said, “With the call I just got, and everything else going on, I just don’t have the energy to deal with you right now.” She was always saying stuff like that, dropping little hints about her life, but no one ever seemed to care. But I did notice that she wasn’t looking too good, like she was sick or something. She was an older woman, maybe in her late fifties, and she had this wiry gray hair, pulled into a ponytail, some strands falling down around her face, and her cheeks were all sucked in, gaunt, like her skin was pulled way too tight over her skull or something, and she was looking a little yellow in the face, and when she lifted her arm and pointed her ruler at the words LINEAR PERSPECTIVE, I noticed she seemed a little slower and shakier than usual, like maybe she was dying or something.

“If you remember,” she said, looking right at me, “last week, we covered Filippo Brunelleschi, the father of linear perspective,” and then she tapped the board with her ruler, “which is really just a way of tricking the brain into thinking a flat picture has depth.” She emphasized the words “flat” and “depth.”

But I was leaning back, pretending like she wasn’t annoying the shit out of me, although she actually was, because I was starting to suspect she was trying to make a point or something, and I can’t stand people who try to make points.

She put the ruler down, picked up a piece of chalk, and started drawing as she spoke, “You start with a horizon line, then you pick one or two vanishing points, and every line in the picture that’s not vertical or horizontal points back to these points.” She stopped to finish a simple drawing of a road. “See this road,” she paused, looking around the class, “see how it looks like it’s getting narrower the farther away it gets, as if it has depth when, of course, it’s just a flat picture?” She had emphasized the words “flat” and “depth” again, before pausing to look right at me. But I wasn’t really paying attention at this point, because I was forever blowing dumb romantic bubbles, so I didn’t really notice the awkward silence and all the kids looking at me again.

“Mr. Wheeler,” Ms. Vickers said.

Aaron nudged me.

“Mr. Wheeler, do you see how the flat picture appears to have depth?”

I was looking but just sort of blinking.

She started going off again, “You could say that, perhaps, the picture is lying to us, superficial in a way, tricking us, could you not?”

And that caught my attention because she was definitely trying to make some sort of point now, so I glared at her and said flat out, “What’s your point?”

And then she said, in this annoying tone, “My point is, despite how much superficial depth one might add,” she started drawing some sort of house on the road, “it’s still just a boring old canvas underneath.”

Trying very hard not to sound bothered, I said, “Is that the lesson today, like, canvases are boring, or something? You know, my stepdad pays a lot of money for this education, and like, if that’s the lesson, then I don’t know if he’s getting his money’s worth, to tell you the truth.” Not that I cared about my stepdad getting his money’s worth, I was just a little annoyed, is all.

By now, some students were looking back at me, some with looks of fear, some with awe, some started laughing real loud, but they stopped instantly the moment Ms. Vickers cracked her ruler against the chalkboard and said, “No, Mr. Wheeler, the lesson today is a test of your perspective, I want you to draw a black-and-white structure using this technique.” And then she walked to one of those rolling carts and pulled off a rolled-up canvas, unrolled it, taped it up to the chalkboard, and pointed at it with her ruler. “Like this.” It was a picture of a church or something, but with the illusion of depth. And then she said, “Good luck, hope you were paying attention, and remember, black-and-white.” And then she walked off to the back room in sort of a huff, coughing up a storm. The room filled with chatter.

“I wish I could do that,” Aaron said.

“Do what?” I said, blinking.

“Just not care about stuff, like you do.”

He said it in this reverential tone that made me feel kinda sad for some reason, so I averted my eyes to the door and said, “I do care about stuff.”

“Really,” he said, a few octaves higher than normal, “like what?”

But I didn’t want to get into it with him right now, so I just stood up, walked to the front of the class, to the supply drawer, found myself a pen, a tan canvas, and, feeling a little rebellious, a box of very colorful pastels. I wasn’t about to let Ms. Vickers get away with making some sort of point, although I couldn’t figure out what the actual point was, I just knew she was making one, and I also knew that I wasn’t about to draw some lame-as-fuck black-and-white picture. No, my drawing was going to be colorful as hell and full of perspective, so I walked back to my table, sat down, and, overflowing with defiant purpose, got ready to make the most vibrant thing that I could think of.

You see, back then, I considered myself somewhat of an artist, so I knew a thing or two about art, I really did. I knew all about the big artists, from Wikipedia mostly, like da Vinci and van Gogh and Picasso and Pollock and Dalí and Warhol, but I was particularly interested in Yoshitaka Amano, the artist for Final Fantasy, and Marcel Duchamp, who was like the father of this movement called “dada,” which was an anti-art thing. The guy took a toilet, signed it “R. Mutt,” and put it up in a gallery, to illustrate that like anything could be elevated to the status of “art” simply through the artist’s intent, but that wasn’t really what drew me to Duchamp, what really drew me was the fact that his toilet was also like a big “fuck you” to the art establishment back then, which I imagined had gotten all huffy and pretentious and gatekeepy, like artists often get, and I hate huffy and pretentious and gatekeepy. So Duchamp was sort of like a hero to me. He kind of inspired me to start making art, to tell you the truth. I would take pictures of everyday stuff, like televisions and beds and the East Beach shoreline, print them on big canvases at Michaels, then smear oil paints all over them, not to make a point or nothing, but as a fuck you, as a way to illustrate that anyone could be an artist, that you didn't have to learn all these dumb high-minded techniques like shading and layering and perspective to make some really aesthetically beautiful stuff, because the cool thing about aesthetics is that they’re totally subjective, meaning I wasn't going to draw some dumb-as-fuck black-and-white picture of a building, because that would have offended my personal subjective aesthetic values, which Ms. Vickers didn’t seem to understand, even though she had the audacity to call herself an artist, which blew my mind, because she was about as rigid and by-the-book and creatively bankrupt as they fucking come, an artist my ass.

So, eyeballing it, I made my lines and my vanishing points, then I drew this plain-looking house right in the middle, with a few windows, a porch, and a chimney, pointing all the edges or whatever right back to the fucking vanishing points, like Ms. Vickers told us to do, then I whipped out my pastels and started going crazy. My thought was that even the most boring thing in the world, like this dumb assignment, could be made interesting given enough color, so I divided the house into vertical sections and colored each section a different color, like a rainbow or whatever, then my mind wandered to KB, so I drew all these big sunflowers in the foreground, overlapping the house a little bit, then I took some of the dark blue and orange pastels and colored the background like early twilight, and after about twenty minutes, I had completed my rainbow-sunflower-twilight dream home, then I leaned back in my chair, hands locked behind my head, grinning a little bit, feeling proud for having stuck to my personal subjective aesthetic values.

Aaron leaned over, looking down at my picture, and said, “Didn’t she say black-and-white?” He didn’t have an artistic bone in his body, as far as I could tell, so I didn’t really expect him to understand me or my artwork. He was all intellect. He had like a 200 in trig or something.

“Yeah, so what? I did the whole perspective thing, or whatever it is.”

Then he leaned his head real close to my canvas, studying it for a second, “Aren't you supposed to use a ruler?”

I blew a raspberry and shrugged, “Didn’t need it.”

“But your lines are all wobbly.”

Then, almost out of nowhere, that Phoebe girl walked up to our table. She just stood there, staring down at my canvas. She had this pale mousy face, and her hair was blue-black and bobbed. She had like no feminine grace whatsoever. She wasn't ugly or nothing, but she was no KB, that's for sure. And she was staring for like a whole minute. It was weirding me out. Both Aaron and I were blinking up at her, like what the fuck, but she just kept staring for a while until she looked up at me with this creepy toothy smile then, without saying a word, abruptly turned and walked off, footsteps not making a sound, as if she were a ghost gliding eerily back to her seat or something.

I turned to Aaron and whispered, “What the fuck was that about?”

But before Aaron could answer, I heard a loud, “OK, Students!” And just like that, Ms. Vickers was back in front of the class, pen in one hand, notebook in the other. “I’m going to walk around and give you each a grade.” Then she started walking, and talking. “The criteria is simple,” she said, “did you follow the instructions, or didn't you.”

As she walked, she looked at each student's canvas, “pass, pass, fail, pass, fail,” while making little marks in her notebook. And as she got closer and closer to my table, I started feeling more and more excited, because I knew she was going to hate my artwork, and that made me feel pretty good in this dada, punk-rock sort of way.

“Pass, fail, pass, pass.”

Then, excitement reaching fever pitch, she was right on me, staring down at my canvas, which I had so graciously spun for her, so that its rainbow-sunflower-twilight glory was in full view. I was leaning back in my chair, arms crossed, looking her up and down, starving for some sort of reaction.

But all she said was, “Fail.”

Then she turned to Aaron, raised an eyebrow, and said, “Good effort at least, pass.”

Then she just started to walk off, toward the front of the class, me still leaning there, arms crossed up hard, kinda annoyed, so I said, in my loudest speaking voice, “That’s it?”

She stopped, unmoving for a good few seconds, then she slowly turned like she was in a made-for-television drama or something, this subtle scowl on her wrinkled old face. “What were you expecting, Mr. Wheeler?”

“I don’t know, Ms. Vickers. I think it’s aesthetically pleasing, to tell you the truth.”

“This wasn’t a lesson in aesthetics, Mr. Wheeler,” she said sternly as she walked up to the table, picked up my canvas and held it out for all the class to see, eliciting some laughter from the students, at which point my face got all warm and fuzzy and I melted a little bit into my chair.

“Mr. Wheeler obviously didn’t use a ruler, and he obviously missed the part where I said, ‘black and white,’” she said, speaking to the class more so than me. Students were still laughing. In fact I think the only person not laughing was Aaron, and Phoebe, too, for some reason. Then Ms. Vickers turned back to me and said, “But it’s more likely that you just ignored my instructions on purpose, to make some sort of point, isn’t that right, Mr. Wheeler?”

I was the one scowling now, couldn’t help it. “I wasn’t making a point.”

“Then why all the color, why the sunflowers?”

“Because it’s pretty,” I said, “and the assignment was boring, so I thought, like, why not make it more interesting?”

“Remember that time, months ago, during our cubism lesson,” she said, laying the canvas on the table, “when you decided, for some absurd reason, to, instead, draw a person made of circles?"

“Yeah, what’s your point?”

“And what was your reason then?”

I didn't really want to answer her, but after a few weird seconds I did anyway. “Dada.”

“Do you know what dada is, Mr. Wheeler?”

“Sure I do, Marcel Duchamp, early nineteen hundreds,” I would have kept going, but Ms. Vickers cut me off.

“You know some names, some dates, some superficial facts,” she said before coughing a little bit, “But did you know that Marcel Duchamp was a trained artist, educated at the Académie Julian in Paris?”

“So what?” I said, trying to hide my scowl, but the more I tried to hide it, the worse it got.

“Did you know that, early on, before dada, he painted in the impressionism and cubism styles, and that he even displayed a mastery in shading, perspective, and human anatomy?”

The whole class went silent. I could feel everyone’s eyes on me. It was making me kind of nervous, to tell you the truth, and my face was heating up, so, with my arms still crossed, I said, again, “What’s your point?”

“My point, Mr. Wheeler, is that Duchamp was a trained artist who mastered the most basic principles, he learned the rules, and he learned them so well that, later in life, when he broke those rules, his output was not only taken more seriously, but, most importantly, it was all the more shocking and subversive."

“So what?”

“So, what I’m trying to tell you, Mr. Wheeler, is that it’s easy to sit there and pretend that you've got it all figured out, that you're above all the rules, but before you can break the rules, you must first learn the rules, because only then will you know which rules are worth breaking, otherwise it's all performative, superficial, lashing out for no good reason, as if you're trying to make a point without knowing what the point actually is.”

I was both fuming and embarrassed as hell, cursing like crazy in my head, leaning there, arms crossed, saying nothing, trying my damndest to look unbothered, but I could feel my lips quivering and my nose scrunching and my face turning red. I was praying, please aliens, please abduct me, right here, beam me up, take me away from this place, but then I started thinking that, if aliens did abduct me, I wouldn’t see KB ever again, and right when that girl popped into my head, all the fuming embarrassment faded, and I relaxed in my chair, and I even uncrossed my arms, but Ms. Vickers just kept going for some reason.

“The difference between you and Duchamp, Mr. Wheeler, is that Duchamp mastered the basics and knew exactly what he was doing, but you, you haven't a clue.”

Then there was a long silence, her just glaring down at me with this holier-than-thou look on her face, like she had just made the best damn point in the whole universe or something.

So all I did was, I slowly raised my hand, as if I had a question.

“Yes, Mr. Wheeler?”

I let my hand hang in the air for a moment, building up the suspense, then I said something I probably shouldn't have said, but I said it anyway.

I said, “Why do you have to be such a bitch all the time?”

And then the whole room gasped.
f0rrest: (smoking)
I was stepping quick down the wide stair brick, cool breeze washing over me, one hand dragging along the top of this fancy low cement wall for balance, when I heard my name called from behind me. I didn’t stop, but, while moving, I tried to turn my head to catch a glimpse of whoever it was, and that’s when I lost my footing a little bit and stumbled down the last few steps, landing on my palms at the bottom of the stairs, contents of my messenger bag spilling out all over the walkway, and not just a few things spilled out, all of it did, my Moto flip, bright yellow Sony Walkman, headphones with the orange puffs, cassette copy of Beck’s Sea Change, zipper binder with all my papers and stuff in it, wallet and credit card, that copy of Catcher Mr. Moody told me to hang on to, some loose comics I had drawn earlier, a few textbooks, Nietzsche’s Beyond Good and Evil which I didn't understand a word of but felt cool carrying around, my little pill baggie, and the Final Fantasy VIII strategy guide I had been keeping in there for when I got bored in class, which was like all the time, and even my pack of Luckies, thankfully they didn’t burst open or nothing, so the cigs were unharmed, which was important because, well, I couldn’t buy them myself, on account of being seventeen, so I had to get my sister to buy them, and she always made a big deal out of it for some reason, saying I shouldn’t smoke and all that, which is rich considering she smokes weed like all the fucking time.

Anyway, on that brick walkway, on my hands and knees, clumsily scooping everything back into my bag, I could feel my face flush red with fuzzy embarrassment, and my stomach was churning a little bit as I imagined the whole student body watching me, laughing, which probably wasn't actually happening, but I imagined it anyway, and I was hungry, having not eaten all day, because I was watching my weight, always thinking myself fat as hell, even though Mom always told me I was too thin, but I knew she was just trying to make me feel better.

Anyway. When I went to pick up that old copy of Catcher, a chunky wrist reached down and picked it up for me, so I looked up and there I saw Aaron, holding my book, wearing his signature suspenders with green bowtie, tucked Epworth nearly bursting at the buttons. He was breathing heavy, which was normal for him, because he was actually fucking huge, and his cheeks were all puffy and red, but he had this big smile on his teddy-bear face.

“Sorry, Nathan,” he said in baritone, pausing for breaths, “didn’t mean to scare you.”

“You didn’t scare me,” I mumbled, snatching the book from his hand, glancing around nervously as if I were a criminal who had just committed the unforgivable crime of being a tall, awkward teenager with zero coordination and a bag full of incredibly nerdy shit.

And I felt kinda bad about what I did next, because I was like Aaron’s only friend, but I started speed-walking down the brick walkway, toward the Harrington Building, determined to distance myself from the embarrassment zone, passing all sorts of polos along the way. Aaron waddling behind me, trying to keep up, huffing and puffing the whole time, “hold on, hold on,” but I just kept zooming, passing through the crazy shade of one of those mighty oaks, until I reached a fork which verged into an alley between Epworth and Harrington, where Aaron caught up with me and said, “Hey, aren't you going to class?” but I just gave him a dismissive wave and said, “Yeah, I’ll be there in a few,” then I turned into the alley, head down because, well, if a teacher saw me or something, they'd stop me and ask me all sorts of questions, which I didn't really want to deal with right now, because I just wanted a damn Lucky, so I picked up the pace a little bit, through the alley, through the parking lot behind Epworth proper, and finally through a shady opening in the evergreen wall surrounding the entire campus prison complex, and when I looked back, Aaron was nowhere in sight, so I guess he must have waddled his way to Fine Arts. He was such a stickler for the rules, always worried about being on-time and shit, which often made me wonder how we got along so well, considering I didn't give a fuck about any of that.

Stopping in the shade of leafy tunnel, I dug my hands through my bag, pulled out my pack of Luckies, which also housed my Bic, and then I slid a Lucky between my lips, at which point I started rumaging through my bag again, looking for my Walkman, which took me a few seconds to dig out, and when I did, I quickly put my headphones on and pressed down on that chunky play button, and that’s when Beck’s Sea Change started playing with all its strings and acoustics and moodiness.

I was trying to like the album, I really was, but it was so different from his previous work that it kinda annoyed me. I mean, this is the guy who did “Loser,” for fuck’s sake, the wizard of poetic junk pop, who once sung about “garbage-man trees” and “mouthwash jukebox gasoline,” but now he’s sitting here strumming an acoustic guitar, comparing himself to a paper tiger like he’s Neil Young or some shit. It was a big change for him, which I guess makes the title appropriate, but it also kinda pissed me off, not that I hate change or nothing like that, but I just don’t see the point, especially when you had something good going on before. I just don’t get why everyone is always trying to change all the time. It makes me kinda sad, in a way, like whenever someone changes, the person they were before just withers away and dies or something.

Anyway, around the time Beck started singing about “stray dogs gone defective,” I sparked up and took a nice long drag, and as the smoke reached my lungs, I was overcome by this heady feeling like I was a storm cloud full of heat lightning just rumbling off in the distance or something like that, then I glanced at my watch, seven minutes till, just enough time to finish smoking and get to class on time, so in that moment, I was feeling pretty good, not a care in the world, so I decided to push a little further through the wood, into an opening between a circle of trees, fully shaded by a thick canopy, into a place I had taken to calling Smoker’s Grove because, well, it was a grove that I smoked in, and it was a special to me, a place to call my own, a place where no one bothered me. The ground was all dead leaves, twigs, and branches, so it was snap-crackle-pop whenever you took a step, and there were a few fallen logs and stumps scattered about, perfect for sitting, but I usually preferred to sit on this out-of-place, long-forgotten electrical box off in the corner, because it was the only spot where you could see the sky through the canopy, so, taking another drag, then blowing a huge smoke cloud, imaging myself like some sort of sick dragon in a Japanese role-playing game, I turned to the electrical box and, to my surprise, there was already someone sitting right on it.

She was just sitting there, with headphones on, reading a book, one finger on the page, mumbling to herself. “What storm is this that blows so contrary?” A stray sunbeam shone down on her, through the canopy, as if she were chosen by the heavens or something, not that I believe in heaven or nothing like that, but you know what I mean, and her pale legs were crossed at the knees, and her long orange hair was draped over one shoulder, and she had these big duck lips, and these big square glasses, which made her look kinda nerdy, but also kinda cute, so cute, in fact, that I forgot about the Lucky dangling from my lips, smoke swirling up into my nostrils, which made me sneeze, which must have startled her because that’s when she looked up from her book, her big green eyes scanning me up and down, and for a moment there I thought that I had disturbed an angel or something, not that I believe in angels or nothing, but man, seeing her sitting there in that stray sunbeam could turn any boy religious, I'm telling you.

In that moment, with our eyes locked, I tried to affect some sort of cool pose, but my body was stiff, feeling pretty nervous, so instead I put a hand up to my face, trying to catch the Lucky between my fingers, but ended up knocking it right out of my mouth onto the leaves below, and when I bent over to pick it up, that’s when my headphones fell off my ears, which dragged my Walkman out of my pocket, causing it too to fall into the leaves below. Then, confused as to which thing to pick up first, I sort of fell forward onto my palms, and that’s when that fuzzy feeling of embarrassment I had come to know so well returned, so I scrambled to pick up my Lucky, burning my hand a little bit before getting it back into my mouth, then I slung the headphones around my neck and pocketed my Walkman, but not before pushing down that chunky stop button, which, at that point, I wished had also just stopped my life, because I was feeling like a fucking idiot, I really was.

So I just sat there on the ground, in the lotus position, looking down at the leaves, feeling like an idiot, half covering my face, adjusting the Lucky between my lips, face probably red as hell, from all the falling down, but after a few seconds I looked up at the girl anyway, expecting to see a look of terror, but instead she was just sitting there with this cute curl on her duckish lips, looking both amused and mischievous, like an elf almost, because her ears were poking out of her hair just so. And she looked so radiant with that sunbeam that I had completely forgotten about being embarrassed, so I said, in the smoothest voice possible, “Hey,” then I took a long drag on my Lucky.

“Are you alright?” she said, her voice all smoky and southern, as if she were a country-jazz fusion singer or something.

“Yeah,” I said, taking the cigarette out of my mouth, flicking ash. “I just, well, I just didn’t expect to see you there.” I was affecting a real cool tone, feigning obliviousness, as if nothing had happened, which was kind of my default attitude, especially with girls, whom, for some reason, I just can’t stop myself from flirting with. I can’t help it. I’m always thinking girls are cute, even the dumb ones, but there was something different about this girl, something beyond cute, maybe it was her strange southern accent, which normally, on most people, I think sounds trashy, but, combined with the whole reading-a-book-in-a-shady-grove thing, projected some sort of like alluring intelligence or something that I just couldn’t get enough of.

She turned her attention to the book in her lap, slid out a bookmark with sunflowers all over it, put it between the pages, then closed the book, pulled her headphones down, removed those nerdy glasses, folded them, and hung them right between the collar of her green Epworth top, then she looked right at me and said, in that smoky southern accent, “Were you expecting someone else?”

“No, it’s just that,” I paused because at that moment, without the glasses, I recognized her. We weren't in any classes together, but I had seen her in the halls a few times. It was a large campus, but it was a small school, only about fifty high schoolers or so, so it was hard not to notice people. But I think she was new, because she just randomly appeared after Winter break, and I knew she was a senior, like me, because I always saw her leaving AP classes, none of which I'm actually in, on account of my poor grades. And I had only ever seen her from a distance, so I never really noticed how cute she was until just now, and she wasn't cute in this typical twiggy-barbie type way that you see on television or whatever, she was actually kind of big, in a way, not like fat or nothing, but she was taller than most girls, probably up to my nose, and I was 6’2 on a good day, and her face was long and pale and flecked with all these little orange dots, like a sunflower or something, and I was like lost like a bee in nectar there for a moment, probably staring a little bit longer than I should have been.

But she was just blinking those big greens at me. “It’s just what?” she said, finally.

And that snapped me out of my trance. Looking away, I took a drag off my Lucky and blew a smokescreen, then I said, “It’s just that, like, no one ever comes back here.” 

“I hope you don’t mind,” she said. “It’s a nice spot.”

“Are you going to, uh,” I lifted my Lucky, “tell anyone?”

“Why would I?”

“I don’t know.”

“Well, then,” she said, that mischievous curl coming back, “your secret’s safe with me.”

Then, for a moment there, it was disney, what with all the birds chirping and leaves rustling and branches crackling and squirrels scampering up trees, and, in this quiet fantasia, we stole glances at each other in this shy sort of way, until, out of nervousness mostly, I flicked the filter of my cigarette so hard that the cherry flew out, so then I quickly stood up to stomp it out, and that’s when I heard her giggling a little bit, so I turned and there she was, covering her mouth, watching me. I didn’t know what to say at first, so I just ran a hand through my hair, pushing my bangs to one side like I do, and said, “So, hey, like, what were you listening to just now?”

“Oh,” she said, then, still sitting on the electrical box, she dug a hand into her pocket and pulled out this bright green iPod, then she thumbed it and looked down at the screen. “This song called ‘Neon,’ by,” but before she completed her sentence, I completed it for her,

“John Mayer?”

Her lips did that little curl again. “How’d you know that?”

“Good guess, I guess,” I said, feeling a lot cooler now, so I removed another Lucky from the pack and lit it. I was actually kinda obsessed with that song for a little bit, back in the day. That jazzy guitar line in particular can get stuck in your head for weeks. I was actually a big fan of John Mayer, although I didn’t often admit it because his music was a little too mainstream, and I was trying to distance myself from all that radio-friendly shit, but sometimes, when the music is just so good, you just can’t resist it. Besides, he was a really good guitarist, and he knew how to write a hook, and out of the big three corny singer-songwriters of the time, that being John Mayer, Jason Mraz, and Dave Matthews, John Mayer was easily the least offensive, musically. My mom was a big fan too. We even saw him live once, down at the Memorial Stadium. She even let me skip school for it, which was pretty cool of her, I guess, now if only she would stop lying to me all the time about being too thin, that would be even cooler.

“Actually,” I said, kicking my feet a little bit, “I really like that song, especially the guitar riff or whatever you call it.”
“Oh,” she smiled, “me too. I’m trying to learn it on my viola.”

“I saw him play one time, down at,” I paused for a second. “You play viola?”

“I try,” she said, her smile so cute I could barely even look at her. Then she added, “Do you play something?”
“I, uh,” I said, dragging on my Lucky, thinking for a second. “I play guitar.”

I don’t know why I said that. I don’t really play guitar. I mean, I know a few chords, but I don’t actually play guitar. I was in a band one time, in middle school, but was kicked out for, well, not knowing how to play the guitar, like, at all.

“I’d love to hear you play,” she said.

“I, uh, yeah, sure.”

The birds were chirping again. I was kicking my feet. Then she broke the silence. “What were you listening to?”

“Beck.”

“Bach?”

“No, Beck. You know,” I paused to prepare myself, then I started singing, poorly, “I’m a loser baby, so why don’t you kill meeee.”

She was doing that lip curl again. “You sound just like him.”

“Do I?”

“Yeah, you should do it again.”

So I took a long drag off my Lucky, exhaled, then sang it again, practically screaming this time, “I’M A LOSER BABY, SO WHY DON’T YOU KILL MEEEE,” which echoed in the canopy and sent some birds flying off like crazy, then I added that funny little line at the end, “Get crazy with the cheese whiz.” And that cracked her up. She had these low hearty laughs, which warmed my dark heart, they really did. So I kept going, “Kill the headlights and put it in neutral, stock car flamin' with a loser and the cruise control.” I was laughing between verses at this point. “Got a couple of couches, sleep on the love-seat.”

“You’re a natural. You don’t even need school. Just do Beck covers for the rest of your life.”

I did one of those single ha’s, then I said, “I wish,” and put out my Lucky on a nearby tree, then I whipped out the pack and held it out to her. “You smoke?”

She shook her head politely and said, “What’s your name?”

“Nathan,” I said comfortably, “Nathan Wheeler.”

“I’m Katie-Belle,” she said, “Gallagher,” she added. “Most people just call me KB.”

I repeated her name over and over in my mind, then I said something really stupid, I said, “like KB Toys?”
But she didn't seem to mind, she actually laughed. “Yes, like KB Toys.” Then she smiled at me and said, “I just transferred here,” and then  after a brief pause, brushing some orange out of her face, she said, “I’ve seen you around.”

She’s seen me around, I thought, she’s seen me around. I was getting excited and queasy in the best way possible. “Yeah, me too,” I said, “seen you, that is, I mean, around.” And the more her lips curled, the more I lost my way with words, but I just kept going, “Where’d you come from, if you don’t mind me asking, like, what school were you at before, were you even in school, or were you, like, home-schooled, or something?"

“I used to live in Alabama.”

“Really?” I said. “How’d you end up here?”

“My parents,” her voice a little lower now, “Divorced.”

“Oh yeah, mine too,”  I said, my tone too happy for the subject matter, which I could tell made her fidget a little bit, but I just kept going. “I read somewhere that, like, ninety percent of marriages end in divorce.” I was just making shit up at this point, but I kept going. “So it's almost like marriage is like a self-fulfilling prophecy or something.” 

She laughed one of those beautiful laughs again then got real quiet for a second before saying, “So I take it you never plan on getting married?”

“Well, uh, I never really thought about it, you know. I guess, if I met, like, the right girl, or whatever, maybe. I don't know.” She was nodding, so I just kept going. “And, like, I'm not religious or nothing, you know, so I don't really see the point, it's not like God is gonna strike me down if I don't get married or whatever. I'm agnostic, to tell you the truth.”
She was still nodding, and the birds were still chirping, and the squirrels were still scampering up their trees, and after a few seconds of letting my eyes wander, from the squirrels, to her, then to my feet, I said, “Well maybe I would, you know, get married, or whatever, but she’d have to be, like, really special.” Then, in that disney moment, overcome by some surge of confidence, I looked straight in those big green eyes of hers and said, “You know what I mean?”
Then, as if on cue, that stray sunbeam vanished, but KB was still radiant, even in the darkness of the grove, like a beacon of hope within the gloom or something. She was just staring at me, not saying a word, so cute I could barely look at her, then it started to feel like butterflies were killing each other in my stomach or something. I was suddenly overcome with this feeling of regret, like I had come on too strong or something, so I turned away from her, all red-faced, checking my watch, and that’s when I realized I was ten minutes late to class.

So I shouted “FUCK” and bolted the hell out of there.

I could hear KB shouting faintly behind me, “wait, wait,” but I just kept running, not because I was concerned about being late to class or whatever, but because Mr. Moody said I was just one write-up away from being expelled, which normally would’ve been fine with me, but not this time, because this time was different. 

This time I knew KB.
f0rrest: (YA self-portrait)
September 10th, 2025 was a good day for me, and it was also a good day for network television, specifically news network television, specifically their ratings, because if there's one thing the networks and I have in common, it's that we both love to watch people die.

Oh how I love to watch people die, how I love to make the television and social media networks’ line graphs go high high high. Oh how I love to click and swipe and tune in to channel 5 to watch all the gory coverage and revel in the virtue signalling and participate in all the blame games, to wet my figurative lips on some sweet human blood, as long as it's not my blood. Oh how I love to please the executive boards and help political pundits get huge checks. Oh how I love to incentivize the news networks to incite division and strife, which in turn leads to violence, which in turn, hopefully, leads to more people dying, which in turn leads to the line graphs continuing to go up, which in turn incentivizes the news networks to incite yet more division and strife, and so on.

Oh how I just love it so much.

And since the laws of business dictate that the lines have to keep going up forever, because suits have quotas and sales goals and viewer-retention numbers to hit, it all coalesces into a summoning ritual which evokes the great dragon god of blood, the Death Ouroboros, whom I also love so much, and so of course I want those human sacrifices to keep coming, to feed the great dragon blood god, else it might get mad and cast a curse of boredom on me, and I can't have that, because even though I have an endless amount of entertainment at my fingertips, I'm still so susceptible to the curse of boredom, so I gotta keep tuning in, gotta keep feeding the Death Ouroboros, gotta keep making sure the algorithm knows that I just fucking love death so much and need it and want it and like pine for it every day, because otherwise the great dragon god of death, whom I love very much, would go hungry, and that would make me very sad indeed, not to mention bored.

So I set out on a quest to find out who to blame for the latest terrible act of violence, so that I can continue to spread division and strife, so that I can continue feeding the Death Ouroboros, whose own tail is just not cutting it anymore, so of course I frantically search for any information I can find on the person who committed the latest terrible act of violence, and I do this by going to the browser search bar and typing up things like, “what’s the name of the killer? how old is he? where does he live? do we know if he’s a right winger or a left winger? is he gay? is he even a he? is he a woman? is he transgender? is he straight? is he black? is he white? what is the color of his skin? please tell me the color of his skin. does he have a penis? did we find his social media profiles? did he have an anime profile picture? does he have a vagina? what kind of memes did he post? were they political memes? if so, were they left-wing or right-wing political memes? was he an enlightened centrist? what were his favorite websites? did he post on Reddit or 4chan? which shows did he watch on Netflix most often? what are his parents’ names? did his father abuse him? were they religious? what kind of religion? did his mother coddle him? does he wear any sort of cloth head wrapping of any sort? is he an immigrant? please tell me if he is an immigrant. did he come from another country? which country? how loaded is his family? what kind of tattoos does he have? does he have blue hair? what does it say on his voter registration? is he a republican? a democrat? did he ever wear a MAGA hat? are there any pictures of him wearing camo or going on a hunting trip? did he read Marxist literature? what about Ayn Rand? did he read Ayn Rand?” and so on.

And once I’m satisfied with this information, once I know which group of people to blame, I take to social media and post, “You see? You people caused this. Your radical views, your indoctrination, your echo chambers, your dumb memes. You only have yourselves to blame. It’s all your fault. You should feel ashamed. I’m not saying you should all be killed, but the world would be better off if you people weren’t in it.”

Then I sit back from behind the safety of my computer monitor and watch the chaos unfold, smiling to myself, pleased to know that the lines are going up and that the Death Ouroboros, whose own tail is just not cutting it anymore, has been fed, at least for now.

But then, for some reason, I start to feel a little bad, so I of course post my thoughts and prayers and calls for peace and togetherness. I say stuff like “think about his wife and child” and “violence only leads to more violence” and “no one should be killed for just expressing their opinions” and “whatever happened to freedom of speech?” and “yeah, he was despicable, but he didn’t deserve to die like that” and “this is not who we are, we are not like this, we are better than this” and “we must remember that we’re all human beings” and “black or white, we all bleed red” and “the cycle has to end somewhere” and “hate just breeds more hate” and “remember the golden rule” and “two wrongs don’t make a right, they just make a really fucking terrible tragedy,” and this makes me feel a little better, like I’m a good person, like I’ve done the right thing, like I’m really making a difference, like I’m a beacon of virtue out here in this dark void we like to call social media.

And this helps me sleep at night, like a baby, a colicky baby whose formula has been spiked with melatonin and Benadryl.

And then, next week, after the next school shooting or public assassination or whatever, I do it all over again.
f0rrest: (Zantetsuken)
“Suddenly now and then someone comes awake, comes undone, as it were, from the meaningless glue in which we are stuck—the rigmarole which we call the everyday life and which is not life but a trancelike suspension above the great stream of life—and this person who, because he no longer subscribes to the general pattern, seems to us quite mad finds himself invested with strange and almost terrifying powers…”
—Henry Miller, Sexus (The Rosy Crucifixion, #1) 


There I was, sitting in my faux-leather office chair, playing Final Fantasy VIII via DuckStation emulator on an old transparent SecureView CRT via an HDMI to Coax Modulator set to CH3 running from an Ubuntu Linux desktop PC to said CRT so that I could play the game How It Was Meant To Be Played in the year 2025 of our lord, because I'm insufferable like that. My good and perhaps only true friend, Robert, visiting from Florida, sitting next to me in the slightly less comfortable office chair, reading orange-highlighted passages out of Henry Miller’s Sexus between taking sips of Red Bull and waxing pontifical on all his various interpretations of said passages, because he's also insufferable like that. It's like three in the afternoon, and we had planned to take my napping two-year-old son to the mall after he woke up. And of course I’m barely paying attention to what Robert is saying because I’m hyperfocused on fighting monsters to grind materials to make Doomtrain, a Guardian Force that looks like a train made of stretched human muscle and bone and teeth with a ghastly scream stuck on its face as if it had just seen itself in the mirror, when all of a sudden there's a VOOM and the word ZANTETSUKEN appears at the top of the screen and I start bouncing up and down in my faux-leather office chair like I’m ten years old again shouting LOOK LOOK LOOK right over one of Robert’s long-winded-but-I’m-sure-very-interesting Miller rambles.

Our heroes fade. The phosphor goes dark. The screen pans to a 320x240 sky cloaked in black and gray clouds. Rain falls in thin pixely white lines. A low-res puddle forms on the virtual ground. There’s a clomp, a splash. The polygonal hoof of a white mare is shown. The clomps continue, slow, foreboding, off-time. The beast has six legs. The screen pans to reveal the rider, an entity only vaguely human, full of strange and terrifying powers, clad in black armor. His face is yellow and his eyes are red and his scowl is permanent. It is Odin, the god of death. The camera pauses on his indignant mug. He looks severely displeased and ready to fuck shit up. Lightning splits the sky. Thunder booms. The screen goes white, turning the wrathful God silhouette, but only for a moment, because suddenly, with massive blue-steel blade in hand, Odin tugs the reins. The nightmare beast neighs a wicked neigh, rears up on hind legs, plumes smoke from its flared nostrils, and then violently leaps toward the enemy. Odin swings his massive blade, big kanji flashes, not once 斬, not twice 鉄, but thrice 剣, then he is motionless, posed with sword crossed by his face, blood-red 斬鉄剣 splattered on the screen, enemy in view behind him, and then, in the silent blink of an eye, that same enemy is split in two, destroyed.

“That’s gotta be the coolest summon animation in all of Final Fantasy,” I say so matter-of-factly that Robert really has no choice but to nod his head and agree before turning his attention once again to Sexus and saying something like, “The thing about Miller is that, like, he can go from these raunchy-as-fuck sex scenes, which are like ‘I touched her only once and it made her cum like six times,’ which makes me wonder if he ever actually had sexual intercourse with a woman, to these vast philosophical musings on what it means to be an artist and how to navigate the soul-suckingly fake modern world, in a way that really no other author, at least that I’ve read, could. I mean, you really should read Tropic of Capricorn at least, I think you’d like it.” And of course, at this point, I’m zoned out on my grind shit again, but Robert keeps going. “I mean, Miller himself, whose middle name is Valentine which is kinda cool, was kind of an awful person, I think he had a daughter that he pretty much abandoned for a life of debauchery in France or something, all while bumming money off people because he was broke as fuck or whatever, but his writing is incredibly good, so it’s kind of like an art-before-the-artist thing, if you know what I mean.” And I’m nodding along, doing the whole absent-minded mhm-yeah-I-know-what-you-mean thing, repeatedly pushing X on my DualShock, watching Squall gunblade monsters to death, when all of a sudden there’s a knock on my office door and in walks my son, Arthur, at the absolute height of his terrible twos, so of course he immediately starts going through my bookshelf, grabbing at all sorts of paperbacks that, if given enough time, will surely be ripped to shreds, so now I’m scrambling to grab the books out of his hands all while he’s repeating “Daddy, daddy, mall, mall, wanna go to the mall, wanna go to the mall with The Robert,” which is what he calls Robert, “The Robert.”

So The Robert and I get our stuff together, pack up my son’s bag, and head off to the mall.

The mall sucks. It’s dying. There's not one store in there worth going to, and there's hardly anyone ever there, so it's kind of like this vast liminal space left over from a pre-terminally-online age. I only take my son to the mall to ride the motorcycles. Arthur loves riding the motorcycles. They're not real motorcycles, they're like these motorized electric three-wheelers dressed up as unicorns and Paw Patrol characters and shit, but they're pretty fast for indoor children’s vehicles, like 10mph at least, and they can technically support up to 200lbs, so I sometimes ride them too, often the same one my son rides, because frankly he's not a very good driver, having run into many benches, walls, and glass display windows in his time, which is easy for him to do because the employees at this little motorcycle kiosk let the kids ride these little disaster machines all over the place with basically zero supervision as long as you pay the going rate of like two dollars a minute, which is actually pretty expensive considering you're really only paying for electricity and experiences, but the motorcycles are just sitting there untethered outside the kiosk, so anyone could potentially just climb up on them whenever, but the motorcycles won't actually rev up unless the kiosk employee inserts a little card into the motorcycle’s backside which, considering these things are dressed as colorful beasts, ends up looking a little sodomitic, to tell you the truth, but I guess that's beside the point.

Anyway. When we get to the motorcycle kiosk inside the mall, it’s like four in the afternoon, and not a soul is there, besides us, and there’s no OUT FOR LUNCH or BE RIGHT BACK sign or nothing. So I’m scanning the area, checking if maybe the kiosk employee is nearby somewhere, maybe actually supervising one of the little cyclists for once, but no, nothing, not a single person that looks even remotely close to an underpaid mall kiosk employee that hates their life, and all the motorcycles are there, right in front of the kiosk, and my son is now climbing up on the unicorn one, which, from previous rides, we have discovered is actually the fastest one of the bunch, so little Arthur always wants to ride that one, so he’s now repeating, “go go go go go,” but little does he know, there is no way to make it go, for the underpaid mall kiosk employee is not there to stick the little card up the thing’s butt, so I walk to my son, lift him off the unicorn, and try to explain the situation, “no one’s here, buddy, we’ll come back in 10 minutes,” but of course he doesn’t understand and, at the absolute height of his terrible twos, while I’m holding him skyward, he starts kicking and screaming like a madman, so I put him down, at which point he climbs up on the unicorn again, so I say something like “what the hell why not” then The Robert helps me push the unicorn out of its little spot in front of the kiosk, and then I get behind the thing and start pushing it, Arthur going “weeeeeeeeeeee” while holding the handlebars and revving it like it’s actually working, which it’s not. I push him around for a few minutes, figuring maybe the kiosk employee will show up at some point, but no one ever does, so eventually I get kind of exhausted pushing this unicorn around, especially since there’s like a thirty-pound toddler on top of it, so I push the thing back into its spot right by all the other motorcycles, and Arthur hates that, so he starts moaning and groaning, doing his terrible-twos shit, at which point I’m like, “OK, what the hell, where is this person?” and The Robert is like, “how am I supposed to know? Maybe they skipped out on work.” So, not taking that for an answer, I tell The Robert to push Arthur around for a minute, and, once he starts doing that, I walk off to the nearby shoe store, which is called something generic like Shoe Emporium or something, and I walk right up to the front desk and say, “Where’s the Motorcycle person?” And the woman at the front desk, who has brown hair and is quite round and whose face just sort of sinks into her neck because she’s quite round, not trying to be mean, those are just the facts, the woman says, “They do whatever they want, just leaving all the time, taking breaks whenever, last I saw them was an hour ago.” So I nod, say thanks, then, figuring surely the kiosk employee will be back soon, considering they’ve already been gone for an hour and it’s still like four hours until mall-closing time, I go back to the motorcycle kiosk, where The Robert is still pushing the unicorn around, and Arthur, who now looks quite bored sitting atop the unicorn, is saying, “I wanna do it, I wanna go fast, go fast,” so I trade off with The Robert and start pushing Arthur around again for another minute or so, but Arthur keeps repeating, “wanna go fast, wanna go fast,” and of course, as his father, I too want him to go fast, I want him to have a great time, I want him to be happy always, forever, and that’s when something strikes me, psychically, so I stop and think to myself, “you know what, fuck it,” and then, with a glint in my eye and a confident smile on my face, I tell The Robert, “Push him around for just another minute, I got an idea,” and The Robert, who is now looking at me with an eyebrow raised and a stern look on his face, as if he’s seen this side of me before and knows something’s up, says, “What are you planning to do?” But I do not respond, I say nothing. I simply walk up to the kiosk and start circling it, looking for an opening, an entrance, but the entrance I find, a wooden gate, is locked, so that’s when I get creative.

The kiosk itself is pretty much just a rectangular wall enclosure that goes up to about my chest, and it's got a raised desk in the middle where the little electronic credit card reader is, and there's also a small bench back there, for employee sitting, and there’s also a long broom, and, upon examining the desk closely, I also see the little card that the kiosk employees use to power up the motorcycles, which is exactly what I was hoping to find, and upon seeing that little sodomitic card, I'm overcome by this tingly heady feeling as if I’ve been endowed with strange and terrifying powers, as if I have become unstuck from the fabric of reality, free of all the frankly fucking pointless rules of the world, and of course I want my son to have some fun here at the mall, and these damn motorcycles are pretty much the only way for him to do that, so without a second thought I decide to use this newfound strange, terrifying power to reach my long arm over the kiosk wall, grab the broom, pull it toward me, examine it as if it were my blade, all while big kanji flashes in my mind, 斬鉄剣, which frankly I don’t know the meaning of, then I move the attached detachable dustpan to the end of the broom, near the bristles, and then I start using the broom as like an extension of my arm, holding it out far over the kiosk wall, maneuvering it onto the desk in the middle, all to reach the little power-up card, and then I start nudging the card off the desk, and after a few seconds of this, the card falls right into the little dustpan, at which point I pull the broom back toward me, to like retrieve the card, but while doing this the card slips from the dustpan, falling onto the floor below, so I quickly pull back the broom, lean it upright on the kiosk, and, thinking to myself, “fuck it, I’m going all in,” I start lifting my leg, totally intent on just climbing over the fucking kiosk wall, to get in there and pick up the damn card, but that’s when I hear a loud, “HEY, WHAT DO YOU THINK YOU'RE DOING?”

So I turn around, and I see the woman from the shoe store, standing about ten feet away, staring at me with this harsh look on her face, then I look back and see both The Robert and Arthur just standing there staring at me too, although they’re staring at me with these big eyes, as if they’re in awe of the strange and terrifying power radiating from my person, but it’s at this point that I think to myself that perhaps I am setting a poor example for my son, so I turn back to the woman from the shoe store and, acting totally oblivious, say, “What?” And she says, “What do you mean ‘what?’ You can’t do that.” So I say, “Do what?” And she says, “Mess with their stuff.” And I’m just sort of blinking at her at this point. And then she repeats, “You can’t mess with their stuff when they’re not there.” So I say, “Well, when are they coming back?” And she says, “How should I know? You just can’t mess with their stuff.” And I’m like thinking to myself like, “What are they going to do, throw me in mall jail? For trying to climb over a kiosk to get a card that powers a child-sized motorcycle so that my son can have a little fun in this run-down dump of a fucking mall? What is this woman trying to prove? Is she like lonely and miserable, so she gets off on ruining kids’ fun? On a Saturday for fuck’s sake? What’s her fucking problem?” And then she says something like, “You have to wait for them to come back or you have to leave, sir.” And now, feeling the strange and terrifying power dissipating from my body and soul, like I’m slowly becoming stuck in the pointless fucking rules again, I blink and say, “OK, but when are they coming back?” And she says, “I told you, sir, I don’t know, please leave.” And now I feel totally stuck, like I’m fully back in reality again, so I say, “Sorry, I just wanted my son to have some fun, is all.” At which point the woman’s expression softens a little bit and she says, “I get it, but you can’t do that.” So I sigh dejectedly and say, “I know.”

And I did know, but, for a moment there, I didn’t, for a moment there, I was unstuck.

So I turn to my son and The Robert and say, “C’mon, let’s go downtown or something.” But my son shakes his head, “No, no, wanna ride the motorcycles, please daddy, please.” So I crouch down eye-level with my boy and say, “I know, son, but we can’t today, I’m sorry, but we can go to the playground, you’ll have fun there.” And, upon hearing the p-word, his rosy little cherubic face lights up, and off we go, leaving the motorcycles and dead mall in our wake.

Later that night, Arthur is asleep, and The Robert and I are back in my office, doing our literary-nerd shit. I’m repeatedly encountering these Blitz monsters to steal a bunch of Betrayal Swords to turn them into Confuse magic so that I can junction that magic onto Quistis so that I can survive Malboro Bad Breath attacks so that I can kill Malboros so that I can get some Malboro Tentacles so that I can create Doomtrain, which is a fucking pain in the ass and gives you an idea of just how grindy and repetitive Final Fantasy VIII can be, when The Robert, index finger on an orange-highlighted passage of Sexus, says, “You know, at the mall today, for a moment there, you were unglued.” And I’m like, “What?” And he’s like, “Unglued, like, here, let me read this passage here,” and then he starts reading the passage, but I wave my hands and interrupt him because, at that moment, ZANTETSUKEN appears on the screen again, and now, instead of being excited and ten years old again, I’m very annoyed, so I say, “You see, this is the problem with Odin sometimes, it’s like, he just does whatever the fuck he wants. I’m trying to steal Betrayal Swords here, which means I have to actually fight the monster, so that I can use steal on them, but I can’t fight the monsters when Odin just on a whim decides to fucking show up and slice them in half. He slows the whole stealing process down. And he’s done this like five times now, as if he knows I’m trying to steal from these monsters specifically. And since he randomly shows up, there’s nothing I can fucking do about it. It’s ridiculous. It’s like he’s outside of the normal rules of the game, almost.” But The Robert, blinking at me a little bit, just says, “Can I read the passage now?” So I pause the game, turn to him, and say, “Whatever, sure, read the passage.” And that’s when he starts reading the passage, “Suddenly now and then someone comes awake, comes undone, as it were, from the meaningless glue in which we are stuck,” and so on, and this passage actually captures me, I am sitting there, rapt, as he keeps going and going, reading the whole page, and then, after a long pause, he goes, “You know, I’ve known you for a while, and sometimes you really can be one unglued motherfucker. I wish I could be like that, sometimes.” And I sort of shrug and say something like, “It’s not all it’s cracked up to be, the whole mall thing was kind of embarrassing, in hindsight.” But he shakes his head, “No, it was cool as fuck.” And I sort of smile before turning back to my game, unpausing, then running Squall around in circles in the woods again, to encounter more Blitz monsters, which, after a few seconds, I do, but, lo and behold, there’s a VOOM and the word ZANTETSUKEN appears at the top of the screen again, so I swivel my faux-leather office chair to face The Robert again, incredulous look on my face, and say,

“You know who’s unglued?”

“Who?”

I point at the screen. “This asshole.”

The Robert laughs. “Yeah, well, at least he’s still cool as fuck.”

斬鉄剣

f0rrest: (security cam collage)
I'm thinking of the perfect video game.

This game has a robust character creator that lets me adjust not only my character's physical appearance in precise detail, making them look like David Bowie or Zooey Deschanel or some sort of goblin creature or whatever else, but also their personality, likes, dislikes, and every neurosis, all without being too complicated or time consuming. There are a number of races to choose from, all with their own unique perks that significantly alter how the game is played, and these races are neither derivative nor offensive. This game has a graphical style that can be toggled between photorealism, semi-realism, anime, cartoony, voxel, 3D, 2D, 2.5D, ASCII, watercolor-like, oil painting-like, polygonal, and non-Euclidean, or whatever aesthetic thing I happen to be into at the time, all through a UI that is both complex and simple to use while being minimalist to the point where I don't even notice it during gameplay. Everything is intuitive and I never once need to consult a GameFAQs walkthrough. This game has an open world that is incredibly vast but also streamlined in such a way that I don’t feel overwhelmed by the sheer amount of places to go and things to do. There is the ability to fast travel but the world is so dynamic and beautiful that I never feel the need to do so. This game has NPCs that drop subtle hints about where to go next and how to complete quests in ways that make me feel like a genius when I figure them out. The box comes with a full-color paper manual explaining both the background story and mechanics of the game, and it also includes a dope-ass poster and stickers. This game has a class system with literally hundreds of options, none of which are frivolous or redundant, and I can create my own class by mixing and matching different attributes, from combat prowess to magical aptitude to social skills to whatever else I can think of, all without having to worry about min-maxing my stats because it just doesn't matter due to the fair and balanced combat difficulty which is just frustrating enough to feel rewarding no matter which build I play. There are no loot crates or microtransactions whatsoever. This game has a story that is both deep and shallow, both exciting and mellow, both coherent and incoherent, both unique and derivative, both philosophical and dumb as hell, and it all passes the Bechdel test. The lore is labyrinthine in its complexity while being neither pretentious nor confusing. Space can be traveled and other planets can be visited. The combat system can be toggled between real-time, turn-based, and tactical grid-based depending on my preference. This game has quests that go beyond simply "fetch ten bear pelts” or “kill this dude” or “walk here and interact with this thing.” The music is simply phenomenal, period. This game has multiplayer components that do not feel as if they were just tacked on last minute to check some boxes for a corporate focus group. There is no AI-generated content whatsoever. The controls are simple but allow for all sorts of crazy-as-fuck maneuvers that are both visually appealing and haptically satisfying. This game features supporting characters ranging from bishonen heartthrobs to awe-inspiringly cool anti-heroes to frog knights with swords to women who are not sex objects to cybernetic ninjas with severe psychological problems to wise Gandalf-esque wizards to cloak-wearing broody goths with guns to dope-ass villains who flip sides at the last minute to hardasses with hearts of gold to gender-fluid individuals who don't feel like token characters and even a humanoid monkey with an extending staff that rides on a cloud a la Wukong from Journey to the West, also Sephiroth because why the hell not. All of these characters can be tastefully romanced. This game presents me with tough ethical choices at key moments in the plot, and these choices change the way the story unfolds in profound ways, and there are literally thousands of these choices throughout the game, like some sprawling, encyclopedic choose-your-own-adventure novel, yet there is never this feeling like I fucked up or am going to get the bad ending or whatever. The fanbase is rabid but never gatekeepy or cringe. This game features a fully customizable player-housing system with which I can build anything I want, from Dracula’s castle to a lavish mansion with room to display all my treasures, of which there are many, to a run-down trailer meth lab to a tree-house-hideaway type thing to my grandma’s old house where I spent my childhood summers. The enemies range from monsters inspired by various ancient mythologies to CEOs of multinational for-profit health insurance companies to home appliances possessed by ghosts to democratically elected presidents who also happen to be fascists to nigh-omniscient beings like YHWH bent on resetting the universe because humanity has strayed from the divine path or whatever and of course good old-fashioned pirates and bandits and stuff, all of which can be reasoned with and pacified through peaceful discourse given my character has enough points in the Philosophy and Literacy skill trees. This game can be played on pretty much any device with zero performance issues. There is a companion system with which I can become best friends with dogs and bears and other cute fuzzy animals. This game includes a progression system that constantly unlocks new, exciting abilities like being able to run super fast or wall jump or double jump or turn into a bird or whatever, all of which unlock new areas to explore, and there are always new areas to explore. The gameplay loop is never repetitive and it always feels like I’m doing something for the first time forever. This game’s replayability is so high that there is no need to play any other game ever. Both playing and thinking about the game produces a nostalgic feeling that never dulls. This game captures my attention so completely that the urges to eat, drink, piss, and shit never occur to me and the problems of modern life seem to just melt away like nothing matters and I never once find myself sitting there controller in hand staring blankly at the screen thinking, “what the fuck am I doing with my life?”

This game does not exist.

And it never should.
f0rrest: (Default)
If my life were a movie, it would surely be part of the “body horror” subgenre. 

For context, I'm about 6'2 on a good day, and last time I checked, I weighed around 185 lbs, but this was years ago, because I haven't gone to a doctor in like forever and I'm deathly afraid of scales. My wife says I'm very thin, but I don't believe her. Herein lies the problem. In regards to my appearance, my reality and the reality of those around me do not align, they seem to be vastly different, like we’re in totally different movie genres, almost.

Because every time I look in the mirror, I see a monstrous human blob, and then I see myself lifting my shirt, counting my ribs, squeezing at the flab around my stomach, suddenly overcome with the urge to cut the fat out with the nearest sharp object, thinking maybe that will slay the monster. Often I push my face real close to the glass and trace my jawline, which seems to me to just melt away into my jowls and neck, so I practice sucking my cheeks in to add some much-needed contours to my face, because otherwise I look like some sort of nasty toad creature. Sometimes I even lock myself in the bathroom, sit on the toilet seat, and attempt to create a circle around my thighs using the thumb and index finger of both hands, as some sort of thinness test, and when I can’t get my opposing thumbs and index fingers to touch, because my thighs are too thick or whatever, I end up feeling like a literally massive failure. And whenever I go out of the house and come across a mirror, like in the Target clothing section or whatever, I stop whatever it is I’m doing and pull at the loose fabric of my shirt so that it’s flush against my skin, then I obsess over the outline of my stomach and love handles, which puts me in some sort of fatass funk for the rest of the day. I now shun clothes whose fabric rests too close to my skin, because it makes me very body-conscious, thinking everyone can see how fat I actually am, so I wear incredibly baggy clothing, like sweatpants two sizes too big and sweaters, all to avoid these body-horror blues. I often fantasize about leaving my body entirely, releasing my consciousness from this sad sack of skin, my soul or whatever drifting away without fleshy constraints. And I have no impulse control whatsoever so sometimes I'll eat whole bags of candy and feel guilty like what the hell am I doing to myself, the whole obsessing-over-my-weight thing and lack-of-impulse-control thing constantly in conflict with one another, like some sort of mind-body dissonance that wreaks havoc on my psyche. Back in high school, I abused amphetamines and sometimes didn't eat for days, one time even passing out in my bedroom for a few hours, yet, to this day, I still think about getting a new Adderall prescription, mainly just to kill my appetite. And I only eat like one meal per day, and, for the last seven days, that meal has been Kraft Mac & Cheese Spirals, which is approximately 660 calories according to the nutritional label on the box. And I do push ups and sit ups throughout the day, not to get in shape, but to burn those Mac & Cheese calories off. I take supplements so that I don't die, although sometimes I want to die. And I'm acutely aware of when the waistline of my pants seems tighter than before, taking distressed mental notes whenever I need to use a new belt notch, and I become despondent whenever these things happen. And sometimes I eat snacks, usually saltines or pretzels, but this makes me feel like an expanding flesh balloon, so I tell myself no more snacks but somehow still end up eating snacks every day, which contributes to the whole mind-body dissonance thing. Sometimes I feel like I never grew up mentally beyond the age of sixteen, what with all my crippling self-image issues, like I’m trying to be thin and attractive for some high-school crush or something, yet my wife claims I’m already thin and attractive, so I have no idea who the fuck I’m actually trying to impress. I don’t want to feel this way. It's juvenile, vain, and ultimately unimportant in the grand scheme of things. I know this logically, but I can't help it, these body-horror blues seem to be totally outside of my conscious control. It has been something I’ve struggled with for as long as I can remember. This is not a plea for attention. I am not looking for hugs or compliments. These are just the facts.

I guess I wanted to write this because, first, I’ve never really captured these feelings in text before, and second, I thought perhaps maybe writing about the body-horror blues would bring me closer to understanding why I even experience the body-horror blues to begin with. 

And when I begin to analyze the “why,” two main things come to mind.

I grew up in the age of MySpace. Everyone at my schools, plural because I went to many, had a MySpace. This was also the era of the “scenester,” which was this emo-adjacent cultural phenomenon amongst teens at the time, typified by skinny jeans, screamo bands like Senses Fail, Thursday, Boys Night Out, and Underoath, and these flat long uneven haircuts with bangs that fell down across the face like dark daggers with blonde highlights. Every scenester kid’s MySpace had pretty much the same profile picture, which was usually shot with a digital camera held way above the head pointing down to capture both the frankly ridiculous haircut and the skinny jeans, this camera angle also made everyone look thin as hell, often the hair would completely cover the eyes and the kid would be wearing a scowl, many had bite-mark lip piercings, and sometimes they would PhotoShop a black heart with an X over it into the picture or something. I was not really one of these scenester kids, per se, I was always a bit of a contrarian, but I hung around kids who fell into this crowd. I also had my own MySpace with my own embarrassing profile pictures, and many of these scenester kids were on my friends list, and we all followed these MySpace micro-celebrities, like Jeffree Star, for example, whose entire shtick was that he was thin and beautiful and androgynous, and he, due to his immense popularity on the site, proliferated this sort of image-is-everything attitude among young impressionable teenagers who spent far too much time on MySpace, myself included. I had been prescribed Adderall from the age of ten, but it was around this time, the MySpace epoch, when I was like thirteen or so, when I started to use Adderall as an appetite suppressant more so than a medical aide. And I did this because, in my mind, to become popular on MySpace, I had to be thin and beautiful like Jeffree Star. So I strived to become thin and beautiful. I cannot say if I was ever very successful at being beautiful, but I did gain a decent following on MySpace over the course of that year, and I attributed this popularity to being if not beautiful at least thin as fuck, like I was obviously putting in the effort and the MySpace micro-celebs could tell, and, as such, they treated me like one of their own, communicating with me and putting me in their “Top Friends” section, which resulted in even more image-is-everything minded followers, and this felt nice, for a time. Until, eventually, one girl from my class made a huge picture collage of all my embarrassing MySpace photos. She had printed them all out on this huge board, not to make fun of me or anything but literally out of some weird kind of stalkery admiration, and she had tried to gift this collage to me. And it was then that the whole MySpace thing started to feel a little embarrassing. Because when that girl showed me the collage she had made, which again included all my embarrassing MySpace photos, many of which were taken with a digital camera from a top-down perspective, many of which I tried very hard to look like a brooding skeleton who hadn’t eaten in days, because I hadn't, when she showed me this collage, at school one day, I immediately thought to myself “fuck I can’t bring this home, my dad would probably send me off to a camp or something,” so I actually took the collage, hid it in the janitor’s closet, and just left it there. To this day, I have no clue what ended up happening to that wretched thing. But it was then that I realized that I was pretty much uncomfortable and embarrassed about the whole MySpace scenester thing, and very soon after, I deleted my MySpace and kind of removed myself from the whole scenester image-is-everything crowd, becoming somewhat of a hermit who just sat around at home all day listening to old 80s pop music and playing video games. But for whatever reason, the desire to be thin and attractive never really went away.

So, yeah, MySpace was certainly a contributing factor in my body-horror blues, but that can’t be the only reason, surely something primed me for falling into this MySpace, image-is-everything trap at such a young age, and the only thing I can think of, outside of perhaps some sort of biological inclination toward vanity, is something that, on its face, seems a little arm-chair-psychology-ish, something a little Freudian and amateur, something that seems kind of like an excuse almost, as if I lack the agency to control myself or something, and that something is just how I was raised, my upbringing.

From a young age, both my mom and grandma, whom I had primarily lived with, would constantly make comments about my weight. As a young kid, I had the impulse control of like a cat chasing butterflies in the garden or something, meaning, if I saw food that I liked, I ate it, without a second thought, and because of this, I was a pretty chubby kid. And I remember my grandma would always say things like, “your face is getting a little puffy” or “that shirt is a little too tight on you now” or “how about unbreaded chicken and whole-wheat crackers instead? It’s a little less fattening.” And my mom would constantly buy me low-fat diet snacks and make half-joking comments about my belly and my “baby fat.” And even to this day, when I visit them, the first thing they mention is something about my weight, “you’ve filled out a little bit,” or, if I’ve lost weight, they like break out into song and dance almost, “have you been on a diet, you look great, have you been working out,” as if the first thing they notice about someone is their weight, almost like, to them, image is the most important thing about a person. And it’s been like this since as far back as I can remember.

But, back then, when I was a kid, none of this really bothered me. I certainly didn’t consciously internalize it. I didn’t really give a shit. I just wanted to keep eating and doing my dumb kid stuff. But now, as an adult, thinking back, and this is where it gets a little arm-chair-psychology-ish, I wonder if perhaps, even if I didn’t consciously internalize all this stuff, maybe I subconsciously internalized all of it? Perhaps this constant subtle reinforcement of image-is-everything from a very young age is what led me down the path of body-horror blues?

So, I guess, if there’s a lesson to be learned here, be careful what you say to your kids.
f0rrest: (YA self-portrait)
It's not often I remember my dreams, but the dreams I do remember are often ones that seem very real and end up terrifying me to the point of violently jolting up in bed in a cold sweat, which usually happens right before my dreamself dies or something.

The nice thing about these dreams, however, is that, when I do wake up, I'm filled with this overwhelming sense of relief, a surreal gratefulness, which puts the rest of the day into this whole new positive perspective, where anything bad that could possibly happen to me is now framed in this sort of “well at least I'm not trapped in a virtual reality Big Brother-esque gameshow for eight years all to win some huge cash prize while my real body is in a cryostasis chamber and my family is out there living their lives without me in a post-apocalyptic hell world” type way.

It's funny how sometimes dreams load you up with all sorts of imaginary context for the dream itself, like you somehow know the exact time, place, and reasons you're in the surreal dream situation you happen to be in, like you’re plugged via USB into some dream supercomputer that’s transferring data into your brain at very high bits per second.

For this particular dream, the time was like 2099 or something, years after some world-ruining nuclear exchange between all major Earth superpowers. And the place was actually two places, underground and virtual reality. Underground because, after the bombs dropped, the surviving citizens of Earth were forced to move into vast below-surface bunkers, as the face of the planet was irradiated beyond hope, although I personally did not spend any dreamtime there, but I knew, via the dream supercomputer data upload or whatever, that that was where both my physical dreambody and family were located. My physical dreambody was housed in a cryostasis chamber in some sort of underground mega-structure owned by a corporate media conglomerate that ran various televised gameshows, which I got the impression, once again from the dream supercomputer or whatever, that these gameshows were the surviving citizens of Earth’s main source of entertainment, that all they did all day was sit around in cramped pod-like housing units watching these gameshow broadcasts while sustaining themselves off some sort of goopy mystery meat concoction and slightly irradiated water, with the added detail that these nuclear-holocaust survivors were all slightly deformed with extra thumbs, toes, and bubbly skin tags, many of which grew out of their faces. My consciousness was trapped in virtual reality, in a big virtual home, along with about ten other people of all races and genders. The house itself was post-modern in its design, with weird almost incomprehensible geometry and walls made entirely of see-through glass that allowed you to see what everyone was doing in the house at all times and also looked out onto a beautiful green world of tropical flora and fauna. I couldn’t venture outside of the house, however. I was stuck in there with the rest of the gameshow contestants. And I knew, again because of the dream supercomputer or whatever, that I was there because my family was destitute, deformed, and miserable, so I was trying to win the huge cash prize awarded by toughing-it for eight years inside this virtual reality house that also housed ten other people, all of whom I somehow knew were also there for the same reasons I was, to win the cash prize, for fame, fortune, or to make a better life for their horribly deformed families. The kicker here is that, in this virtual world, where your consciousness exists inside a virtual avatar that looks identical to your real body out there in the cryostasis chamber, you can still feel real actual pain, like psychologically I guess, pain somehow amplified beyond real-world pain, as per the rules of the game or something like that, and you could die, but when you died, your avatar was instantly resurrected. And, as you might imagine, no matter how beautiful the house you’re in, ten people in a house together for eight years can and will lead to all sorts of drama, and this drama often turns into flat-out violence, so what ended up happening was, people were just killing each other all the time, be it from petty arguments or romantic competitions or whatever, and of course the gameshow corporation knew this fact about human behavior and encouraged it by leaving all sorts of heinous killing tools all over the house. I distinctly remember a chainsaw being used to cut me in half one time, at which point I was resurrected only for the same guy who had just cut me in half to immediately cut me in half again, at which point I resurrected again, got hold of the chainsaw, and cut that guy in half, at which point he resurrected and I cut him in half again, and so on and so forth, all because I felt like I had to do it, kill this guy, because otherwise he was just going to keep killing me, meaning I was just going to keep killing him, and so on. One time, after some romantic fling gone awry or something, some guy strung up his ex-lover and, using a kitchen knife, poked holes in her skin throughout the day, making sure she stayed alive the whole time so she would feel every little prick, until eventually all the blood drained from her body, at which point she was resurrected only to be strung up and poked full of holes again, and again, and again. You could also smell stuff in there, and, needless to say, it smelled fucking awful. And I got the impression that this gameshow had really high ratings, that viewers back home really enjoyed this whole spectacle, the fact this was happening to virtual people and no real physical people were harmed in the making of the gameshow somehow justifying the perverse pleasure of watching people die in the most gruesome ways possible over and over again. And I remember, at one point, toward the end of the dream, I had texted my wife, because I guess the gameshow rules allowed you to do that sometimes, communicate with your family, and my wife told me that, since it’s been like seven years already, she’s moved on and is now seeing some other man who has taken up the father role for my son, my son who is now eleven and calling this other dude “dada” while sometimes, when he’s been real good and gets television privileges, watching his biological dad get split in two via chainsaw on television every night. And it was at that point when I woke up in a cold sweat, grateful the whole thing was a dream.

What really scared me was not the dream itself per se, although it was terrifying as hell and felt very real at the time, it was the fact that I could see this type of thing actually happening in real life, what with all the recent advances in virtual reality and our willful surrender to technology and all that. I could totally see some mega media company using the false promises of fame, fortune, and feeling good to lure people into some virtual reality hellscape wherein you slowly lose touch with reality and become some twisted monster version of yourself that cares about nothing other than fame, fortune, and the false promise of feeling good.

And, after thinking about all that, I had another really harrowing thought.

I started thinking, what if, when I look down at my phone or tablet or whatever, what if this is already happening?
f0rrest: (low-poly squally)
“Violence only leads to more violence. We believe your presence here will attract violence. That's why we want you to leave as soon as possible.”

There’s this one scene in Final Fantasy VIII, after Balamb Garden becomes mobile and crashes into Fisherman’s Horizon, where the mayor of said town tells Squall and company to leave as soon as possible because he believes they will attract the Galbadian Army and thus bring ruin to their quaint little fishing village that just so happens to have some of the best background music of any video game ever made.

The mayor has a legitimate point, and he’s also pretty much totally correct, because Balamb does end up attracting the Galbadian Army, and violence does indeed break out in his quaint little fishing village that just so happens to have the best background music of any role-playing game ever made, but when the violence does break out, instead of fighting, the mayor opts to calmly speak with the Galbadian military official in an attempt to come to some sort of peace through open discourse.

Now, I've played Final Fantasy VIII several times, but the last time I had actually completed the game was over ten years ago, so I had forgotten exactly what happens next, but I was hoping it would defy my expectations, pull some sort of twist wherein the mayor does actually manage to convince the Galbadian bad guys to stand down through peaceful discourse, but of course my naivety was quickly made apparent, because of course this is video games, and of course the player must be entertained, and of course it would be boring if the bad guys just packed up and went home after a couple lines of dialogue, so of course this means cool boss battles with lots of flashy effects and violence.

Because, as you might have already guessed, instead of using this scene to reinforce a message of peace, the game instead basically ridicules the mayor’s philosophy of non-violence. The mayor is immediately laughed at, choked out, and told that his village will be razed to the ground no matter what he does, so of course Squall and company have to jump in to save the day, pounding the Galbadian bad guys into a pulp before blowing up their giant death machine with a massive sword laser called Blasting Zone that somehow extends out into space before landing smack dab on the enemy target all without triggering some sort of apocalyptic extinction-level event, and thus the peaceful village, which has some of the best background music of any video game ever, is saved through violent albeit somewhat nonsensical means, thus reinforcing the bloody, cyclical philosophy of violence.

Afterwards, Squall, somewhat sympathetic to the mayor’s philosophy of peace, talks to the guy, saying the following,

“I wish … everything could be settled without resorting to violence ... and there would be no need for battles. Like you've been preaching, it would be wonderful if things could be settled by discussion. The only problem with that is that it takes too much time. Especially if the others are not willing to listen. So I believe that fighting is inevitable at times. It's really sad. That's all I have to say. I hope you understand someday. I think the world needs both people like you and people like us. Thank you for all your help. Goodbye."


Squall’s use of the word “preaching” comes off a bit condescending, but that's more of a translation issue than anything else, and his “takes too much time” comment strikes me as especially odd, considering this is a world in which time magic like “Stop” and “Slow” exist, and his whole “I hope you understand someday” thing comes off arrogant as hell, as if Squall believes his own personal philosophy to be the only viable one and it's just a matter of time and maturity for everyone else to get on his same page, but otherwise I think his heart is in the right place, as his sentiment here more or less mirrors my own, although I hold this position far more begrudgingly than Squall seems to, so ultimately the whole scene still left a sour taste in my mouth, like is this truly the message we want to spread, that the only way to stop violence is through violence, that some people will just not listen to reason and should therefore be beaten to a pulp and blasted with huge space lasers?

The whole thing got me thinking about Japanese role-playing games in general, and how, at least out of the ones I’ve played, which number in the hundreds, they all use violence as a means to resolution, each and every one of them. Every JRPG I’ve played has a battle system in which the good guys are on one side of the screen and the bad guys are on the other, each side exchanging blows in the most flashy ways possible, all in an effort to stop some sort of end-of-the-world threat, be it some mad god or some evil empire. This is opposed to western role-playing games, like Baldur’s Gate or Neverwinter Nights or even Elder Scrolls, wherein violence is indeed there as an option but many in-game situations can actually be solved through dialogue. Hell, many WRPGs even have a “charisma” stat and some sort of speechcraft skill tree which rewards the player for using non-violent means to resolve problems, which, in my experience, is just not something that exists in many JRPGs, if any.

The east-versus-west thing going on in the previous paragraph also raises some interesting sociohistorical questions, considering the whole Hiroshima-Nagasaki thing, after which Japan became relatively non-violent, what with their adoption of a new constitution that expressly renounces war and forbids maintaining any kind of “war potential,” which is all to say that Japanese developers’ strict adherence to violent conflict resolution in video games confuses me somewhat. I can’t help but wonder if it’s some sort of leftover revenge fantasy lingering within their cultural subconscious from the atrocity that was committed against them, and following this line of thinking, perhaps every evil empire in JRPGs, of which there are many, is actually some sort of symbolic stand-in for America, which would be totally understandable, but it’s still a curious thing nonetheless, because the core sentiment that violence begets more violence seems like a demonstrably true fact of life, one that is both unavoidable and incredibly tragic, although Japan is kind of an exception to the rule in this case, because, after the bombs dropped, they did indeed become a more peaceful nation, just at the expense of countless human souls, which begs the question, does it really have to be this way?

I’m not a historian by any means, but surely, back then, whether culturally or militaristically or whatever, Japan had some sort of rigid viewpoint they believed was righteous and correct, a viewpoint they believed necessitated violence for whatever reason, and clearly this viewpoint was one that could not be changed through peaceful discourse. Unfortunately, however, this rigid viewpoint, whatever it actually was, was their undoing, because, whether right or wrong, it facilitated the need for thermonuclear detonation, twice.

At the end of disc 1, right before the assassination attempt on Sorceress Edea, Squall says something that fits here, he says, 

“Right and wrong are not what separate us and our enemies. It’s our different standpoints, our perspectives that separate us.”

And this is a quote I quite like and agree with. It takes the whole concept of “good” and “evil” out of the equation, making conflict more about personal philosophies and open dialogue. It seems to suggest that, if we could just make our enemies see reason, make them adopt our enlightened viewpoints, then there would be no need for violence at all. Keep in mind, however, this quote was uttered by a mercenary on a mission to assassinate a woman in cold blood, which suggests that, perhaps, even if there’s no such thing as right and wrong, good and evil, some people just can’t be reasoned with and thus need to be taken out for the greater good of humanity, but ultimately it is Squall and Balamb deciding what that “greater good” actually is, which when we get right down to it is just another viewpoint, another perspective, which Squall openly admits is a factor in the whole violent conflict he’s a part of, so perhaps Squall himself is a perpetuator of cyclical violence simply by holding a differing viewpoint?

Perhaps holding a rigid viewpoint on anything at all is part of the problem?

Because, as Squall states later on, “some people just aren’t willing to listen,” and if that’s the case, which it seems to be, just look at the right-left divide in America these days, just what are we to do with these non-listening people? Are we expected to just let those who want to take our human rights take our human rights? Are we expected to just sit around in the lotus position all day hoping we can convince fascists of equality and justice for all? Are we expected to just let Sorceress Edea take over the entire world? 

In a hard-line philosophy of peace, are we expected to just take it?

There seems to be a classic double bind here, a paradox of peace almost, that being, if we rigidly adhere to a peaceful philosophy, we effectively roll over for those who themselves are not very peaceful, opening ourselves up to violence, but if we fight back, violence with violence, we beget more violence. It seems to be a no-win situation almost.

So, thinking back to Squall’s somewhat patronizing speech given to the mayor of Fisherman’s Horizon, which happens to have some of the best background music of any video game ever, maybe he, Squall, actually makes a good point? I don’t know.

I mean, we often say that those who commit atrocities will eventually get what’s coming to them, but how long are we expected to wait for that to happen?

Maybe sometimes we have to take matters into our own hands, maybe that's the only way to save Fisherman's Horizon?
f0rrest: (kid pix)
There’s a novel’s worth of material in every second of the day. This is not only the most beautiful thing about being a quote-unquote “writer” but also the most frustrating, knowing that those stories are there but not being able to capture them, the expectation that you actually even could.

Like, just earlier, I was sitting in my backyard, smoking a cigarette, and I noticed, on the ground in front of me, one of those brown digger wasps, pathetically crawling across the sand, its needly back legs splayed out behind it, wings motionless, depressed stinger drawing a death map in its wake. It was clearly dying. I was momentarily transfixed by the thought of how there's all sorts of hidden stories going on in our periphery, like within the tall grass and the sand and the canopies of all those towering trees, and I started thinking to myself, surely there was a series of secret events that placed this dying wasp right here, in front of me, on this gray Saturday morning, perhaps our crossing of paths was a sign or something, so I tried to draw some meaningful parallel, some deep poetic connection to my life, but I just couldn't think of anything. I couldn't think of anything at all.

Then my son, whose bedroom window opens out into the backyard, poked his head through the curtains, big smile on his face, and said, “Dad, Dad, what doing, what doing,” and I thought to myself, surely there’s some sort of deep parallel I could draw from the dying wasp to me sitting here smoking to my son obliviously questioning me from behind a plane of glass? But how does it all tie together? How does it relate? What is the meaning of it all? Is there some commentary here about smoking? How being a smoker is sort of like being a dying digger wasp, both hopelessly dragging ourselves across the sand, both knowing that we’re going to die yet still pulling ourselves along regardless, perhaps waiting for the perfect time and place to give up the ghost? But how does my son fit into all this? Maybe my son is actually the wasp, oblivious to the machinations of life and death, unaware of the mortal-coil shit going on with his father in the backyard? To him, Dad just likes to sit back there sometimes while holding glowy white sticks that twirl little streams of blue-gray smoke? Perhaps my son is the wasp because I am slowly killing my son by slowly killing myself?

None of the aforementioned parallels impressed me. They were actually sort of embarrassing. They all seemed too labored and dramatic, too try-hard, pretentious almost, and they barely made any sense when I started really thinking about them. So I tried to think of parallels that were a little more nuanced, a little more interesting, a little more unique, perhaps something that actually made sense, something that would be like wow this is very deep and wise and smart, but the thought of myself having these thoughts also made me feel pretentious, so I ended up pretentiousing myself right out of any meaningful insight whatsoever, meaning, once again, I couldn’t think of anything at all.

The other day, someone asked me if I thought of myself as a “writer,” but I don’t really know what that means. What actually makes someone a writer? Do you have to be published to be a writer? Or do you merely have to believe yourself to be a writer to be a writer? Do you even need to write to be a writer? I mean, yes, I do think of myself as a “writer” sometimes, but this is a sort of pretentious label that I have given myself, like labeling yourself a goth in high school and then going through all the motions of portraying yourself as such, like wearing the tripp pants and the studded belts and the eyeliner and affecting this sort of detached melancholy attitude and of course scowling at every polo shirt that happens to walk by, all to meet this self-imposed label of “goth.”

What I’m trying to say is, labels create expectations, not only from others but also from yourself.

And, if I’m being honest, I don’t like having all these expectations, because they fuck me up mentally. But at this point I can’t really help it, having all these expectations, because this label, this idea of “being a writer,” has rooted itself so deeply in my psyche that I’m constantly thinking about writing and others perceiving me as a writer and how everything that happens around me, like the wasp for example, can be warped into some sort of deeply meaningful writing prompt, all driven by these expectations I have unwittingly given myself by believing myself to be a quote-unquote “writer.” And when I can’t come up with anything that meets my own self-imposed expectations, I become frustrated and discouraged, like I am now, this whole rambling journal entry being something I am not particularly proud of, writing-wise, as I think it’s kind of vacuous and forced and stupid, and I’m actually considering just deleting the whole thing, because, when I write poorly like this, I am very aware of it and I start to think myself a bad writer, which makes me want to stop writing forever, meaning I get into these little writing funks that I suppose could be called something like “writer’s block,” but it’s deeper than that, I think, it’s more like a self-inflicted cycle of disappointment, “writer’s curse” more like, a sort of deep frustration with myself because I can’t meet the expectations I have placed on myself by even thinking that I am a “writer” to begin with.

So, to answer the question, do I think myself a writer? I guess so, but I would much rather just think of myself as myself, nothing more, nothing less, because at least then I would be free from the shackles of expectation.
f0rrest: (Default)
I am typing this from a desk in a 7th-floor room of a Hilton hotel in Cleveland, Ohio. If I look up, I can see myself typing on the massive mirror on the wall that the desk is pushed up against, a common hotel-room trope which I don’t quite understand. I am trying to imagine the use case for a mirror in this spot, but all I can think of is some incredibly vain middle-aged dude typing up a very serious work email while furrowing his brow and sucking in his cheeks and occasionally glancing into the mirror imagining himself the star of some experimental avant-garde film in which people send each other lots of emails and the central themes of the movie are something something modern loneliness and technological isolation, and I don’t like it. Family Guy is playing on mute on the television in front of the bed. The desk is littered with random stuff, including two room keycards, a black wallet with the little red-cross emblem on it, an empty coffee thermos, a half-empty bottle of $7 Smartwater, one word, a pack of Lucky Strikes with two cigarettes inside, an empty bottle of Mountain Dew, which is my weakness as of late, and my dark canvas messenger bag, the contents of which have spilled out on the desk, including my little bottle of Famotidine Acid Reducer, because my heartburn is out of control, a small blue notebook I use to take meeting notes in, various pens, a small Ziploc pill baggie inside which are vitamins including fish oil, which I don’t think actually does anything, Extra Strength C, B12, and some other one I forgot the name of, all of which I take daily for some reason, even though, again, I don’t know if they actually do anything and am inclined to believe the whole vitamin-supplement thing is a huge scam, also, on the desk, there is a green lighter emblazoned with the image of a sheep with very big bloodshot eyes whose wool is actually not wool at all but lots of little marijuana nugs.
 
There is something ghostly about hotel rooms. I’m not sure if it’s all the tan walls and the white popcorn ceiling combined with the off-white drapes that sway eerily due to the below-window AC units that are always there, or the fact you know that several people have been here before you doing who-knows-what, little traces of their presence all over the place, like little dents in the walls and cuts in the tacky nylon carpet and sometimes their lost belongings like in the bedside-table drawer near the Gideon’s Bible that looks like it has never been touched by living hands, or perhaps it’s all the weird subtle noises, the little mechanical clicks and eerie creaks and low-freq buzzes and distant children laughing and faint shouting from down the hall and bumps in the night that you really hope are just people fumbling around in a nearby room and of course the footsteps from the floor above, which can sound quite creepy indeed, like someone has somehow managed to unlock the many locks you very deliberately locked and is now in your room just creeping around in the little vestibule hallway area between the door and the main room which you can’t actually see into due to the angle of the hotel bed which is always too fluffy and the pillows just don’t work for your head no matter how you position or stack them, so you’re constantly kinda low-key worried if someone is in the room with you even though you keep telling yourself that that is ridiculous but you check a few times anyway, and of course all the other voices you hear just right outside your door when people are talking and walking through the halls at three in the morning like what the hell are you doing just go to fucking bed already, damn. And it doesn’t matter the location or the star-level or how lavish the furniture is, hotel rooms are always haunted. Hotels are like room graveyards or something, where the spirits of rooms once called home go when they die, when they’re abandoned by their families, or something, they are uncanny representations of what I would call “real” rooms, which are rooms that are inviting and feel like home. And it may be obvious to say but hotels do not feel like home, and their stairwells and long hallways are liminal as hell, especially at night. That is all I have to say about hotels.
 
Naturally, considering all this, I try my best not to spend too much time in hotel rooms, so when I’m on business trips, like now, I pretty much find any excuse I can to get the hell out of those rooms, which is exactly what I did today when a co-worker of mine invited me to a baseball game, and although I’m not a big sports fan, I of course took him up on the offer almost immediately and off I walked to the Progressive Field baseball stadium to meet this coworker, happy to put the ghosts of dead rooms behind me.
 
And, to my surprise, the experience was not entirely terrible, the baseball thing, that is.
 
It's hard not to get swept up in the energy of a packed baseball stadium, what with all the screaming and clapping, and the three seconds of Blitzkrieg Bop playing seemingly at random sometimes, and all the people diving into each other to catch foul balls like they’re little shooting stars or something, and the Red Hot Chili Peppers guitar licks blasting seemingly at random too, and the announcer guy shouting play details and player names and promo offers in that epic announcer voice that somehow sounds the same as every other announcer voice somehow, and the little samples of Disturbed’s oh-ah-ah-ah-ah and Blur’s woo-hoo blasting seemingly at random sometimes as well, and the rows and rows of massive LEDs flashing text during home runs and double plays and triple plays or just whenever a player does anything at all, and of course those brave souls in the giant hotdog costumes doing the floss atop the dugout between innings. The whole thing swept me up, it really did.
 
It was three-zero Cleveland, by the end of it all. And on my way out, I bought a gift for my son back home, a TeenyMates Superstar Collector Set which includes 13 cheap little plastic baseball guys, a small puzzle, and a bonus exclusive MLB PURPLE LAVA umpire, that I think my son will just love, then I gave a homeless dude a cigarette and walked back to the graveyard where dead rooms go to rest, which is right by an actual graveyard, and I thought, as I passed the actual graveyard, I thought to myself very clearly, like, "I don't want to die," and then I thought, very clearly, "I am grateful to be alive," which is something I don’t often think about, at least not so overt, and it’s not like I’m depressed all the time or anything, although a lot of my writing may make you think otherwise, but I’m really not, I just hardly ever say or think stuff like, “wow, I am actually grateful to be alive right now, in this crazy world with all these big buildings and all these baseball people walking around just having the time of their lives and I feel like I am actually part of something here like there is some greater sense of community just washing over me all because of this here baseball game with the dancing hotdogs and announcer guy that sounds like every other announcer guy and seriously life is just so fucking beautiful and crazy sometimes when you stop to think about it for a second."
 
So yeah, maybe I like going to baseball games now, I don’t know.
f0rrest: (low-poly squally)
I wanna take a moment to talk about The Grind.

Anyone who's played a role-playing game knows about The Grind. It's basically a rite of passage for any serious quote-unquote “gamer.” From defeating the same monster over and over again for experience points, to working a soul-crushing nine-to-five to pay the rent, to farming items with awful drop rates for some repeatable quest that rewards a pitifully small amount of gold, to mowing every inch of the lawn only to have to do it again in a week, to endlessly playing the same mini-game to unlock some cool ultimate weapon. We all know about The Grind, it’s nearly synonymous with life itself.

I'm very familiar with The Grind. I spent the last few days playing Final Fantasy 8, trying to unlock Squall’s ultimate weapon, Lionheart, as early as possible on disc 1. I even created an account on RetroAchievements.com, which adds achievements to old emulated games, “Unlock Lionheart on Disc 1” being one of those achievements, all so I could have something to show for completing The Grind.

The actual process of unlocking Lionheart wasn't very complicated, more so just incredibly time consuming. It required the collection of 5 dragon fangs, 1 adamantine, and 12 pulse ammunition. The dragon fangs were relatively easy to get, just defeating a bunch of Grendels in the forest near Galbadia Garden. And the adamantine was pretty easy too, just Card Mod the Minotaur card, which refines into 10 adamantine. But the pulse ammunition was a whole nother story, I had to Card Mod 20 Elnoyle cards, which are hard to come by, especially on disc 1, because they're rare level 5 cards only obtainable one at a time from winning Triple Triad matches against a specific kid in Galbadia Garden, and the kid hardly ever uses the card, so I had to challenge this kid like hundreds of times just to win 20 of them, which is to say this whole process was indeed a grind, a boring, mind-numbing grind.

But this grind did afford me a lot of time to think about life and stuff, which, in my view, is a cardinal sin of gaming, because ideally gaming, being the paragon of escapist entertainment, should distract you from the real world, not cause you to further dwell on it, which is to say that, while I was sitting there in my plushy office chair in front of my old CRT, mindlessly challenging this kid to cards, playing each round exactly the same way because there’s really no strategy or thinking required, I started asking myself the age-old dreaded question of why.

Why am I even doing this? Like, what's the fucking point? Don’t I have like a billion better things to be doing? What am I actually trying to achieve here? Is it bragging rights? Who am I bragging to, then? Is this supposed to be entertaining? Am I supposed to be having fun?

So, to combat the dreaded questions, I tried to come up with justifications, started thinking to myself that perhaps, by obtaining Lionheart, it would fill me with some grand sense of accomplishment, and perhaps texting my friend a screenshot of Squall holding Lionheart would confer some momentary joy, and perhaps users on RetroAchievements.com would come across my profile, see my achievement, say something like, “wow, this guy really likes Final Fantasy 8 and is fucking cool as hell,” and so perhaps The Grind was worth it, I thought to myself.

But surprise surprise, I was wrong.

After five hours total playing cards with this kid, then walking Squall up to the nearest weapons shop and pushing the X button twice to craft Lionheart, little RetroAchievement notification bubble popping up, I felt no grand sense of accomplishment, no momentary joy, no gamer pride, no nothing, at least nothing positive. What I did feel, however, was this sort of empty feeling in the pit of my stomach after it dawned on me that I had just spent five hours of my life collecting some digital trophy that, in a few days, I will no longer give two shits about, so, in a weird funk, I saved the game, turned off my PC, and went to bed full of regret without even bothering to take the legendary gunblade out for a quick test run beforehand.

But hey, at least I have the little badge on my RetroAchievement profile, at least that’s something, right?

Don’t get me wrong, this isn’t an indictment on Final Fantasy 8 by any means. The game itself actually requires very little grinding to complete, which is one of the reasons I like the game so much, that and it reminds me of staying at Grandma’s house during the summer, that and of course the blurry polygonal character models which perfectly complement the beautifully pre-rendered techno beachpunk environments that are both mysterious and cozy as hell, that and of course Nobuo Uematsu's breezy midi compositions that rank as some of his best, most chill work ever, that and also the bizarre existential narrative that barely makes any sense, that and the fact that I deeply relate with Squall as an angry young man full of brooding angst who says “whatever” and “...” a lot, that and of course the simple addition of being able to tap R1 to trigger an explosive critical hit when attacking which somehow elevates the series’ traditionally boring turn-based battle system into something far more exciting than it has any right to be, which all coalesces into a gaming experience like no other.

All this is to say that Final Fantasy 8 is not really the problem here, the grinding is optional, so this is not an indictment of the game itself, more an indictment of myself for being almost powerlessly compelled to grind for dumb little achievements like this, even when I know deep down they will confer no sense of grand accomplishment whatsoever, but more importantly, my rant here is also an indictment of the games industry itself, and those in it, for their tendency for time-waste and tedium, for their creation of systems that facilitate The Grind, as if they can think of no better way to keep players engaged than by implementing a bunch of boring repetitive bullshit that insidiously extends playtime.

Take Pokemon for example. Everyone knows about Pokemon. In Pokemon, there’s this thing called “shiny” Pokemon, basically just a recolored version of an existing Pokemon, and each Pokemon has a shiny variant, and some of these shinies look very cool indeed, like Ponyta, whose shiny variant has blue flames instead of red, but finding a shiny is The Grind epitomized, probably one of the most egregious examples of The Grind in all of gaming history, to be frank.

Take Pokemon Crystal, for example. In Pokemon Crystal there is a 1 in 8,192 chance of encountering a shiny Pokemon. Yes, you read that correctly, every 8,192 encounters you might find a shiny Pokemon. And legendary Pokemon can be shiny too, but since there’s only 1 legendary Pokemon per game, to find that shiny legendary, you have to save before the battle, trigger the battle, then, if the legendary Pokemon is not shiny, you have to soft reset your game and try again, which you may or may not have to do over eight thousand times, all to perhaps encounter a cooler-looking version of said legendary Pokemon, so that you can perhaps show your buddies and be all like, “I bet you don’t have this, dumbass,” before subsequently letting that same shiny Pokemon waste away in your in-game PC, never to be touched again.

Now you might be thinking something like, “OK, but isn’t that optional? You don’t have to grind shiny Pokemon if you don’t want.” And yes, that’s true. But let me ask you, once one puts their mind to something, is it really “optional” at that point? Once someone has said to themselves, “I must have this,” have they not decided on their path, sealed their fate in a way? Sure, they could change their mind, but “optional” is a bit misleading, I think. After all, isn’t everything optional, including playing the game itself? Isn’t life optional, considering one could just hang themselves? If everything is “optional,” perhaps the word actually has no meaning at all.

Basically, once some kid says, “I want the Ponyta with blue flames,” they have already started down the empty, time-sucking path known as The Grind, which Game Freak, as the developer of said shiny-Pokemon grinding system, has unleashed onto this blue-flame-loving child’s highly impressionable and very fragile undeveloped brain. For a kid, experiencing The Grind in video games is basically just preparation for adulthood, which is incredibly sad when you think about it, criminal almost, especially when you consider how The Grind impacts neurodivergent people, some of whom are very monomaniacal, never letting go of an idea until the idea is fully realized, and in this way The Grind, at least in relation to gaming, could also be considered predatory, in a way.

And it’s not just kids doing this shit. For some godforsaken reason, I follow the Pokemon Crystal subreddit, and the majority of posts on there are seemingly full-grown adults sharing screenshots of shiny legendary Pokemon they spent hundreds of hours grinding for, as if staring into a small Game Boy screen for an ungodly amount of time while barefisting Cheetos and repeatedly performing tasks that require no skill whatsoever is anything other than just plain fucking depressing. I mean, seriously, what do they have to show for all that grinding, other than a slightly different colored Pokemon, which is really just a series of ones and zeroes saved to a small chip with a very short lifespan, and this is supposed to be some sort of impressive feat, some grand accomplishment?

It really makes you wonder, what sort of society do we live in, where Lionhearts and shiny Pokemon are used in lieu of meaningful real-world accomplishments? What sort of society do we live in, where The Grind is not only promoted but celebrated? What sort of society do we live in, where we’re driven to chase little bits of code as if they’re precious treasures? What’s missing in our daily lives that compels us to fill the void with such stupid useless crap?

And is a society that produces such hollow values even worth participating in?
f0rrest: (business time)
You ever been on one of those remote conference calls, watching some guy present a slide deck about some dumb shit nobody really cares about, and suddenly, out of nowhere almost, you start thinking to yourself, “Gee, I wonder what would happen if I just pulled my pants down and started masturbating on camera in front of all these people?”

I know it's crazy, but for some sick twisted reason, when I'm sitting there in my office, in front of my webcam, mindlessly nodding here and there while pretending to pay attention to some man in a suit taking his job way too fucking seriously, practically drooling from boredom, this heinous what-if-I-masturbate thing just randomly pops into my brain, as if there's some chaos demon up there pitchforking my most odious synapses, not only to relieve the boredom but also to satisfy some wicked primal curiosity, to answer the question of what exactly might happen if I just started doing the most shocking shit possible on this very serious executive conference call.

And, I swear, it's not like a sexual thing, there's no arousal going on, it's more like an anarchistic urge from millennia gone by, atavistic almost. I don’t even want to do it, I really don't, yet I still think about it like five times a day, because I’m on a lot of these boring-ass conference calls. I can't help it.

I imagine the presenter, upon my starting to masturbate, may not even notice at first, since the video usually focuses on the person talking, so he might just keep presenting his boring slides totally unaware of the fucked up shit going on in my little window, or maybe, if the video is up on a physical conference-room screen or something, he may notice but not say anything about it, he may just start acting all awkward and weird, pacing around or fidgeting or slurring his words or involuntarily adding a bunch of “uuuhs” to his talk track, unable to fully process the masturbatory madness unfolding before his very eyes in my little square up there, having never thought that this would ever happen to him, the very idea of it so absurd he’s never even considered it as a possibility. It really makes me wonder how many of these outwardly self-confident, super adult C-level executives, or any of us really, would be able to truly keep it together in the face of such senseless depravity. Masturbating on a Zoom call is almost like a great equalizer of sorts. I like to imagine that one of the participants might say something like, “uh, Forrest, you know your camera is on, right?”, and I would just ignore the question as if maybe I’m not aware that my camera is on, maybe I have no idea, maybe I’m totally oblivious, all while continuing the five-knuckle shuffle like nothing to see here don’t mind me, and those of weaker constitution may just start screaming in horror, throwing up, and maybe some people, people like me, maybe they would just laugh, like this is the most interesting thing that’s happened to them in the last ten years, others repeating “dear god, make it stop” over and over again, their minds completely shattered from the realization that nowhere is safe, that we’re all animals, that anyone could just start whacking it in front of them at any time, driving them to some sort of permanent psychosis, and someone might say something like, “Is this call being recorded? I hope this call is being recorded,” while not clarifying exactly why they hope it’s being recorded, and some older gentleman would say something like, “I cannot believe this, the sheer audacity, making a mockery of our business like this,” and of course the woman who’s “calling HR right now” because she vainly believes herself to be the sexual catalyst for why this is even happening in the first place, because surely no one in the meeting is as attractive as her, and eventually I imagine the host would have no choice but to manually eject me from the conference call because I would just not stop whacking it, at which point I imagine quickly receiving a call from Human Resources, at which point I would no longer have a job, and everyone would be very shocked and disgusted for a few weeks, privately calling all their co-workers, “did you hear about Forrest, what he did, on the weekly risk call? There’s something seriously wrong with that guy,” until, eventually, months pass, and I become this sort of urban legend, people start making up stories about me, giving me masturbation-related nicknames, like “to this day, if you listen closely, on our internal Zoom calls, you can still hear the soft patter of The Phantom Phallus,” or maybe I would become like a hero figure, a symbol of anti-corporate anarchism, spoken highly of, with jovial reverence, “do you remember that one time, when Full-Fisted Forrest whipped it out in front of the Senior Vice President of Sales? I heard the VP lost his mind after the whole thing, had to retire,” and there would be all sorts of wild rumors about me, “Yeah, but I heard he started a new company called Beat-It Bombers where you pay him to hack into video calls and he just start beating it right there on camera,” or, “Oh yeah, I’ve heard about him, heard he’s like a Buddhist monk now, totally renounced both masturbation and corporate America, sounds like a cool dude, wish I had the balls to do what he did, damn,” and so on and so forth.

But of course, I would never do anything like this. I just don't have it in me. I have neither the chutzpah nor the vulgarity to do so. And I’d probably question the character and sanity of anyone who did, because anyone who would whip it out in a public space, be it virtual or physical, most definitely has a few screws loose, and if they’re willing to do something like that, then, let’s be serious, what else would they be willing to do, I mean, really? 

And while whacking it during a boring video conference may carry with it some symbolic oomph, a sort of absurdist mockery of modern life, in which a species who grew from the wilds of the earth has willingly enslaved themselves to cushy office chairs and computer monitors all while pretending that presenting the perfect PowerPoint bestows some grand meaning to their lives, I do have to wonder if the person whacking it on Zoom calls would even think about any of this, it seems more likely they’d just be freaks who get off to other people watching them do sexual stuff in weird situations, exhibitionists, I think they’re called, and if not, if this hypothetical serial stroker is truly trying to make a point, what is their motivation, really? Perhaps the attention, the recognition of making some profound absurdist point, is the driver, and if that’s the case, then is the Zoom wanker really so different from the PowerPoint presenter who also wants praise and recognition for their great PowerPoints? Perhaps the underlying driver here is the same, perhaps all we want, at the end of the day, is some sort of recognition, be it good, bad, or ugly. Perhaps our egos crave this attention, this validation, and, for some people, it doesn’t matter how they get it, just as long as they get it, which is perhaps why we see so many people doing absurd things for attention, especially with the advent of the Internet, where the end goal seems to be just feeding our egos by garnering as much recognition as possible, no matter the ethical or spiritual costs.

One thing is certain however, if you want some quick easy recognition, you’ll probably have better luck whacking off on a Zoom call one time than presenting the perfect PowerPoint, but it’s important to note that, in both cases, it’s all just masturbation, really.
f0rrest: (Default)
My neighbor is in her late thirties. She’s got rust-colored hair in thick fat mats. Her skin is a tannish yellow and often very clammy. She's got scabs all over her arms, some open and bleeding. Her face is sort of smushed and toad-like. Her eyes dark and beady. The interior of her home is a trash labyrinth reeking of cat piss, vodka, and wet dog. Her voice reminds me of an old ashtray filled with forgotten half-smoked cigarettes. She's frumpty and unkempt in all respects. You could say she’s goblinesque. Sometimes, late a night, I hear her screaming about god knows what. The cops have been called to her home many times. She is a straight-up dope fiend. Her name is Erin. One time she tried to choke me out.

This is the story of that one time Erin tried to choke me out, and why I haven't talked to her in like four years.

I remember it well. It was Mother's Day night. I had just returned home from a family function where I drank way too much wine, which I was prone to do back then, so I was kind of fucked up, and I’m very social when I’m fucked up, loving to be around others just as fucked up as myself, so when I got out of the passenger seat of my car and saw Erin and her husband sitting on the ratty couch in their open garage, drinking out of red disposable party cups, I eagerly waved hello with the ulterior motive of perhaps being invited over so that I could continue being fucked up in what I inebriatedly believed would be good fucked-up company.

Of course, I was wrong, as we will soon discover.

When I entered the garage, smell of sticky icky wafting through my nostrils, I noticed Erin and her husband were watching Cops on the big flat screen, so I navigated to the ratty old couch, through a maze of lawn care equipment, cardboard boxes, and loose trash, sat down, and that's when Erin offered me a Dixie cup filled with some mysterious green liquid, which I happily started sipping on without a second thought, eager to continue my fucked-up escapades. It turned out to be Mountain Dew mixed with vodka, and it tasted quite good. Then, prompted by some scene in Cops where the boys in blue were brutally forcing some incoherent black man into the cop car, Erin started going off about our other neighbors, who happened to be cops, and she was saying something like,

“Can you believe those fuckers actually pressed charges on me, just for going over to their house. Their damn children, who are wild as hell, are always playing tag or some stupid shit in my yard, coming up to my patio, and I can see them on the damn Blink cameras, I’ve got several saved recordings of this happening, so I went over there, just wanting to talk to their parents, knocked on the door with my phone in hand, and started talking to the mom about her kids, showing her the footage and all that, and can you guess what she fucking told me, she fucking told me to get off her property, and I swear to god I was being civil as hell and nice as hell, I actually was, but she still told me to quote ‘get the fuck off my property,’ so I did, I got off the property, but when I got to the road, I yelled back, ‘IF I SEE THOSE KIDS ON MY PATIO AGAIN I’M CALLING THE COPS,’ and then I went home and that was it, until the next day when I get a visit from the police telling me that the woman filed a restraining order on me, even though I was being nice as fuck to her, and the police tell me I can’t come within 10 feet of their yard or else there will be serious consequences, so I say ‘whatever fine I won’t go into their yard,’ but then, not even a few hours later, can you fucking believe it, I bet you can, those fucking wild ass kids are back, playing tag or whatever, in my yard, up on my fucking patio, again, but I was feeling generous and didn’t want to like break the restraining order, so I didn’t call the cops or even go over there and talk to the parents, but what I did was, I wrote this note, this really nice, polite note, that said something like, ‘please tell your children not to play on my patio because my dogs are very skittish and they will start barking and my husband sleeps late and needs his sleep for his job,’ and I sign my name at the bottom of the fucking note, and then, later that night, I sneak into their yard and I pin this note on their fucking front door, just to relay the message, that’s it, just to relay the message, and then I go home, get some sleep, and can you fucking believe, can you fucking believe it, I wake up to the sound of cops banging on my door, and they’re saying I broke the restraining order, and they say they have proof, so I tell them to show me the fucking proof, so they hold up my note, can you believe it, my fucking note, with my name signed on it and everything, and they say that leaving the note broke the fucking restraining order, so I say ‘FUCK THAT’ and slam the door on their faces and next thing you know they’re forcing me into the back of their fucking cop car, and I mean really forcing me, like serious police brutality kind of shit, even though I was being cooperative and civil as hell, and they take me to the courthouse and, long story short, I’ve got to be in court in like three weeks to face charges, can you believe that, can you fucking believe that?”

And I’m just like nodding along, saying stuff like, “oh that sucks, wow, damn, ok,” while sipping my green liquid and chain smoking Marlboro Lights, kind of zoned out, words going in one ear and out the other, but her whole aura is kind of weirding me out, so I turn to her husband, who’s sitting there staring at the floor with a drink in hand, and he looks quite despondent and miserable, so I say something like, “Hey man, are you OK?” And he slowly lifts his head, looks me dead in the eye, and says, “Erin cheated on me last week.” And for some reason the sheer randomness of this, combined with the emotional gravity of the situation itself, makes me burst out laughing, incredulously almost, so I turn to Erin, so drunk that I’m likely oblivious to basic human social cues at this point, and I say to her in a chuckling tone, “That’s not very nice, why’d you do that?” And Erin, whose two eyes are sort of blinking at different times, off-sync, giving off serious goblin-queen vibes, says, “Because he’s always too drunk to fuck me,” and I’m like, “OK, well, that’s, uh, that’s something, maybe lay off the vodka Mountain Dew there,” and I’m saying this while chuckling a little bit, but Erin and her husband aren’t chuckling, they’re just staring off into the world of Cops in this thoughtful drunken awkwardness, but I don’t feel awkward at all, in fact I feel really good, sipping green liquid and chain smoking, and then Erin turns to me and says, “What about your wife? Do you guys fuck a lot?” And I’m like, “Uh, maybe like once a week, I guess, I don’t really keep count, you know.” And she stares at me with this dumbfounded look on her face before saying, “Really?” And I sort of shrug and focus my attention back on Cops, but Erin won’t let it go, she says, “I don’t believe you, call her and get her over here,” and I’m like, “OK, sure, the more the merrier,” so I text my wife, who had just put our daughter to bed, “Come over, we’re having a blast,” from my perspective, and she replies with something like, “I guess, give me a few minutes,” because she never liked Erin to begin with, thinking she was weird and dangerous even from the first time we met her, which she was, but I naively believed myself to have a good handle on dangerous people, thinking they were interesting in an at-least-I’m-not-like-that sort of way, so we sat around in the open garage, watching Cops, waiting for my wife to show up.

A few minutes turns into like ten minutes and Erin gets restless, she turns to me on the couch and says, “Where’s your wife? Did you really ask her to come?” And keep in mind she’s heavily slurring her words, which I’m not really capturing in the quoted dialogue here. And I respond with something like, “She’s slow sometimes but she’ll be here.” But Erin won’t let it go, “But it’s been like two hours.” I check my watch and say, “It’s been like ten minutes.” And Erin abruptly stands up and heads out of the garage, so I get up and follow her, just kind of going where the night takes me, heavily fucked up at this point but still forming memories and coherent. Then Erin says, “I’m going over to your house, I’m knocking on the door.” And, knowing my wife really doesn’t like Erin, I’m like, “Just wait, she’ll be here in a second.” But Erin keeps going, and I keep telling her to wait, until eventually I somehow convince her to wait, at which point Erin starts walking back into the open garage, and as she passes me, I joke, “Besides, if you go on my lawn, I’m gonna call the cops on you.” And that’s when Erin’s demeanor totally changed.

Suddenly, and in what I drunkenly perceive to be completely out of fucking nowhere, Erin activates goblin mode. She turns to me, glazed madness in her eyes, and says in the most raspy and serious voice I’ve ever heard, “What the fuck did you just say to me?” And me, cognizant of her goblinesque shift but too drunk to really understand the gravity of it or care, I repeat clearly, “I’m going to call the cops if you step on my lawn,” even though I had no intention of calling the cops, as I was merely joking, and I’m no narc. And that’s when Erin lunges at me, hands outstretched. She grips my neck with both hands and starts squeezing at my throat as hard as I imagine she possibly can. But I am unfazed, because she’s actually quite weak, totally unable to choke me, so I just look down at her, because she’s also quite short, and I say, “What are you trying to do?” At which point I can tell she’s intensifying her grip around my neck, but I still barely feel a thing, so I lift my hands to hers, grip them, and say, “Can you stop?” But she doesn’t stop. She just keeps trying to choke me out. I don’t remember exactly how long this lasted, but at some point I considered just pushing her off me, though I decided against that because, even though I was drunk as hell, I still had sense enough to know that Erin, being a total drama queen junkie, would likely spin my self-defense as some sort of assault against her and try to get me arrested or something, so I just stood there while she weakly attempted to kill me. Then my wife showed up and saw the whole thing happening in real time, so she yelled something at Erin, who let go of my neck, then my wife and I got the hell out of that goblin den as fast as humanly possible.

When we got home, my wife and I debated on calling the police, reporting the assault, but I convinced her otherwise, because I didn’t want to start any drama. We ended up just deciding to never associate with them again. But the next day, Erin, who had our phone numbers, texted my wife with this whole made-up story of how I was actually talking mad shit about my wife and she, Erin, was simply trying to protect my wife’s honor, which absolutely was not what happened, so needless to say, we ended up blocking her phone number and never speaking to her again, although my wife does covertly call the police every now and then when Erin’s out there in her driveway screaming her head off like a Goblin Queen at three in the morning for god knows what reason, even though I advise against it, the whole calling-the-police thing, because it’s already awkward enough having to avoid her all the time, and no matter how many times the police are called, it doesn't seem to change her goblin ways.

Because, to this day, late at night, if you listen closely, you can still hear the Goblin Queen’s heinous screeches echoing off the vinyl siding of the suburbs.
f0rrest: (security cam collage)

Drugs. What's there not to love about drugs?

Other than the whole crippling chemical dependence thing, which raises serious questions about free will, and all the heinous life-changing side effects like your heart permanently doubling in size from all the steroids and your nose collapsing into your face from years of snorting various powders and your teeth turning into little baked beans that fall out because of all the meth and your memory becoming so shot that you often can’t remember where you stashed your dope and of course the risk of permanent psychosis and all the twitching and sweating and jaw clenching and liver transplants and insomnia, and we can’t forget about the exorbitant costs, not just to your wallet but also to your life, because sometimes, if you smoke the wrong stuff, like if it's laced with fentanyl or whatever, you can just die instantly, which kind of sucks.

But other than all that, drugs are a whole lotta fun.

At least that's what I thought back in high school, when I was consuming illegal narcotics on the regular. I don’t claim to be an expert or anything, however. In fact, I’ve probably done less, on average, than other people my age, even though drugs were pretty much all around me in the early 2000s, especially amongst the kids-with-no-motivation-but-their-parents-have-shit-tons-of-money-so-they’ll-probably-still-end-up-unfairly-better-off-than-most crowd, which was somewhere in the middle section of the teenage-stereotypes Venn diagram, right between the I-dyed-my-hair-bright-red-to-piss-off-my-stepdad-and-I-watch-anime-religiously circle and the my-band-is-really-going-somewhere circle, both of which I loosely bordered, and I say “loosely” because, back then, I was pretty antisocial, even among the antisocial, seeing people with similar interests as a threat to the sanctity of my individuality.

Anyway, back to the drugs. I’ve done many different types of drugs, so I thought it would be a fun writing exercise to describe how each of those drugs made me feel, so that’s what I’m going to do, write about my experience with illegal narcotics, one drug at a time, one journal entry at a time. And I’m going to start with the most common, the one drug we all know so well, the one that chronic users insist is “totally harmless” and “just a plant, man.”

Of course, I’m talking about gigglebush, also known as jazz cabbage, or dinkie dow, Bob Hope, catnip, devil’s lettuce, wacky tobacky, magical leaf, dude-it’s-totally-not-oregano, or just plain old dank ass weed.

I’ve smoked a lot of gigglebush in my time, even after high school, and let me tell you, there was pretty much no giggling going on whatsoever, just a whole lot of intense self-critical introspection and existential dread, which is why I no longer smoke the quote-unquote “totally harmless plant bro,” because when I do, it usually goes a little something like this,

“Time to sit down and play some Daggerfall, surely this high will help me become more immersed in the game. It’s nice to just relax and take a break every once in a while. Escapism is good sometimes, I think. But is it, really? Don’t I have more important things to do? Couldn't I be writing, or spending time with my family? Do I even love my family? Like, truly? What is love, actually? Am I even capable of love, considering I spend so much time alone, in my office, so focused on myself? Is that all I really care about? Myself? Maybe I only really love myself. Maybe my family only puts up with me because I make a decent amount of money at work, like a breadwinner instead of a total mooch? Maybe that’s why anyone at all takes me seriously, because I have a decent-paying job. That last email I sent at work, I wonder if it was too aggressive. It probably came off the wrong way. I hope the recipient doesn’t forward my email to my boss or something. Maybe they already forwarded the email to my boss. Maybe, on Monday, when I log in, my boss will already be waiting to talk to me about my terribly worded email. Maybe I’ll get fired. But if I get fired, how would I be able to play video games in comfort, without any money coming in? Why is my first thought, if I were to lose my job, whether I’d still be able to play video games? What the fuck are my priorities? Maybe getting fired isn’t so bad, because I do sort of hate my job, and maybe I deserve to be fired. It’s not like I'm good at my job or anything, or good at anything really, especially writing, I'm definitely not good at writing, and I only write about myself pretty much, which kind of supports the whole I-only-love-myself thing, so maybe I really am an egotistical asshole, like all my ex-girlfriends say, and it’s not like anyone reads my stuff anyway, which means it’s not appealing to a wide audience, or even a small audience, which certainly indicates that my writing is shit, and considering that, my writing seems kind of embarrassing now, in hindsight, pretentious almost, so maybe I should just delete all my stuff, it's not like anyone would notice. I am seriously considering this. I could just fade into obscurity as if nothing ever happened, start over, no evidence, then no one would know how much of a self-centered pretentious asshole I am. But surely my high school ex-girlfriend would still think I'm a self-centered pretentious asshole, considering all the times I ignored her and told her that I didn't love her just to provoke some sort of reaction. Sometimes I miss her. Sometimes I dream about her, but I really wish I didn't, considering I'm married now and all. Maybe I should call her up and apologize. I don't know. I think I'm going to turn off Daggerfall now, maybe open an incognito tab, look her up, but on second thought, that probably wouldn't be a good idea, would it? What am I thinking? She’d probably just say 'um, thanks?' and hang up on me, anyway. I'm surprised more people don't just go 'um, thanks' then hang up on me, frankly, because I'm really not a great conversationalist, and I'm barely any good at speaking. Like, it takes a lot of effort for me to form coherent sentences out loud that don't sound like they're being spoken by some guy who just suffered severe head trauma, and I stutter and jumble my words a lot, which is why I prefer writing, because writing allows all this prep time to make myself appear smart, because that's all this writing stuff really is, just a way to make myself appear smart, to trick not only myself into believing that I'm smart but also everyone around me, so I'm really just a huge fraud, all appearances, and I'm almost like 99% positive everyone can tell, too, like they can all see right through me. That's why I can't make any friends, because I'm a stupid loser trying to pretend that I'm smart, which, when you get right down to it, is the most pretentious thing a person could possibly be. That's pretty much the exact definition of pretentious, isn't it? I’m going to look up the exact definition on Google now, 'attempting to impress by affecting greater importance, talent, culture, etc., than is actually possessed.' Yep, that’s me, to a tee. So much so, in fact, that they should give me some sort of trophy or something for being the most off-putting pretentious poser that no one wants to hang around ever in the history of the world. I'm such an idiot. Moron. Dumbass. Maybe I don’t love myself, maybe I just hate myself, and all the internal vanity is some sort of unconscious defense mechanism to prevent myself from realizing the truth and thus unaliving myself? There’s no way that people think I’m smart or a good writer or a nice person or even pleasant to be around. I'm sure everyone says this behind my back too, because why wouldn't they? It's true. And all the people who put up with me, they just do it to be nice, they don't want to start any drama. No one is truthful about what they really feel, it's all smoke and mirrors and masks. You can't trust anyone, myself included, not even my subconscious mind, clearly. My whole persona is an act, a terrible lie. I pretend that, if I just pretend to be something I’m not, I will eventually become the thing I am pretending to be, but does it really work that way? Is that what everyone is, a great pretender? Or am I the only great pretender, and everyone else just doesn’t have to pretend at all? Why does it feel like my head is in a glass bubble 3,682 meters below sea level? I wonder if I'm going to get fired on Monday. How do I make this pressure go away? I bet my own mother even thinks I'm an insufferable prick, that’s probably why she doesn’t even know that I write, and why I’ve never shown anyone in my family anything that I’ve written, because they know my limits, they’ve known me since I was a kid, so they’d probably take one look at my writing and laugh it off. Why is any of this important anyway? Why can’t I just chill the fuck out? I would seriously like to stop taking life so seriously. Maybe I just need to go to sleep. I think I'm just going to lay down now.”

Or something like that.

Some diehard gigglebush connoisseurs, like the two dreaded Rogans, Joe and Seth, both of whom I absolutely cannot stand, insist that this sort of introspection knock-out session is part of the whole gigglebush experience and is in fact one of the main reasons you should smoke gigglebush. “You just don't think about this kind of stuff when you're clean, so gigglebush opens your mind, man, teaches you deep subconscious things about yourself, dude, to help you self-improve.”

But I don’t need gigglebush to do this. I think about this introspective shit all the time without getting high. Gigglebush just makes me loop unnecessarily on this introspective shit, which I normally have very little harmful anxiety about, but when I smoke, I become insanely anxious and borderline suicidal. The only mind-opening gigglebush does, for me, is open my mind to madness and misery, which unsurprisingly is actually not a useful state of mind to be in. It's actually counterproductive to self-improvement, because, for me, getting high never leads to any sort of constructive long-term change in my behavior. It just leads to more anxious looping, and afterwards I barely remember any of the weed revelations, if there were any at all.

So my counterargument to the Dread Rogans would be, if you can't be introspective without smoking dope, then maybe you're just not very introspective to begin with? And considering that, I would challenge the wisdom and judgment of their brains on gigglebush just as much as I would challenge the wisdom and judgement of their brains not on gigglebush, both of which have a strong desire for gigglebush, because they're definitionally addicted, which makes me question just how “open” their minds really are.

So, I guess the lesson here is, don't take drug recommendations from non-introspective drug addicts.

And that's pretty much the extent of my experience with gigglebush.

Maybe next time I'll write about that one time my friend and I took mushrooms, and how my friend insisted that he had peed himself, but upon feeling his pants, they were totally dry, which I guess means that maybe drugs do actually open the mind, to suicidal ideations and fantastical pants-pissing.
f0rrest: (smoking)

This novel fucking sucks.

It was called The Catcher in the Rye, apparently it was banned or something by the school board, but Mr. Moody gave it to me to read anyway, as like extra credit or whatever, on account of my poor grades, and he told me not to tell anyone. He also said I was real smart but that I had serious motivation problems and that my attitude was garbage and that I needed to get my shit together if I ever planned to get into a good school. He didn’t say it all like that, of course, but that was pretty much the gist of it, and that's why I had to meet with him every week, on Fridays, during free period, to discuss my serious-garbage-shit-motivation problem, which was really only a problem to my mom and teachers, not me, because I didn’t care much about getting into a good school. I hadn’t even thought about applying, to tell you the truth, because artists like me don’t need to go to school, we just need some heart and soul and a little bit of tragedy in our lives, which I'm perfectly capable of creating on my own.

Anyway, like I was saying, the novel fucking sucked. The day he gave it to me, I went home and looked it up on Wikipedia, read the plot summary and all that, it’s one of those pretentious books with literally no plot and bad grammar on purpose, it's no Neuromancer, and it's certainly no Clockwork Orange, that's for sure, and after reading the summary, it became immediately clear that Mr. Moody was trying to make a point, hoping the book would draw a parallel to my life or whatever, like a cautionary tale or something, because it's about a kid that wears a hunting cap all the time who hates everyone and flunks out of school and ends up in a mental ward. But the problem is, I don't hate everyone, and I don't wear hats, I hate hats, they look ugly on me, and I’m not just some delinquent kid from a novel, I’m a real person in the real world. It’s ridiculous to think that some fake person from a book can ever relate to my life, as if I’m so easily pigeonholed or whatever. I get that Mr. Moody was trying to make a point, but I can’t stand people who try to make points. It’s so arrogant, thinking you have some sort of point and that it can apply to anyone other than yourself, as if everyone is the same fucking person or something. It drives me crazy. Mr. Moody may have a degree in Child Psychology hanging on his office wall, but that doesn’t make him an expert on my soul or whatever, not that I believe in souls, but you know what I mean. I'm agnostic, if you want to know the truth.

So, there I was, in the little waiting room right outside Mr. Moody’s office, picking at the acne on my face, which I was quite self-conscious about, leaning back on one of those uncomfortable plastic chairs with the metal legs, heavy canvas messenger bag weighing down one shoulder because I hadn’t bothered to take it off, thumbing through pages of Catcher, not being able to focus on hardly anything because I hadn't taken my pill that morning, my messy head real close to the white brick wall behind me, right by the poster with the school motto, TEMPUS FUGIT HABENAS TENE, with the armored knight on horseback holding his skyward sword with one hand and the horse’s reins with the other, when Mr. Moody’s office door cracked open and his tan face poked through. He had short, brown, curly hair that kinda reminded me of pubes.

“Come on in, Nathan, time’s a-wastin’,” he said. He had a northern accent but was always affecting some goofy southern one. I guess he thought if he acted goofy he’d get students to drop their guards or whatever, and he carried that philosophy into his clothing too, because he was always wearing this brown tweed jacket with goofy, thematic ties underneath. Today his tie had little sunglasses all over it. I guess he thought it made him seem silly and relatable, but to me, it just made him look stupid as fuck, and the pube hair certainly didn't help his case.

Pushing my weight forward, the chair landing on all four legs, I stood up, put the book down, and tucked in my Epworth Academy polo because I knew Mr. Moody would make some silly remark if I hadn’t, and I didn’t want to deal with all that right now. Then I picked the book up and stepped through the wide open door, into the sunlit world of student counseling, where I sank into the plushy recliner, leaned back, and crossed my arms like I always do when I don’t want to be somewhere, meaning I was pretty much crossing my arms all the fucking time.

There was only one window in the whole room, overlooking the bright green campus lawn, where students were reading and picnicking in the shade of the massive live oaks, their branches twisted like skeletal limbs reaching out from the grave, Spanish moss like death shrouds or something, and there were some boys kicking soccer balls around, their green Epworths all tucked into their brown khakis like gold star for robot boy, and some girls were spectating nearby, wearing green skirts that stopped just above their knees, because the Epworth uniform was modest, but not that modest.

The walls of Mr. Moody’s office were covered in posters like YOU MATTER and DRUGS DON'T WORK THEY JUST MAKE IT WORSE and EVERY MISTAKE IS A LEARNING OPPORTUNITY, and there was even one with Freddie Mercury from the band Queen standing on stage in that iconic yellow jacket of his with the words BE YOURSELF NO MATTER WHAT THEY SAY in big font just above him, which I guess was Mr. Moody’s way of trying to be hip, but it was also ironic, considering the school tried its damndest to make everyone look exactly the same, what with the uniforms and all. Besides, I was more into obscure stuff, like The Smiths, My Bloody Valentine, Lush, The Strokes, Pavement, Beck, you know, music that's actually good, not that corny “We Are the Champions” shit, which, needless to say, always played at the school pep rallies and drove me fucking crazy.

On Mr. Moody’s desk, around the black panel monitor of the Dell-Inspirawhatever computer, whose tower served as a makeshift stand for the monitor itself, was a mess of papers, pens, and folders all spread out in some sort of system that only he could understand. The desk itself was large, dark wood, and the edges were lined with bobbleheads ranging from baseball players like Babe Ruth and some other guys I would never be able to name because sports are lame as fuck, and there were Star Wars characters too, like Yoda and Luke, all perpetually bobbling somehow, as if they had minds of their own, maybe they were motorized, I don’t know, either way, they were kinda creepy. There was even one of Kramer from Seinfeld, a show I actually liked but would never tell Mr. Moody that because, fuck that, we have nothing in common.

Mr. Moody and I sat there in awkward silence for what felt like a whole minute. At least it was awkward for me because, to tell you the truth, I was a little socially awkward back then. I wouldn’t say I was shy, per se, but I preferred to be quiet because I figured silence and a scowl were better than making myself look like a stupid dumbass. Mr. Moody, however, didn’t seem awkward at all, shuffling papers around on his desk, occasionally holding them up to his face like he was reading them or something, which I suspected was just some sort of clever contrivance to make himself appear busier than he actually was, maybe to prompt me to speak first. He was always trying to get me to speak first, like he was expecting me to just pour my heart out to him every Friday afternoon during free period when I had like a million better things to do, like listening to music or sneaking a smoke in the grove behind the Harrington building. Anyway, in the weird silence, I started losing focus, thinking these sessions were kinda like Street Fighter, a weird verbal game of Street Fighter, waiting for someone to strike first, to exploit an opening for a perfectly timed Dragon Punch or whatever, which I used to do all the time back at the arcade in the old mall on the mainland, which I had stopped going to because it just wasn’t that fun anymore, and most of the mallcore kids were assholes that would always get mad at me because, well, I would win all the fights, because I would never make the first move. I was stubborn as hell like that. And, to tell you the truth, I preferred Japanese role-playing games anyway, like Chrono Cross.

Anyway. In the silence, I started thinking about Chrono Cross and its incredible soundtrack and how I wanted to go home, pop an Adderall, and play it, but then, to my surprise, Mr. Moody made the first move.

“So, Nathan, it’s been a few weeks, how’d you like the novel?” he said in that low, nonchalant voice of his.

It took me a second to respond. “It’s alright.”

“Just alright?”

I made one of those verbal shrug noises.

“Surely there’s at least one thing you liked about the book, Nathan.” He was always saying my name like that. I figured it was some sort of conversational engagement trick he had read in a self-help book or something.

“Well,” I said, “to tell you the truth,” I paused, “I didn’t really read it.”

Mr. Moody said nothing for a moment. He just straightened himself out in that big leather chair of his, bushy brow straightening a little bit too, which was his way of trying to look serious, although the pubic hairs made it hard for me to ever take him seriously.

“You know, Nathan,” he paused to adjust his tie, “I should have expected that, considering the themes of the novel and all.”

“Well, I know about the book. I read the summary online.”

“Then you know the point I’m trying to make.”

“I guess,” I said, kinda annoyed.

And Mr. Moody must have caught on to my attitude because he quickly replied with, “It seems like you have some thoughts about that.”

“Sure,” was what I said, and all I wanted to say, because I didn’t want to get into it with the guy.

“Tell me about those thoughts, Nathan.”

“Well,” I said, shifting my gaze to the dark berber carpet below, “I guess I just, like, don’t appreciate it,” I paused, “or whatever.”

“What do you not appreciate, Nathan?”

“The whole, like, I’m-making-a-point thing,” I said, looking everywhere except him, “feels kinda condescending, you know.”

“How is it condescending, Nathan?”

“Well, like, it’s kinda ridiculous to think that a character from a book could ever relate to me, since I’m, like, not a character in a book, you know?”

“Interesting. Tell me more about that.”

“The whole idea of making a point, to me, seems really arrogant,” I said, “like, the idea that you know best, and that you can make these really solid, profound points, and that they could ever relate to anyone except yourself. Sometimes I think people just want to, like, hear themselves talk and get pats on the back for making really good points. It just seems, like, really smug and, like, egotistical, and, you know, sort of assholish.”

Mr. Moody didn’t even get onto me for cursing. In fact, his tan face sort of lit up.

“Everyone is different and, like, really, our experiences are kinda subjective, so I just don’t like the whole making-a-point thing. That’s all. I think only stupid people make points, stupid people who are full of themselves and cocky and think they know best. When, really, ‘best’ is going to be different from person to person. So, yeah, I guess I don’t appreciate the point, or any point, really.”

Mr. Moody seemed to be mulling this over, twirling a pen between his fingers, and in this brief pause, I ran my hand through my bangs, tossing my hair to one side, mostly because it was getting in my eyes, but also because I thought it looked cool, and, in that moment, I was feeling cool, since I had made such a good argument.

Then, like some sort of debate champion, Mr. Moody said something that got on my nerves. He said, “That’s a really good point, Nathan.”

I wasn’t feeling so cool anymore. In fact, my face was very hot, so I looked down at my good friend, the carpet, and said, “That’s not what I meant.”

“Isn’t it?”

“No, I wasn’t making a point. I was just, you know, stating my opinion.”

“What is a point if not an opinion that one backs strongly?” he said, sounding all smart and stuff.

I was kinda telling the guy to fuck off in my head, to tell you the truth. I was always cursing at people in my head but never saying it out loud, mostly because I didn’t want to get in trouble.

“I’m not trying to mock you, Nathan,” he said, affecting some bullshit wise gentle tone. “I do think you’re on to something, and I think you should think about it more, develop it into something full and cogent,” he paused and looked right at me, “maybe write an essay on it. I know you like to write. It could be extra credit.” He was always trying to give me extra credit, it was pissing me right the fuck off.

“I’m not writing an essay,” I said, “and I’m not making a point.”

Mr. Moody let out a soft chuckle, then said, “OK, OK, Nathan. You’re not making a point. I do think you should think about it more, though. I have some books here about Zen Buddhism that I think you would get a lot out of.”

“I’m not reading a book about Buddhism,” I said, trying to hide my frustration behind a blank face and a cool hair-swoop. Then, almost out of nowhere, I went off.

“Maybe this sort of point-making stuff might work on other kids, but not on me, because, like, I’m not like the other kids. If I were, I’d have one of those short haircuts all gelled up in the front, and I’d be on the Knights soccer team, and I’d tuck in my polo even outside of class, and I’d act like some fine upstanding young man in front of all the teachers but get wasted at keggers every night on the Island and I’d drive home drunk and I’d run for student president and be all conservative but get cheerleaders pregnant and then force them to have abortions, like that idiot Mackenzie. Those are the type of kids you don’t want growing up in society, the politician types, the posers who say one thing but do something totally different. Man, if I ever end up like Mackenzie, just kill me, you have permission to just shoot me right in the head. I wouldn’t even be mad. In fact, I might even thank you, from the grave, for sparing the world from such a moron.” I paused, starting to regret some of the things I had said, but I mumbled one last thing before I was done, “Hell, you may even prevent a war by doing that, who knows.”

The silence, at that point, wasn’t awkward, it was scary. Mr. Moody’s narrow brown eyes were narrower than I had ever seen them before. I felt like maybe I was about to get in trouble or something, but, after a few seconds, Mr. Moody just brushed at the lapel of his tweed jacket, ran a hand through his curly pubes, and smiled. Then he said, in a tone that was totally nonchalant, “I really wish you would read the book, Nathan.”

“I’m not reading the book.”

“Well, at least hang on to it for me, will you do that?”

I vocalized a shrug, then, feeling a little less worried due to Mr. Moody’s almost dismissive response to my rant, I glanced down at my watch, one of those old digital Casios, to check the time. It was about twenty minutes till fifth period, Fine Arts.

“I’ll let you go, Nathan, but will you hang on to the book for me,” he said in an earnest voice, “will you do that for me?”

There was a moment of tense silence before I finally said, “Yeah, sure,” then I stood up and adjusted my messenger bag because the strap was cutting into my neck, then I lifted the flap and dropped Catcher right into it.

Mr. Moody’s eyes lit up a little bit, then he nodded, stood up, and walked to the door, opening it for me, hand outstretched as if granting me passage or something. “Thanks, Nathan. You’re a good kid. Think about maybe writing that essay, will ya?” He was doing that southern thing again. “And you have a good rest of your day, ya hear?”

“Yeah, you too,” I said dismissively, walking through the door, into the waiting area, out into the second-floor main hall near the big stairwell with the huge window, into a cacophony of chatter and squeaky linoleum, students walking all around me, making their way to their next class, and one of them was Mackenzie, tall, blonde, built like a professional footballer. He looked kinda like Ashton Kutcher from That ’70s Show, if I had to choose someone to compare him to. And he must have been in a hurry because he was walking all in a huff toward the stairwell, but he didn’t quite make it there because Mr. Moody, who had followed behind me, shouted, “Mr. Harrington!” And this got Mackenzie’s attention, causing him to turn around and look right at me. The two of us didn’t really see eye to eye, except when we were glaring at each other. Then, upon seeing Mr. Moody behind me, Mackenzie quickly adjusted his demeanor to that of a fine upstanding young man, pushed some of the fluff of his polo into the waist of his khakis, and walked toward Mr. Moody, passing me along the way, and as he passed, he quietly said, “Wheeler,” so I said, “Ashton,” and then he sorta sneered at me, so I of course sneered right back, twice as hard, nearly baring fangs.

Looking over my shoulder, I saw Mackenzie pass through the door into the office, and, in that moment, something turned in my stomach, suddenly remembering that I had said some pretty juicy stuff about the guy just moments earlier, and I thought maybe that was why he was being called into the office, so naturally I had to get the fuck out of there, before Mackenzie got out of that office, for my own good.

So I pretended like I was a ghost and disappeared down the stairwell. But before heading to Fine Arts, which was out in the Harrington Building, I had to take a detour.

I had to have my Lucky break.
f0rrest: (forrest fire)
You ever have one of those days wherein you roll out of bed at three in the morning, bladder levels so in the red that you nearly piss yourself, so you stumble to the bathroom, nod off on the toilet, hygiene bar going down because you get some pee on your hands or whatever, then you compulsively wash your hands and brush your teeth as if some extradimensional being is just clicking away, commanding you to do things for some reason, then you realize your hunger bar is like non-existent, so you make yourself some breakfast in the kitchen, but for some reason the food has no taste at all, yet you force yourself to eat regardless, knowing that otherwise your hunger bar will just keep dropping, and of course you don’t want to starve on your first day at your new job as a Typesetter, which starts in ten minutes, so you speed-walk mindlessly to the bedroom to get dressed and that’s when you hear what sounds like someone just mercilessly holding down a car horn, so you look out the window and see Carpool John in his old busted-up 1955 Chevrolet Bel Air doing exactly that, mercilessly holding down the car horn, so you spin in place super fast like a tornado, which somehow sucks in all your work-appropriate clothes and magically applies them to your body, then you bolt out of the house, force the rusted Chevy door open, disappear into the passenger seat somehow, and say some dumb clichéd shit like, “another day, another dollar,” before holding on for dear life because Carpool John floors it, then the car vanishes down the road as if you just drove through some dark portal straight into Dante’s vision of Hell?

If any of this feels familiar, you might have more in common with a Sim from The Sims than you realize, because this is reality for little Forrest Unknown, or “FU” for short, who does this same routine on every day ending in the letter Y, which is each day of the week, or until I turn the game off.

I’m not sure what FU actually does at work, to be honest, because after the car disappears, time speeds up, hours pass, and suddenly he’s right back where he started, in front of his two-bedroom home, stepping out of that old busted-up 1955 Chevrolet Bel Air, extra $200 to his name, hunger bar totally drained, fun levels absolutely abysmal, so he goes inside, takes a piss, makes some lunch, plays video games on his PC for a few hours until his social bar is in the red, at which point he calls up Mortimer, whom he hates, invites him over, and Mortimer brings a friend, a little girl named Cassandra, and they overstay their welcome, sticking around all night, becoming so tired that they fall asleep in the living room, and Cassandra urinates all over the floor for some reason, so FU has to clean up the soppy piss puddle with a mop, which puts him in a bad mood and drains his energy bar, at which point he goes to bed, sleeps for like five hours before rolling out of bed at three in the morning, bladder levels so in the red that he makes a beeline to the bathroom where he nearly falls asleep on the toilet, thus getting pee on his hands, which makes his hygiene levels go down, so he washes his hands and brushes his teeth, at which point he realizes his hunger bar is like non-existent, so he makes himself some breakfast, scarfs it down even though it tastes like nothing, then he realizes he has to get to work in like ten minutes, so he speed-walks mindlessly to the bedroom, at which point he hears what sounds like someone just mercilessly holding down a car horn, so he looks outside and sees Carpool John in his old busted-up 1955 Chevrolet Bel Air doing exactly that, mercilessly holding down the car horn, so FU spins in place super fast like a tornado, which somehow sucks in all his work-appropriate clothes and magically applies them to his body, then he bolts out of the house, forces the rusted Chevy door open, disappears into the passenger seat somehow, and probably says some dumb clichéd shit like, “another day, another dollar,” before holding on for dear life because Carpool John floors it, vanishing down the road as if he just drove through some dark portal straight into Dante’s vision of Hell, and then time speeds up and FU is right back where he started, in front of his home, stepping out of that old busted-up 1955 Chevrolet Bel Air, extra $200 to his name, hunger bar totally drained, fun levels absolutely abysmal, so he goes inside, makes some lunch, plays some video games, and I think you get the point. It’s a never-ending struggle for little FU, like he’s stuck in some sort of heinous time loop, or a little something I like to call the fucking rat race that is modern first-world life.

It’s depressing, watching FU repeat his boring little mundane routine all in service to the almighty Simoleon dollar, just so he can keep himself alive and buy more electronics and stuff, which he then uses to distract himself from the existentially dreadful fact that, despite how much money he makes, he will always have to repeat boring little mundane routines in order to continue existing, as if the routines themselves only serve to facilitate distracting himself from those very same routines.

I will say, however, that little FU is moving up in the world. After just one week as a Typesetter, he got a promotion, he’s now a “Game Reviewer,” which the blue in-game text box describes as, quote, “the lowliest writing job you can get,” unquote, which I can’t help but agree with, having done the whole game reviewer thing myself for a time, the only job requirements being having passed third-grade English, and being of the smug belief that your subjective tastes are actually objective facts, and also being able to come up with some sort of cute point system wherein stars are replaced with, like, video game controllers or cans of Monster Energy Drink or sticks of extra-strength deodorant, all things hardcore gamers desperately need, which is to say that I hope little FU sees the error of his ways and grows out of this new job quickly, even though I do like to imagine that, on FU’s first day as a Game Reviewer, he maybe wrote a very meta review of the actual game that he himself exists in, which I like to imagine includes the following paragraph,

“Despite The Sims’ retro charm, zany humour, and addicting gameplay loops, there are no words to describe just how depressing it is to watch your little Sim guy repeat the same boring mundane everyday tasks that you yourself were doing right before you sat down at your PC to escape the very same boring mundane everyday tasks you were so desperate to avoid in the first place. Whether intentional on behalf of Maxis or not, The Sims remains one of the greatest Misery Simulators on the gaming market today. 10 out of 10 Lexapros.”

I’m not trying to be funny here. Well, maybe I am, a little bit. But I’m mostly trying to be serious. Because as I played The Sims, watching little Forrest Unknown going about his daily tasks, which were eerily similar to my own, I was overcome by something I can only describe as the nihilistic heebie-jeebies. I was starting to see myself acutely within FU. I was starting to think that my life was not dissimilar to a video game in which some disembodied megalomaniac is just clicking around commanding me to do things. I was starting to question the whole meaning of existence and all that stuff. And before you know it, I was fucking miserable. And I figured, you know what, I bet little Forrest Unknown is miserable too.

So I decided to put him out of his misery. I decided to kill him. I decided this would be symbolic, somehow.

What I did was, I directed little FU to go into the kitchen, then I went into build mode and removed all the doors so he couldn’t escape, then I placed a bunch of toasters and microwaves and stuff in there, then I removed the smoke detector so the fire department wouldn’t catch wind of what I was doing, and the whole time I was doing this there was some upbeat pop music playing from the stereo in the living room, the singer was babbling incoherently in Simlish, and this felt dichotomously significant for some reason, then, knowing that FU was a terrible cook, I commanded him to make lunch, hoping he would accidentally start a fire, so he goes over to the stove and starts making lunch, which, to my surprise, he prepares successfully without managing to start a fire, so I command him to place the food on the floor and try again, so he starts making lunch again, but he prepares it successfully again, so I command him to place the food on the floor again and make lunch again, but he prepares it successfully a third time, so I have him do it like ten more times, each time successful, but now there are like flies and stuff all over the kitchen, and he starts babbling incoherently about the mess, but I just keep going, I keep commanding him to make lunch, which eventually turns into dinner, which eventually turns into breakfast, on account of all the time that has passed, at which point the whole kitchen is like a fly breeding ground, the buzz cacophonous, and FU’s energy bar has become so depleted that he passes out on the floor with his head in a plate of moldy fly-covered food, so I wait for him to wake up, at which point I command him to prepare food again, but he’s successful once more, so I start to suspect that, throughout this whole food-preparing fiasco, he has become so proficient at cooking that he cannot actually start a fire on accident anymore, then he pees himself, because he can’t reach a toilet, so now he’s standing on rotten food and piss, and at this point I’m starting to feel really bad for the guy, so I think to myself, there has to be a better way, so I pause the game and cycle through some of the entertainment items that can be purchased, and that’s when I find the fireworks set, which I quickly discover can be placed indoors, so I buy one of those and command FU to use it, at which point he walks up to it, fiddles with it, and it starts sparking like crazy, so he steps back, near the washing machine, and watches the firework set, which, after a few seconds, launches its first round of fireworks right into the kitchen ceiling, producing a beautiful flash of color, which of course catches the kitchen on fire, and the pop music has changed to some sort of sick metal riff at this point, all while FU is just standing there clapping his hands, which I suspect is part of the game’s code, to have Sims clap after firework launches, but it ends up feeling like FU is clapping for his own demise, which I find poetic in a way, but he doesn’t clap for very long because, upon noticing the fire and the fact that there are literally no doors to escape through, he starts flailing his arms like crazy and babbling incoherently, but he doesn’t move, he just stands there, even as the inferno creeps closer to him from tile to tile, he never moves, he just babbles and flails, even when the blaze catches up with him and he becomes totally engulfed, he’s still babbling and screaming, crazy rock music blaring from the living room stereo, only little FU’s head and arms visible as the fire consumes his entire blocky body, and he babbles and flails right up to the very end when he falls face first into the great blaze, at which point he babbles and flails no more, but the sick metal riff keeps going, as if part of some occult ritual intending to summon some sort of crazy demon, which actually works, because out of nowhere a skeleton wearing a dark gray robe appears, it’s the Grim Reaper, Death himself, and he starts lifting his skeletal arms up and down, up and down, as if performing some dark death ritual, and he does this until the whole kitchen is nothing more than a gray pile of ash, at which point a blue text box pops up and says, 

“Deepest sympathy! Forrest has just died. Though the body is gone, the spirit will always remain.”

And I feel free at last, deciding never to play The Sims ever again.

But before I exit the game, I hear a familiar sound, it’s Carpool John, mercilessly holding down the car horn, beckoning me to return to the boring little mundane routines I so desperately seek to avoid.

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