f0rrest: (Default)
A new year dawns, and so too a bunch of promises inevitably broken.

For the record, I think New Year’s resolutions are stupid. I see people make all sorts of New Year’s resolutions that are never realized. I’m going to write a novel. I’m going to stop smoking. I’m going to lose 50 lbs. I’m going to stop drinking. I’m going to stop being so negative all the time. These are things that never work as New Year’s resolutions. I've seen them fail time and time again, with myself and others. It seems to me that a resolution can be made at any time, so why wait until the new year? Why not exercise some willpower earlier in the year? Is there some sort of cosmic willpower-enhancing magic produced when the Earth completes a full rotation around the sun? How long does that magic last? And does that magic only exist at the exact moment of orbit completion? Perhaps there’s no cosmic magic at all; perhaps it’s all symbolic? New year, new you. After all, there’s no real set “complete orbit” in the grand scheme of things; we humans defined the criteria for when an orbit is complete. I could say that the orbit starts in June and ends next June, or February and February, and so on; it’s all societally constructed anyway.

What really gets me is that people will often put off their resolutions until the new year; they know they should stop drinking, but they don’t want to stop drinking right this second because that would be no fun, so they pick some arbitrary date on the Gregorian calendar to stop drinking instead. “I will for sure stop drinking come January 1st, no doubt about it.” And when January 1st comes around, many will have already broken this promise to themselves. “Just a small glass of wine to celebrate the new year, no big deal.” Or, by the time January 1st comes around, they’ll have rationalized the “no drinking” resolution into something more manageable, like “no drinking on weekdays” or something like that. It seems to me that, if one has the thought to “stop drinking,” or whatever, then they should do that thing right then and there, not wait until some random date on a calendar. Otherwise, how serious are they, really? Do they really want to stop drinking, or do they just want to make themselves feel better? And if it’s to make themselves feel better, isn’t this whole thing kind of counterproductive then, considering they'll most definitely feel bad when they inevitably break the resolution?

This is why, every year, I tell myself that I am not going to make any sort of New Year’s resolution. But I’m now realizing that this New Year’s anti-resolution becomes a sort of New Year’s resolution itself because it fits the core definition of one: a promise corresponding to the Earth’s rotation around the sun. Meaning, by telling myself I am not going to have a New Year’s resolution, I am, in fact, setting a New Year’s resolution, meaning I am unwittingly participating in the very thing I am criticizing. And considering my position on New Year’s resolutions, which asserts that all New Year’s resolutions are weak promises inevitably broken, my own “no New Year’s resolution” resolution is doomed to fail, meaning I am bound to set some sort of different New Year’s resolution for myself, although I kind of already have what with the “no New Year’s resolution” resolution, which we already know is bound to fail, which means I am bound to set some sort of different New Year’s resolution, and so on.

You can quickly see how the “no New Year’s resolution” resolution establishes a sort of paradox in which, when the resolution is broken, you end up fulfilling the resolution by breaking it, and when you try to keep it, you break it by keeping it. It is definitionally self-defeating. Perhaps the only way to break the paradox is to stop overthinking it, or just not care. But even that, I guess, becomes its own sort of resolution, meaning you’re kind of fucked either way.

Ultimately, I think the only choice for me here is to stop being so cynical and just set some non-paradoxical resolution like everyone else does. The problem with that, however, is that whenever I tell myself I’m going to do something, the likelihood of me doing the thing goes down considerably. I don’t know why this happens. When I tell myself I am going to write, I end up playing video games; and when I tell myself I am going to play video games, I end up writing; and when I tell myself I am going to read, I end up outside smoking a cigarette while watching mindless YouTube Shorts on my phone. And yes, I realize this is all a matter of willpower, but unfortunately, willpower is a character stat I sorely lack.

This do-the-exact-opposite-of-what-I-tell-myself-I’m-going-to-do paradigm has gotten so bad that I have taken to telling myself to do the thing I don’t really want to do in hopes that the paradigm will kick in and compel me to do the thing I actually want to do; when I want to write, I will tell myself that I am going to play video games instead, hoping that I will betray myself and thus end up writing. But this sort of reverse psychology undermines itself, because of course, I’m aware of the self-trickery going on and thus end up doing the opposite of the opposite, which means I’m right back where I started. However, I have found that this tell-myself-to-do-the-thing-I-don’t-want-to-do-in-hopes-that-I-do-the-thing-I-actually-want-to-do method of psychological self-trickery does, in fact, produce better outcomes than just telling myself to do the things I want to do.

So, this year, I have come up with a list of New Year’s resolutions that I think are just perfect for producing good outcomes, and I will list them below.


Don’t Read Anything, Ever
This year, I aspire to read absolutely nothing. No books. No magazines. No articles. No blog entries. Nothing. Reading is a waste of time, as it fills my head with a bunch of pointless ideas, pointless because, in the cosmic scheme of things, I'm going to die anyway, so who cares. I could be playing video games or watching YouTube Shorts instead of reading a dumb book or whatever.

Give Up Writing Completely
Writing is a stupid waste of time. No one reads any of my stuff anyway. I only started writing in hopes that people would swoon at how smart I am pretending to be. Writing is a pompous, egotistical endeavor, and I should try not to be so self-absorbed and pretentious; so, writing has to go. Everything I write is some rip-off of David Foster Wallace or J. D. Salinger anyway, so it’s not like I’m even original in any way. And when I die, about three people will have read any of my stuff anyway, so it’ll be like I had never written to begin with, so what’s the point? It’s time to grow up and focus on the important things in life, the stuff that makes me feel good, like watching YouTube Shorts and playing video games.

Spend More Time on My Phone
This year, I aspire to look at my phone way more than ever before. Behind that tempered glass is a wonderland of entertainment and good feels. I will download all the apps, spend hours lying on my bed swiping through YouTube Shorts, and sign up for more social media than ever before so that I can make funny and/or smart posts in hopes that people give me lots of upvotes and retweets because this is a surefire way to get the validation I desperately seek. I will replace my in-person community with the Reddit app and get all my news from echo chambers so that all my smart opinions are constantly validated. This will make me very happy.

Eat Shitloads of Candy
This one’s self-explanatory, but this year I will endeavor to never be without candy. If I run out of candy, I will immediately drive to the nearest gas station or grocery store and buy more. I will dedicate a kitchen cabinet solely to candy. It will be called the Candy Cabinet. I will not share the candy. I will eat whole bags. I will try all sorts of new candies and savor each and every sugary explosion of taste. I will become a candy connoisseur who eats nothing but candy. And I will absolutely not go to the dentist.

Don’t Go Outside and Never Work Out
Going outside is a pain in the ass and working out is hard. These things require a lot of mental and physical effort, all for very little short-term payoff. And, in the cosmic scheme of things, these things don’t matter because nothing matters. Everyone dies, so what’s the point? This year, instead of going outside or working out, I will instead use that time to play video games or watch YouTube Shorts, because life is short so I might as well keep myself entertained at all times.

Drink Every Night and Consider Day Drinking

Historically, I have had problems with drinking; once I start, I cannot stop. But this year, I’m realizing that this is not my problem, it’s society’s problem. It's the people around me who are the problem. If the people around me were more accepting of my drinking, then it wouldn’t be such a big deal. So, this year, I am going to start drinking way more, and I'm going to tell those around me to lighten up and deal with it. “Stop fucking with my vibe.” I'm going to drink a bottle of wine each night and perhaps start day drinking as well, because it makes me more charismatic and sociable and fun, and most importantly it makes me feel really good. Again, life is short, so I might as well spend as much time as possible making myself feel good. I could die tomorrow, after all, so why deprive myself of the things I so enjoy?

And that’s it. Those are my New Year’s resolutions. These are the promises I am making to myself, promises that I sincerely hold and will try my best to fulfill. I am really looking forward to achieving all my goals this year. It would be a terrible shame if I ended up doing the opposite of any of these things.

Happy New Year.

f0rrest: (Default)
Despite my overall gloomy disposition, I love the Christmas season, seriously. It’s my favorite holiday. There’s just something about it, something in the air maybe. I love how everything feels different, how the general mood and atmosphere change, how you can put a literal tree in your home without anyone batting an eye, how that tree changes the whole vibe of the house, how the smell of evergreen is redolent of innocence and cheer, and I love how I can wear baggy sweaters and beanies without anyone looking at me weird, and how neighborhoods light up so bright that they can probably be seen from orbit, and how everyone seems to be in an overall better mood maybe because they’re all getting time off work, and how neighborhood kids you’ve never seen before are suddenly out in the roads playing with all their new bikes and scooters and Power Wheels, and all the little rituals like the advent calendars and the candles and the Elf on the Shelf and the putting-cookies-out-for-Santa thing and, of course, the presents.

Who doesn’t love the presents? I mean, that’s what Christmas is all about, right?

We have to get everyone we know a present. I mean, everyone is getting everyone else a present, so you better get them a present too, right? Grandma and grandpa sent you some socks, so you better get them something in return. Your brother sent you a $100 Target gift card, so you need to get him something as well. Great aunts and uncles you’ve never seen before in your life sent you some presents, so of course you should get them a present too, right? And you can’t forget about mom and dad, they’ve been buying you presents since before you were old enough to remember, so you better buy them some presents too, if only to balance the karmic scale of presents. And surely you don’t want your friends and family thinking you’re some sort of Grinch, right? Some sort of ruiner of Christmas. You must spread the Christmas cheer. And if you have kids, you better get them a shitload of presents too, because all their friends are getting presents and you don’t want your kids feeling unloved, do you? You don’t want to ruin their Christmas, right? You don’t want your kids to hate you, do you? This is why it is imperative that you drop everything you’re doing and go to the local Walmart and buy up all the cheap plastic you can possibly fit into your cart, regardless of whatever financial situation you’re in. Every Christmas tree in every home must be littered with presents, this is the American way.

So yeah, I love Christmas, but Christmas also kind of sucks, and it sucks because, frankly, the presents. On the one hand, like most people, I like getting presents. But on the other hand, I dislike the sense of expectation and obligation that comes along with gifting presents. Furthermore, on a philosophical level, I dislike the unapologetic celebration of materialism that comes along with Christmas, as it feels very weird and gross. And because I participate in all this quote-unquote “Christmas cheer,” I myself start to feel a little weird and gross too, like a totally different person almost.

For example, I got my wife nine gifts for Christmas, but she only got me three. This upsets me for some reason.

Every year, I tell my wife not to get me anything for Christmas, and she tells me the same, yet we always end up getting each other stuff anyway. I am now realizing this is an unhealthy dynamic. It sets up a weird, dishonest, self-defeating expectation. We go into Christmas Day expecting something yet vocalizing the opposite, and when we wake up Christmas morning and see nothing under the tree with our names on it, we are left feeling both disappointed and a little bit guilty. Disappointed because, like, if you love me so much, why didn’t you bother to get me anything? And guilty because, if I love you so much, why didn’t I bother to get you anything? This becomes extra complicated when Person A gets Person B a gift but Person B didn’t get Person A a gift, or when Person A got Person B nine gifts when Person B only got Person A three gifts, which turns the whole thing into a weird numbers game that only intensifies the guilt and disappointment. And yes, I realize this is very obviously a self-inflicted problem, but I can’t help but think that this problem wouldn’t exist at all if Christmas were not such a bullshit holiday.

My wife is very familiar with my thoughts on Christmas. I think it’s a bullshit, consumerist holiday. I don't want to give gifts, and in many cases I don't, but I have been primed from a young age to both give and receive gifts. This nexus of giving and receiving has produced a sense of expectation and obligation within me, an expectation to receive gifts from loved ones and an obligation to give gifts in return because otherwise I feel guilty, because to receive a gift from someone while not giving them anything in return feels a little uncaring and gross. In normal circumstances, i.e. not Christmas, this problem rarely comes up, I buy someone a gift simply because I want to, out of the kindness of my heart or whatever, but Christmas is different, Christmas forces my hand, makes me feel bad if I don’t participate, so I end up buying gifts for people simply because I don’t want to feel guilty later on, a sort of proactive guilt-avoidance behavior, which sort of undermines the whole “Spirit of Christmas” thing to begin with, the whole spirit of goodwill and giving, because to give a gift inspired by guilt feels a little gross compared to giving a gift simply out of kindness. 

Supposedly, Christmas wasn’t always like this, it wasn’t always about gifts, it was about togetherness and generosity and joy and Jesus or something. I say “supposedly” because I seriously wouldn’t know, as Ultra Materialist Christmas is all I’ve ever known. Whatever Christmas might have been in the past is irrelevant now, as it’s now a corporate holiday that materially benefits corporate execs while spiritually eroding everyone else’s soul. Executives at Hasbro and Sony love Christmas. They do targeted holiday product releases and play ads that are like “show them how much you care this holiday season” and “make this year unforgettable” and “give the gift of cheer, only $199.99” and they do this with great big smiles on their faces. They foster a sense of FOMO and guilt and then they turn these complex emotions into cold hard cash. And we have fallen hook line and sinker for their corporate games, as we now conflate holiday cheer with cheap plastic, electronics, and kitchen appliances, believing these things necessary ingredients of Christmas Spirit. 

In some ways, Christmas is a mirror of the general western attitude toward life. We conflate material things with success and happiness. The more stuff we have, the more presents under the tree, the more gift cards and cash, the happier we think we’ll be. We forgo all the basic ingredients of human happiness, like community and kindness and family and compassion and love and friendship and all that sappy shit, for cheap plastic made in China and a new pair of Beats Headphones, and this makes us momentarily happy but we still end up miserable long-term. This is America. This is Christmas. It sucks.

This holiday season, I’ve been watching a lot of Christmas movies. My wife loves them. She plays them every year. They’re always on in the background, like white noise in the house. They add to that special Christmas ambiance. My son enjoys them too. He particularly likes How the Grinch Stole Christmas and the Paw Patrol Christmas Movie, or whatever it’s called. And since these movies are always on, I’ve seen them quite a few times, so I’ve had a lot of time to analyze them, and I've noticed that these movies always try to convey some sort of heartwarming, Christmas-spirit-like message yet ultimately end up just reinforcing Ultra Materialist Christmas, and they do this in a subtle, almost contradictory way. For example, in both of the aforementioned movies, some villain steals all the gifts, which becomes like an existential Christmas crisis for the kindhearted people of Whoville or whatever, but by the end of the movie, they get all the presents back, and thus Christmas is saved. In the Paw Patrol movie, for example, at first the pups of the Paw Patrol resign themselves to the fact that the presents are gone and cope with it by telling themselves something like “we don’t need presents to enjoy Christmas,” but of course the kids in town want their presents or whatever, so the Paw Patrol come up with a way to get all the presents back, and so by the end of the movie everyone has presents and Christmas is saved. But this is very weird to me, because it seems like the movie knows that Christmas is an Ultra Materialist holiday and that this is bad on some level, hence the pro we-don’t-need-presents sentiment, but then the movie immediately turns around and reinforces the same Ultra Materialist message it just criticized, by giving everyone the presents back. It seems like the writers knew in their heart of hearts that this obsession with presents is harmful in some way, but they can’t actually commit to this anti-materialism stance. They can't have the Grinch or whoever break the samsaric cycle of materialism for whatever reason.

So, my question is, when the Grinch steals all the presents, why can't we just thank him for the favor?
f0rrest: (Default)
It must have been around 5 PM. I was in the living room, sitting on the big wrap-around couch. My eyes were glued to channel 176. Toonami. I wanted to watch Mobile Suit Gundam, but they were playing Dragon Ball instead for some reason. Goku and Krillin were fighting each other over a stone or something. Then my dad came home. He walked into the living room, grabbed the remote, and flipped the channel. “Hey, I was watching that,” I said. But he didn’t say a word. He just sat down next to me and placed a big hand on my leg. Then we both just stared into the glow, watching the world burn.

That morning, it must have been around 9 AM, the whole lower half of my face was glittering like a rainbow, and there was a sour, metallic taste in my mouth. I was sitting Indian style in the hallway outside of class, my back to the wall. Two nurses and a teacher were towering over me. I could see a mash of students’ faces through the classroom-door window, they were all clamoring for a peek. The taller of the two nurses held out a clear, thin tube and said, “You drank this?” I nodded. “Why?” she said. I shrugged. Then my 5th-grade teacher, Ms. Brooks, chimed in, “Did one of the kids make you do it?” I shook my head. “Do you feel OK? Does your stomach hurt?” I shook my head again. Then they started talking like I wasn’t there. “You can’t just take his word for it, he’s a kid,” the shorter nurse said. “Maybe it’s slow-acting?” said Ms. Brooks. “What brand is it?” There was a pause. The taller nurse observed the tube closely. “Sakura Gelly Roll, Rainbow Stardust Glitter.” The shorter nurse nodded at this. “They’re all the rage, my daughter has a case full of them.” Ms. Brooks added, “Does it say anything else, safe for children?” There was another pause. “Nothing.” I was just sitting there, smacking my lips a little bit, trying to make the nasty taste go away, watching them go back and forth, like I was a ghost or something. “I don’t think it’s toxic,” the taller nurse said. “We can’t just assume,” Ms. Brooks responded. “Fine, I’ll call poison control.” I felt my stomach twist at the word “poison.” The shorter nurse hurried down the hall. Ms. Brooks shifted her attention toward me, “Honey, are you sure one of the kids didn’t make you do it?” Her tone was fake-sweet, manipulative almost. I shook my head again. “Then why’d you do it, honey?” I shrugged. “Well, I’m going to have to call your parents, let them know, but I’d like to be able to tell them what happened.” I looked down at my criss-cross-applesauce legs and thought hard for a few seconds, then I looked up and said, “I dunno, was trying to be funny.” She blinked. “And I wanted to know what it tastes like,” I added. She blinked again. I could tell the nurse was holding in a laugh. After a few blinking seconds, Ms. Brooks asked, “Well, did it taste good?” And no, no it did not. It did not taste good at all. It was one of the worst tastes I had ever tasted. So I shook my head at her question, smacked my lips, made a face. “Nope. Tastes real bad.” And that’s when Ms. Brooks and the nurse burst into laughter. Then Ms. Brooks held out her hand and said, “C’mon honey, let’s go get you some water, wash that taste out.” I took her hand. “Are you sure you’re feeling alright?” she added. I nodded and stood up, then I followed Ms. Brooks down the hall, a little worried about the poison.

But we didn’t make it very far before Ms. Brooks was stopped by the computer lab teacher, Mr. Wainwright. He leaned in real close and said something under his breath, at which point something changed, like some sort of heavy gloom had drifted into the hallway. Ms. Brooks looked down at me with an expression I had never seen before. I could not parse it. Was this about the poison? I was still smacking my lips and rubbing my mouth, getting rainbow ink all over my sleeve. I thought maybe I was about to get in big trouble for drinking the gel pen, or that maybe they heard back from poison control, found out that Sakura Gelly Roll was actually poisonous. I started squirming, worrying about death.

Then Ms. Brooks lightly grabbed me by the wrist and led me into the computer lab. There were about twenty iMacs in there, the translucent ones that are all rounded and colorful, and there were kids sitting behind each one, but they weren't focusing on their computer screens, no, they were focusing on something else, the small television up in the high corner of the classroom. There was something happening on the TV. Something was on fire, billowing smoke. I couldn't quite make it out. I looked at Ms. Brooks with a confused look on my face. I wanted to ask her what we were doing here, why we weren't getting anything to drink. I also wanted to ask her if I was going to die from the poison. But when I looked up at her, she was covering her mouth and tears were streaming down her face, so I asked her a different question. I asked, “What’s wrong, Ms. Brooks?”

“The world, honey,” she said. “The world’s wrong.”

I didn’t understand what she meant.

By 10 AM, we were all in the gymnasium, waiting for our parents to pick us up. The teachers were there too, congregated into little groups, murmuring while they kept an eye on us. It was weird because none of us were making any trouble like we usually do. That heavy gloom was in the air, affecting us all. We were all spread out in the gym, sitting around in our little circles, nervously fidgeting and wondering what the heck was going on. It was as if someone had released a sedative through the air vents or something. And the poison control people never came. I guess they forgot. I kind of forgot too. I had stopped worrying about death and was now worried about something else entirely, something I could not quite put my finger on. I was just sitting there in a little circle with all the other nerdy kids. They all had bad haircuts and slightly protruding bellies, and some were wearing Pokemon shirts. And none of them seemed to care that my face was a glittery rainbow, they were all too busy talking in weird, hushed tones.

So I just sat there, not saying a word, listening to the back and forth.

I wonder if anybody died. All I saw was smoke and fire and stuff. How long do we have to stay here? I heard it was aliens. Aliens aren't real, idiot. I need to go pee. Maybe it was Godzilla. Are they gonna let us play dodgeball? Godzilla lives in Japan. He could have come here. No, he couldn’t. Yeah, he could. Nuh-uh. Yeah-huh. I really have to pee. Why are the teachers acting so weird? I don’t know. It's kind of scary. Are they gonna bring us lunch? I saw Ms. Johnson praying in the hall. Why would Godzilla even come here? Maybe he got bored. Ms. Brooks was crying. Big monsters don't just get bored, that's dumb. At least we get out of school early. Anyone got any snacks? My mom’s here, see you tomorrow. My dad works till seven. Are they gonna let us take the bus? My sister is gonna pick me up, she drives a Mustang. My dad drives a BMW. So what? If they let us play dodgeball, I hope they play Cotton Eye Joe. I hate that song. My big brother and I listen to Metallica. I'm gonna go find the bathroom. I'm really hungry. My neighbor has a pet monkey who can do tricks. What's that got to do with anything? I wonder what the teachers are talking about over there. Maybe the school’s closing down for good. Yeah, I wish. Austin said it was a meteor. That’s stupid, they can deflect meteors, I saw it in a movie. You're all stupid, I heard the teachers talking, they said it was terrorists.

My ears perked up. “What's a terrorist?” I said.

The kids just looked at me with big, blinky eyes, saying nothing. They didn't know either.

The teachers eventually brought food for us to eat. They also brought out the balls and said we could play dodgeball, but no one actually played. None of our hearts were really in it. I eventually took out my cow-print notebook and started drawing. I was big into Gundam and had been watching it religiously on Toonami every day after school. I was working on a full-page spread of little Gundams battling each other in a massive city. There were little robots on the buildings, lasers streaking through the cloud-bubble skies, beam sabers clashing over the roads, stomped cars in the streets, explosions all over the place, little stick-figure people with jagged speech bubbles reading, “RUN, RUN FOR YOUR LIFE.” I was about halfway done with the drawing when my dad showed up. It must have been around 4 PM. I was one of the last kids to leave.

The car ride was weird. My dad wasn’t listening to the hard-rock station like he normally does. He was listening to some news broadcast. A woman was talking in a very sad tone. "The blaze has only intensified over the last several minutes. At this hour, there is still no word on the status of the search-and-rescue teams who entered Building 7 earlier this afternoon. Our prayers go out to those brave first responders and their families. Reporting live, we will bring you updates the moment we have them.” The woman paused for a while, then she said, “Dear God, bless America." My dad only shook his head and turned the radio off, only the hum of the engine and the bump of the road remained. My dad wasn't saying a word. He didn’t even ask about my rainbow face. So, wanting to break the uncomfortable silence, I started asking him questions.

“How'd you know to pick me up?”

“They called me, kiddo.”

“Oh, what took you so long?”

“I was showing a house on the other side of the city.”

“Is it a big house?”

“It’s big enough.”

“Why are they closing the school?”

“They didn’t tell you?”

“Austin said it was a meteor.”

“Austin said that?”

“And someone else said it was aliens.”

My dad only shook his head, then he said, “Maybe that would’ve been better.”

“What do you mean, Dad?”

“Better than the truth.”

I didn’t understand what he meant.

When we pulled into the downstairs garage, it must have been around 4:30 PM. My dad said he had a few errands to run, so he dropped me off and told me to make myself some lunch. When I entered the basement through the garage, the house felt different, but my dog, Freddy, was waiting for me at the top of the stairs like he always did, wagging his tail like mad, happy to see me as usual, like it was just another normal day for him. So I got on all fours and climbed up the stairs real quick like a wild animal, like I usually do, and I pounced on him at the top. We wrestled a little bit, but my heart wasn't really in it, so I stopped short and just lay on the floor, looking up at the ceiling. Freddy started licking my face for almost a whole minute, like there was something tasty on there, and I just let him do it because why not.

Next thing I did was, I went to the bathroom, and after taking a leak, I looked at myself in the mirror. I noticed the rainbow was gone and realized why Freddy had been licking me for so long. Then I went into the kitchen and made some Easy Mac. The instructions say to leave the water in after microwaving the pasta, but I always poured it out and added milk instead. It tasted better that way. I sat in silence in the kitchen, eating my mac and cheese. It tasted good, but I didn’t eat it all. There was something weird going on with my stomach, and it wasn’t the gel pen, it was something else, something I didn’t understand. When I was done, I put the bowl on the floor and let Freddy eat the rest. He really liked that. Then I looked at the kitchen clock and realized Gundam was about to come on, so I rushed out of the kitchen.

It must have been around 5 PM. I was in the living room, sitting on the big wrap-around couch. My eyes were glued to channel 176. Toonami. I wanted to watch Mobile Suit Gundam, but they were playing Dragon Ball instead for some reason. Goku and Krillin were fighting each other over a stone or something. Then my dad came home. He walked into the living room, grabbed the remote, and flipped the channel. “Hey, I was watching that,” I said. But he didn’t say a word. He just sat down next to me and placed a big hand on my leg. Then we both just stared into the glow, watching the world burn.

A slideshow of catastrophe flashed across my eyes. Images of people screaming and buildings burning and towers falling played on repeat, over and over again. It looked like a scene from Mobile Suit Gundam, but real life. A woman stood in front of it all, speaking directly to the camera. She kept saying things like “unthinkable horror” and “World Trade Center” and “national tragedy and “ground zero” and “Boeing 767” and “no survivors” and “day of mourning” and “terrorist attack.”

At that last one, my ears perked up, so I turned to my dad.

“Dad?”

“Yes, son?”

“What’s a terrorist?”

He thought about this for a moment.

“Is it like a bad guy?” I said.

“Something like that.”

“What’d they do?”

“They hurt a lot of people, son.”

“Why’d they do that?”

He thought about this for a moment, too.

“Did we do something bad to them?” I added.

“It’s complicated.”

“Tell me.”

He paused for a moment, then he said, “They hate us.”

“Why would they hate us, what did we do to them?”

“It’s not that simple, son.”

I didn’t understand what he meant.

We didn’t say anything for a while after that. We just sat there, watching the world burn. But eventually, getting bored, I turned to my dad and said, "Guess what?”

“What?”

“I drank a gel pen today.”

He looked at me with a raised eyebrow. “What? Why would you do that?”

“I dunno. I wanted to see what it tastes like.”

He blinked. “Well, did it taste good?”

“No, it taste real bad.”

And at that, he smiled, then he let me watch Toonami for the rest of the night.

lolly

Dec. 16th, 2025 11:32 pm
f0rrest: (Default)
Lolly lived a long life. 

She was a fluffy white cat, or maybe she was one of those black and tan shorthair cats, or maybe she was an orange cat, or a gray one, I don't actually remember. It was a long time ago. She was the family cat, but mostly she was my sister’s cat, because Lolly didn’t much care for anyone else. She especially didn't care for me, because back then, in my psychopathic toddler youth, I would tug at her tail and chase her around the house and treat her like a toy, and my sister hated me for it. So Lolly spent most of her time in my sister's huge basement room off the garage. We had this massive wood projector TV down there, with a Nintendo Entertainment System hooked up to it, and Lolly would play all the video games with us. She would track the lights and bat the plumber and hunt the ducks better than we ever could. She had a lot of personality. We all thought she was very funny. My sister loved Lolly very much, and as I grew older, I came to love her too.

But one day, when I was about ten years old, something happened to Lolly.

My parents had gotten divorced a year earlier. My mom remarried a rich older man. He moved us into a massive house that was previously owned by famous baseball manager Bobby Cox, which is not a brag, just a fact. And due to my young age, my parents had split custody over me, so I would live with my mom one month and my dad the next, but my sister, being around fifteen at the time, had chosen to live with my mom, and she brought Lolly along with her. My sister and Lolly lived in the upstairs section of the house, which was like a mini house of its own, with its own living room and kitchen area and everything. And when I was living with my mom, I spent a lot of time up there, because my room was up there too.

My stepdad was a self-proclaimed venture capitalist who bred show dogs, Boxers specifically, and he kept two as pets. Their names were Max and Sassy. Sassy was a sweet dog, but Max was a violent animal. Max especially didn’t like cats, so Lolly had to be kept upstairs at all times. We erected one of those safety gates at the top of the stairwell to keep them separated. This gate protected not only Lolly but also myself, because Max didn’t like me very much either. He would often lurch at me and snap at my ankles and chase me up the stairs. I was scared shitless of this dog. It got so bad that my mom hired a dog trainer, but the trainer didn’t so much train Max as he trained me. The idea was that I was just not approaching Max correctly, that if I just adjusted my behavior with Max, then he’d stop trying to basically murder me. So a few days a week, this dog trainer would take Max and I into the backyard to train us. He would show me how to properly walk up to Max, how to appropriately react when Max lurched at me, how to give Max a treat without getting my hand ripped off, how to hug my mom without Max flying into a jealous fit of bestial rage, that sort of thing. But the training sessions didn't help. Max remained a violent animal, and I remained a frightened little boy.

So, every day when I got home from school, to avoid Max, I would quietly slip through the front door, tiptoe through the kitchen where his dog bed was, army crawl behind the big couch in the living room so that he wouldn’t notice me, and then I’d bolt up the stairs for dear life, latch the safety gate behind me, and spend the rest of the day in my room playing Final Fantasy games on my PlayStation and watching Degrassi on The N.

But one day, that all changed. I had just gotten home from school. The house was strangely quiet. My mom was asleep on the couch. Max was nowhere to be found. I walked through the house relieved and unafraid. But when I got about halfway up the stairs, I noticed something. The gate was wide open and there was a trail of mangled fur leading to my sister’s room. Her door was cracked. The carpet around the door was darker than usual, a sort of reddish brown. I walked up to the door and called out my sister’s name, but there was no reply. She wasn't home. I heard a wet, mushy sound coming from inside the room. I started to feel uneasy but pushed the door open anyway. And that’s when I saw it, clumps of bloody fur, little chunks of muscle matter, small trails of intestinal tubing, an entire cat’s anatomy strewn across the room. And there was some sort of smell, some sort of awful smell. I remember staring, dumbfounded, unable to process what I was looking at. I was only ten years old. I had always assumed that those around me were invincible, that they could never die.

That mushy, wet sound got louder. I shifted my eyes toward the source, and that’s when I saw it. Max. He was in the corner of the room. He was hunched over a mound of flesh and blood. He was chewing and slurping. I felt a mixture of fear and anger swirling in my head and stomach. I stepped back, wanting to get out of there, which caused me to bump into the door, which must have alerted Max, because that’s when he turned his box-like head toward me in what felt like slow motion. His muzzle was dripping with blood, and I swear, in that moment, he had the red eyes of a demon. He let out a vicious snarl, and then he launched himself at me.

But in that moment, something happened. The fear was gone. I stepped forward, met Max in the middle, and then I kicked him right in the fucking face. I kicked him so hard that he yelped and twirled and fell to the floor, whimpering like a pathetic fucking animal, and then I kicked him again, and again, and again, and again, and again.

I don’t know how long I was in there, but eventually my mom rushed in and restrained me. Max was still breathing, but Lolly was not. And when my sister came home, she broke down in tears and refused to go in her room, but she started treating me a lot nicer after that day. Max was taken to the vet. They treated him for severe internal bleeding. He barely survived.

But I guess the dog training worked, because Max never fucked with me again.
f0rrest: (kid pix w/ headphones)
Back in 2016, when I was 25 years old, I was living in one of those single-wide mobile homes perilously held up by stacked cement blocks, one of those ones with the cheap vinyl skirts they wrap around the bottom to hide all the duct-taped plumbing and rotted-out wood and raccoon colonies and maybe a dead body or two, because who knows what was actually going on under there. I may have flirted with the dark abyss, but I sure as hell did not want to crawl into it to find out what was inside. My life philosophy at the time a laissez-faire mixture of red wine and nicotine clouds and pixels, so I didn’t even care about much of anything, to tell you the truth. In fact, the rent was so cheap at $650 a month that when the landlord originally showed me the property, I immediately said “Where do I sign?” and moved my wife and three-year-old daughter into the place without even so much as a basic cursory inspection, driven mostly by the fact that I was destitute both philosophically and financially, answering phones for a coffee company for like $14 an hour and binge drinking every night. I just wanted a stable roof over my family’s head, a place that wasn't in an apartment complex, a place with a yard, with some level of privacy, a place where I could play video games, drink wine, and blast super loud music while chain-smoking cigarettes outside without someone filing a noise complaint, and this super cheap rundown trailer from the 80s checked all those hedonistic boxes. 

But as it turns out, skipping the cursory inspection was a big mistake, because, as I would come to find out years later, the place was a deathtrap, and I learned this the hard way, or, well, my daughter did, when the roof in her bedroom collapsed.

It’s hard to believe that almost a decade has passed since I first moved into that shithole, because I remember it as if it were yesterday. My daily routine started in medias res, do something with my daughter after work, pour my first glass of wine around 8 p.m., finish my seventh by 2 a.m., pop a few Benadryl to fall asleep, drive to the call center six hours later, repeat. I would drink so much the night before that I was pretty much still wasted the morning after. My skin was always clammy and pale and my eyes were raccoon eyes. They say men between the age of 20 to 30 are in their prime, able to muster almost supernatural levels of strength, persevere through any hardship by sheer force of will, but I spent whatever supernatural strength I had just getting out of bed in the morning with the worst hangovers known to man and then somehow driving five miles through busy morning traffic all without getting into a single car accident despite the fact that I was nodding off behind the wheel the whole time. Half the time, I wouldn’t even remember driving to work, I’d just appear at my desk in the call center, as if I had somehow teleported there, taking calls in this autopilot-like daze. “Thank you for calling Keurig, my name is Forrest. May I have your first and last name, please? Thank you. And your email address? And your coffee maker’s serial number? Thank you again. And you say your coffee maker is short-cupping? I understand. I know that must be frustrating. We’ll have to do some troubleshooting, so please be aware that the needles inside the machine are very sharp, but could you please gather a paperclip and small measuring cup, then we can get started.”

And this worked for me somehow. I reached a certain level of homeostasis. I made around $1,800 a month, $650 of that went to rent, $300 went to utilities, food was paid for by SNAP, a couple hundred went to things for my daughter, and whatever money left over went to Marlboro Lights and Liberty Creek Cabernet Sauvignon, which was the cheapest supermarket swill wine money could buy at the time, at like $8 per 2-liter bottle, which, at 30 proof, was also the most bang for your buck in terms of getting absolutely shitfaced as quickly as possible, outside of just drinking straight liquor, which I never had the stomach for. Back then, when I was 25, I was still a child, singularly focused on myself, and whatever seemingly grown-up big-boy shit I did do was only done to maintain my comfortable homeostasis. I knew I had a drinking problem, but the negative consequences were not severe enough for me to take it seriously, especially since the euphoria after a few glasses of wine was so strong that it felt like I could not live without the stuff, like life would be just a boring slog without my Cabernet. And there was an identity aspect to it as well, because I thought drinking was super cool, and I even thought that having a drinking problem was kind of cool too, like it added character in some way, a sort of tortured-soul aesthetic. When I drank red wine, I felt like some sort of vampire sophisticate. I loved the whole ritual, the orbed glass, the twist of the wine key, the pop of the cork, the glug-glug of the pour, the exotic aroma, all of it. I would hold that first sip in my mouth for like a whole minute, just swishing it around in there like a mouthful of blood. And after a few sips, I would go outside and sit on the small uncovered wooden steps that functioned as my porch, to smoke cigarettes and listen to super loud music, bringing my orbed glass along with me, because music just hits different and cigarettes just taste better when you’re wasted, and that’s a fact.

After my daughter went to bed, I would sit myself down at my computer desk with a glass of red and boot up a video game. I would play Final Fantasy XI or The Elder Scrolls Online or some other life-suck type game, just getting totally fucked up and lost in those virtual worlds. Eventually, I started joining a Discord server with my old friends from high school, which only made my drinking worse, as we’d all drink and get fucked up together. A sort of digital drinking culture evolved, to the point that, for a few years there, we would be in that Discord server every night, drinking to the point of blurred vision and slurred speech, playing our preferred game of the week, be it Monster Hunter World, Tekken 7, Risk of Rain, Counter-Strike: Source, Diablo III,  King of Fighters XIII, or whatever, just yelling and laughing and trolling the shit out of each other, sometimes to the point of bitter rivalries, weeks-long feuds, all settled with our preferred choice of alcoholic beverage and controller. There was a real sense of community there, built on old friendships and video games and, most importantly, alcohol, because it was weird when someone wasn’t drinking while everyone else was, like you couldn’t connect on the same existential plane or something if you weren’t basically blackout drunk. It was the same sort of peer pressure you might experience in high school, just carried over unspoken into adulthood.

Between rounds of whatever we were playing at the time, I would step outside and smoke a cigarette or two, making sure to bring my wine glass along with me, because after I got my first taste of blood, I could not stop. The moment I could no longer taste the aftertaste of that bittersweet earthy red, something like anxious dread would creep in, a persistent fear that the night would end, that the euphoria would fade, unless I kept drinking, so I would drink and drink and drink, a crimson tide flowing down my esophagus every minute of the night, even when I was outside smoking. And to make my outside-smoking excursions more entertaining, I would play music from my phone’s speakers, and I would literally dance and sway out there in my front yard, sometimes singing at the top of my lungs. 

This is the night of the expanding man
I take one last drag as I approach the stand
I cried when I wrote this song
Sue me if I play too long
This brother is free
I'll be what I want to be


Back then, my favorite band was Steely Dan. It all started when I heard the song “Peg” on the radio one day. I had heard the song before but never really paid much attention to it until one day, when the stars aligned, when it came on the classic rock station and I happened to be in just the right mood. The song resonated with me. The downtown strut of the electric piano, the intricate bounce of the bassline, the bitter darkness hidden within the joyful melody, that rich baritone background vocal by Michael McDonald, all the crazy guitar shit going on that you don’t even notice without specifically listening for it. It’s just a fantastic song, one of the greatest pop tunes ever written. It got me obsessed with Steely Dan, head over heels for their whole dark-irony-hidden-behind-layers-of-smooth-jazz sound. They had that whole anti-hipster thing going on too, which aligned well with my own anti-hip contrarian attitude. Of course, being an anti-hipster is actually just another flavor of being a hipster, perhaps the worst kind, but that didn’t stop me from going through Steely Dan’s entire discography, repeat listening to each album, falling in love with songs like “Only a Fool Would Say That,” “Bodhisattva,” “Rose Darling,” “Kid Charlemagne,” “Gaucho,” and “Your Gold Teeth II,” which, if you’ve been rolling your eyes at the Steely Dan stuff thus far, is probably the song you should listen to because it’s just straight-up poetic and beautiful, one of their few uplifting songs, musically transcendent almost, so much so that if you don’t like it, then there’s a good chance you just don’t like music, period. But back then, “Your Gold Teeth II” wasn’t my favorite song by them. My favorite song was actually “Deacon Blues,” a song that sounds like the inside of a smoky underworld dive bar, a place where the tragically hip and the perpetually misunderstood come together to drink their lives away.

Learn to work the saxophone
I play just what I feel
Drink Scotch whiskey all night long
And die behind the wheel


Back then, Steely Dan was my band, and “Deacon Blues” was my song. I identified with that song. I wanted to live inside that song. I saw myself as the protagonist of that song, the tragic hero, the misunderstood artist, playing exactly what he feels, drinking all night long, maybe one day dying behind the wheel, because who cares, nothing really matters, the universe is all chaos and jazz, no one even asked to be here, we’re all just specks of stardust, a flash in the cosmic scheme of things.

So call me Deacon Blues.

And alcohol was my one true love, my muse. It got to the point where, if alcohol wasn’t in my bloodstream, I wasn’t really there, in the present. During the daylight hours, when I wouldn’t drink, I would spend time with my daughter, take her to the playground, the indoor kids’ places, even play dolls on the floor of her small 10x10 trailer park bedroom, but I was never really there. I mean, my physical body was there, but my soul was not. It was someplace else entirely. I was pretending. I went through the motions because I felt like I had to, out of some persistent feeling of guilt, but my heart was never really in it. Every moment I spent with her, I was counting down the seconds until my first glass of wine. The daylight hours were just an excruciatingly long prelude to getting wasted, hammered, shitfaced, sloshed, just absolutely ossified. These were my priorities. I was a child pretending to be a father, a shell of a parent. I would constantly tell my daughter that I loved her as a way to sort of compensate for my parental absenteeism, as if cheap words could ever make up for shit parenting. But whenever she would have trouble falling asleep, making me late to my first glass of wine, I would suddenly become a harsh disciplinarian, not because I thought it was an effective way to discipline a child, but because I would become frustrated and short-tempered without wine, sometimes shouting orders at the girl like I was an army drill instructor or something. “THAT WAS THE LAST STORY. GET IN BED. PUT YOUR DAMN TOYS AWAY. CLOSE YOUR EYES. IT’S BEDTIME. DON’T MAKE ME TELL YOU AGAIN.” And this was usually followed by some pathetic apology and cheap I-love-you.

When my wife would confront me about the shouting, I would justify my outbursts by espousing some rigid parenting philosophy that I didn’t actually believe in. “Kids need discipline. There’s a certain level of fear that must be maintained. This is the way of the world, just look at countries, states, governments, they all maintain order through fear. This is just reality. Laws exist for a reason. My shouting functions as a deterrent to bad behavior, in the same way that the threat of jail functions as a deterrent to crime. What do you really think the world would be like without laws? Do you really think it would be a better place? Honestly? Don’t be naive.” And then I would pour the first of many glasses of wine and disappear into my office, feeling guilty for a whole ten seconds before my blood alcohol levels spiked, at which point I would ride the crimson tide, waves of drunken euphoria, without a care in the world. And this is how it went, night after night.

And it was on one of these nights that the roof caved in.

It had been raining all throughout the week, so it was a damp Friday night. I read my daughter a short story, cleaned up her Legos and Bratz dolls and stuffed animals, tucked her into her cheap Minnie Mouse toddler bed, kissed her on the head, told her that I loved her, apologized for shouting, turned off the lights, shut the bedroom door behind me, poured my first glass of red, logged into the Discord server, and started my whole hedonistic routine. I drank and smoked and listened to Steely Dan for hours and hours. And by the time I got ready for bed, which was around three in the morning, I had drunk so much that my head felt like it was being repeatedly hit with a hammer underwater, and my stomach was one of those bubbling lava pits you see in video games. I had lost control, failed to pace myself, as I often did. I was hunched over the toilet at three in the morning, vomiting up a crimson tide. The inside of the bowl looked like the scene of some grisly murder. After about an hour of throwing up, through sheer force of will, I picked myself up, stumbled to bed, and fell face first on the mattress, passing out.

When I woke up, my head was pounding something fierce, my chest was burning, and it was still dark outside. My wife was shouting something from the foot of the bed. I didn't want to get up, but it seemed serious, so I used some of that supernatural strength young men supposedly have and rolled myself out of bed. My wife was gesticulating, frantically explaining something that I could not comprehend in the moment, and then she grabbed my wrist and pulled me into the living room. It was dark, and our daughter was sitting there on the couch, hands in her dark hair, sobbing. My wits were slowly coming back, so I walked up to my daughter, put a hand on her shoulder, and tried to comfort her, but she wouldn’t calm down. Then my wife said something like, “It’s her bedroom. The roof. The roof fell through. She was in there for hours.” And I could not believe it. So I rushed to my daughter’s bedroom to see for myself.

It was dark in there, and there was a draft, and there was a heaviness in the air. I started coughing, covering my mouth. Then I turned the light on, saw the pile of rotted wood right by the Minnie Mouse bed, the bed itself covered in a thick layer of gray and brown. There were clouds of dust hovering throughout the room, obscuring the Disney pinups and galaxies of glow-in-the-dark ceiling stars. I looked up, and that’s when I saw it, a huge gaping hole, pieces of ceiling and wood jutting out all around the wound, just dangling there, still in the process of collapse. My wife said something from behind me. “I told you this place was a deathtrap.” So I turned to my wife, asked her when this happened, and she said it must have happened hours ago, according to our daughter, so it must have happened when I was awake in the office. She said our daughter was paralyzed with fear, that she couldn't move, that she had just stayed there in bed, under the covers, for who knows how long, frozen with fear, calling out for help. My wife asked if I had heard anything, if I had heard the crash, if I had heard our daughter calling out. I told her that I hadn't heard a thing. She glared at me with something like disgust in her eyes.

I remember just standing in that broken room, thinking it was a symbol of some kind, of neglect, of carelessness, of dysfunction. I had no words. My eyes were like super moons, and my body had taken on some sort of heinous gravity. I imagined our daughter, under the covers, eyes closed tight, her little body trembling, fearing for her life, believing some monster had crawled out of the ceiling and was about to eat her. I imagined her calling out for mommy, for daddy, for God, for anyone, to come help, how her cries went unanswered solely because I was too drunk to hear them.

My wife said something like, “This place is unlivable. I’m going to file a lawsuit.” And then she pulled out her phone and started fiddling with it. “We’re going to need pictures. Let me take a picture.”

But I stopped her, told her to let me do it, so she gave me her phone. I walked further into the room to get a better look at the hole, but I was too afraid to go directly underneath it, so instead I booted up the phone’s camera app, turned the flash on, stretched my phone-arm, positioning the phone under the hole, and snapped a picture. And that’s when I saw it.

Photograph #1 )

Apparently, there was a hole in the top roof, and a family of raccoons had been living up there in the attic-like space between the ceiling and the roof itself. The hole must have been pretty old, judging by the water damage and amount of mold shown in the picture. So I figured that, due to the accumulated rain water and who-knows-how-many raccoons, the ceiling just couldn’t hold anymore, finally collapsing under the weight of it all. And I figured that the raccoon in the picture must have been the matriarch of the family, who must have gotten out of there before the ceiling fell through. But, eyes wide and mouth agape at possibly the craziest picture I had ever taken in my life, I wondered why the mother raccoon was looking down into the room, like what could she have possibly been looking for?

That’s when my parenting instincts kicked in. The mother raccoon must have been looking for one of her babies, one of her little kits, who must have fallen through the ceiling. So I scoured the bedroom, looking for raccoons. And it only took me about five minutes to find one, a little baby raccoon, hidden underneath a pile of toys in the corner of the room, curled up in a little pink bowl.

Photograph #2 )

The kit’s eyes were closed tight, and she was shivering a little bit. There was a pinkish bulge on one of her legs, like an injury of some sort, maybe from the fall. I knew she couldn't have landed in the bowl itself, as the bowl was on the other side of the room, so I figured that she must have crawled across the room after falling through the ceiling, and when she found a place to hide, she just curled up there and waited for mommy and daddy to come rescue her. But mommy and daddy never came, just me. And, luckily for that little kit, I love raccoons. But when I was holding that pink bowl in my hand, looking down at that injured baby raccoon, seeing it all helpless and afraid, I didn’t really see a raccoon at all, I saw my daughter.

My wife wouldn’t let us keep the baby raccoon, even though I wanted to. So, later that day, I put the kit in a box stuffed with towels and put the box outside, at the treeline of the woods near my trailer, hoping that mom would return, take her baby back home, wherever home was for them. But hours passed, and mom never showed up, so I got worried about the little kit, worried that she might starve, that she might succumb to her injuries, so my daughter and I took the baby raccoon to the local animal hospital, but they told us that they couldn’t take wild animals, that they didn’t have the proper permits or something. So we left that animal hospital dejected and confused, having no idea what to do with the little kit. I remember just sitting there in my car, head still pounding from the night before, coming up totally blank on what to do next.

But after about five minutes, a young woman walked up to my car and signaled me to roll down the window. “We’ll take the raccoon, but you’ll need to sneak it into the back. Drive around.”

So I turned the key, revved the engine, and started driving around to the backside of the animal hospital. The car’s stereo connected to my phone automatically via Bluetooth, playing the last song I was listening to the night before, which just happened to be “Deacon Blues.” And when I got to the backside of the animal shelter, I left the car running in park, told my daughter to wait, and carried the box with the baby raccoon in it to the back door, where the same young woman from before smiled at me, took the box from my hands, and said, “Don’t worry, she’ll be fine, we’ll take care of her.” And I was left feeling a little sad, because for some reason I knew that I would never see that baby raccoon again.

“Deacon Blues” was still playing when I got back into the car. It was on the chorus, so before I buckled my seatbelt and put the car in reverse, I paused to savor that dark, jazzy sound.

They got a name for the winners in the world
I want a name when I lose
They call Alabama the Crimson Tide
Call me Deacon Blues


But this was not the song I knew. It was different. It was an entirely new song, with an entirely new meaning. I started thinking to myself, the protagonist of this song, he’s not some tortured-soul romantic, some hip idealist, some sort of tragic hero rebelling against the tides of a dark, unfair world. He’s not any of those things.

He’s just some fucking alcoholic loser.

So call me Deacon Blues.
f0rrest: (Default)
It feels like every member of my family believes in some kind of wild, crazy shit: my sister believes crystals have healing powers, my brother believes psychedelics can unlock some latent third eye in the mind, I believe that maybe possibly reincarnation might be real, my grandma believes extraterrestrials are walking among us, and my mom believes in trickle-down economics.

All these things seem ridiculous to me. But wouldn't it be a little arrogant to just dismiss them outright? Like, who am I to pretend to know which things are true or false, right or wrong, plausible or implausible, and so on? After all, I'm only human. I don't know everything. I'm not some bastion of knowledge. I just kind of go with my first impression, based on the information available to me and, admittedly, my preexisting biases. I'm not going to sit here and pretend that I've solved problems of epistemology that philosophers have been debating for centuries. I’m not that full of myself. So I'm willing to admit that maybe, just maybe, my eccentric family members have tapped into some esoteric knowledge that I have just not tapped into myself. Who knows? The universe is vast. Anything is possible.

Yet, for some reason, I can’t help but think that some of my family members’ wild claims are just flat-out wrong, that perhaps their own limited knowledge and preexisting biases are leading them astray, leading them to believe some crazy, unverifiable shit.

Take, for example, my sister, who believes that certain types of crystals can treat certain types of illnesses, corresponding to the astrologically adjacent color of the crystal. My sister has been dealing with hypothyroidism and various muscle pains for her entire life. And she refuses to go to a doctor, thinks they're all money-grubbing shysters, so she's been treating her ailments with what she calls crystal therapy for years now: wearing necklaces adorned with crystals, meditatively squeezing crystals, sometimes sprinkling crystal dust on her food, that sort of thing. Yet she's not getting any better. Actually, the opposite, she's getting worse. One would think that if the crystals aren't alleviating her suffering then she'd stop believing in the so-called “healing powers” of these crystals, but no, she continues to believe, persisting with this ridiculous crystal therapy. I imagine her thought process is something like, “Well, I'd be much worse off if I didn't use the crystals at all,” or something like that, which, to me, is some self-serving circular logic, some post hoc justification, like she's unwilling to face the fact that she's been wrong about the crystals her whole adult life and is now simply doubling down on the bullshit, like some sort of psychic self-defense mechanism that keeps her from feeling like an idiot or something.

And my mom, as another example, with her trickle-down economics, this idea that cutting taxes for the wealthy will somehow result in financial prosperity for the little guy, which seems to fly in the face of everything we know about basic human behavior, which is mostly driven by greed, an inclination to accumulate and hoard wealth for self-serving purposes. I mean, Reagan and Bush tried this, they tried cutting taxes for the wealthy, and various post hoc analyses showed that this produced no significant increase in overall economic growth or job creation, instead just widening the gap between haves and have-nots, because the wealthy simply pocketed the extra cash, buying themselves more yachts and mansions or whatever. Trump also tried this with the 2017 U.S. Tax Cuts and Jobs Act, which dropped corporate tax rates by about 10%, and we’re not really seeing any of that trickle down. Instead, we’re seeing CEOs spend those savings on dividends and stock buybacks, while our national debt increases exponentially and job growth remains pretty much stagnant. This stuff is all publicly available information, yet you’lll never hear about it on Fox News, which is where my mom gets most of her information, so she continues to persist in her fantastical beliefs.

But I didn't really want to talk about crystals or economics here. What I actually want to talk about here is big-headed gray aliens, which might just be the only claim here that’s even remotely plausible, surprisingly.

My grandma has always been a staunch believer in extraterrestrial life, not only that life exists on other planets, which seems reasonable to me, but that aliens have traveled to Earth and, in some cases, have infiltrated world governments, which does not seem so reasonable to me. In 1947, when that unidentified flying object crash-landed in Roswell, New Mexico, dominating the news cycle for months, Grandma Susu was an impressionable teenager, and this event left an impact crater on her brain about the size of the one left in the desert by that mysterious UFO. The government’s response certainly didn’t help dissuade her from believing it was aliens, if anything it reinforced it, because at first the government acknowledged it was a UFO crash, but the very next day they retracted this claim, instead saying it was a weather balloon. And the reports of strange aluminum-like material found at the crash certainly didn’t help dissuade her either. This material, when crushed, would instantly return to its pre-crushed state, supposedly, which, to Grandma Susu, meant that of course it had to be of extraterrestrial origin because anything not immediately understandable must be aliens. Forget “God of the Gaps,” we’re in “Aliens of the Gaps” territory now. And of course, the government has no reason to lie about this incident unless it was truly aliens. Surely there was no top-secret aircraft that the government might have been hiding in order to protect their secret from enemies of the state, and surely this would not have resulted in some sort of mass disinformation campaign in which the government might first claim that the crashed top-secret aircraft was actually an alien spacecraft but then turn around to claim that it was actually a weather balloon, just to confuse people into not knowing what to believe or whatever, thereby tricking people into camps of alien-believers and non-alien-believers, and in this way, whether someone believes it’s a weather balloon or an alien ship, it doesn't really matter either way, because both camps are now serving government interests, because if people believe the bullshit then they won’t be poking into potentially sketchy government secrets, but of course neither the UFO community nor the National Association of Weather Balloon Enthusiasts care about this dynamic, both just choosing to believe whatever narrative reinforces their preexisting biases.

I’ve found that the truth is often hidden in places people least want you to look. So it seems more likely to me that whatever crash-landed in Roswell was some sort of experimental aircraft that the government was trying to keep hidden, evidenced by the massive disinformation campaign around the whole thing, which only served to distract people from what was really going on. But of course Susu doesn’t see it that way. She wholeheartedly believes that whatever crash-landed in that desert was actually of extraterrestrial origin, and she hasn’t stopped talking about this since 1947.

When I was a kid, I would spend the summers with Susu, and back then her media diet consisted almost entirely of ufology, and this rubbed off on me in a big way. I absorbed alien mythology like some sort of intense background radiation, which both frightened and intrigued me. When she was playing solitaire in her room, she’d have the SyFy channel on, watching some documentary about aliens. I remember one time she was particularly excited about a new Roswell documentary, one which showed so-called “new unearthed footage” of the autopsy done on the quote-unquote “alien bodies” supposedly recovered from the Roswell crash site. This footage was reportedly taken in 1947, right after the crash, yet, as independent researchers pointed out, none of the film equipment used in the footage could have existed in 1947, and there were a number of other little oddities, all of which eventually forced the filmmaker, Ray Santilli, to admit that the whole thing was actually a staged recreation of some footage he saw that he swears on his mama’s life was actually real, genuine autopsy footage that, as of the creation of the recreation, was so deteriorated that it can no longer be watched, hence the recreation, which he only admitted after being called out, go figure. And of course, the aliens in the footage resembled the classic Gray alien variants found in all sorts of science fiction media, which gets another go figure from me. And of course, the SyFy documentary did not cover any of this recreation stuff at the time, instead presenting the autopsy footage as bona fide proof that aliens crash-landed in Roswell, which just served to validate and solidify Susu’s preexisting belief that aliens did indeed crash-land in that desert on July 7th, 1947, which also served to scare the shit out of me as a 10-year-old child with an overactive imagination who was easily spooked by the unknown.

I remember being so scared of aliens that, whenever I was outside and it was dark, I would always feel that primal pressure, that atavistic self-defense mechanism, on the back of my neck, my brain always telling me that something was behind me, stalking me, as if some sort of big-headed Gray was going to snatch me up and take me to the mothership for forced mating and probing or whatever. I was so scared of aliens that, sometimes, at night, when I had to come home from a friend’s house, instead of simply walking home, which would have taken like two minutes in most cases, I would instead call Susu and have her pick me up in her car, and those car trips only served to scare me further because Susu would always be listening to some paranormal radio program on the AM band, and they’d always be talking about fucking alien abductions and shit, which would just further freak me the hell out. But I never told Susu any of this because, despite aliens scaring me, there was something exciting about the whole thing, something gripping. The tinge of fear coupled with the unknown, like something more was out there in the vastness of space, was enthralling to me, and honestly, I couldn’t get enough of it. I would watch the UFO documentaries and listen to the AM broadcasts just as closely as Susu would, absorbing it all, totally entranced, even though it scared the living hell out of me and made it so I couldn’t sleep in my own bed at night, seeing aliens behind the darks of my eyelids.

And Susu wouldn’t just listen to paranormal radio on car trips, she would also listen to it while sewing in her garage, at full blast, with the door open, meaning aliens and ghosts surfed the invisible waves within the airspace of her small home at all hours of the day. I could not escape the alien invasion, nor did I want to, because learning about aliens was like uncovering some deeply esoteric knowledge that only a privileged few could know. I remember one radio show in particular, called Coast to Coast AM, hosted by Art Bell and sometimes George Knapp, was Susu’s favorite. She would never miss a broadcast. Based out of Nevada, land of the aliens, these guys lived and breathed extraterrestrials. And they had an “Open Lines” portion of the show in which people would call in and tell their own alien stories, most of which involved abductions, lost time, UFO sightings, crop circles, all the standard alien shit. And, I remember, when George Knapp was hosting, he would introduce each broadcast with this poetic paranormal ramble, and this ramble stuck with me, intensified my youthful romanticization of the search for the unknown.

“Good evening, everyone. You're in the right place at the right time. This is Coast to Coast AM. Tonight, we're coming at you, blasting out of the Mojave Desert like a scirocco, blazing across the land into your town, into your home, slamming into your radio like a supercharged nanoparticle of dark energy. You've arrived at a nexus point, a crossroads of shadow and light, a phantasmagorical marketplace of ideas and blasphemies, where together we prowl through the wilderness of smoke and mirrors in the collective psyche. We are Coast to Coast AM, a grand melting pot of cultures and subcultures, from the benign to the bizarre, all on the same path, searching for breadcrumbs of cosmic understanding, hoping we'll be able to follow the trail back to where we started.”

Of course, back then, I didn't understand what half of those words meant, but it sounded cool as hell, so I was hardcore into it. Susu and I would dim the lights, gather around the radio, her operating the sewing machine, me operating the Game Boy Color, and we would listen to those crazy callers tell crazy stories about shadow people in the sewers of Las Vegas, technicolor lights in the Phoenix night sky, time travelers traveling back in time to collect old IBM parts to save their future timeline from some robot takeover, secret government mind-control projects using LSD and remote viewing, people claiming they’re the reincarnation of some old war hero or something, and, of course, alien abductions which often involved probes inserted into places they should never be inserted into. And, after those late-night broadcasts, I would fall asleep curled up in Susu’s bed, equal parts frightened and fascinated.

Recently, feeling like I had become too close-minded and rigid in my worldview, I thought it would do me well to revisit some of those old Coast to Coast AM broadcasts, relive some of that frightening adolescent fascination, get in touch with my inner child, a version of me that was less cynical, less arrogant, more open to otherworldly wonder. I was in serious need of phantasmagorical ideas and blasphemies being blasted right into my brain like supercharged nanoparticles of dark energy. And so I went searching for the Coast to Coast AM archives, and, lo and behold, I found it online, a huge repository of the old broadcasts, and I’ve been listening to them for the past few months, entrenching myself in paranormal mythos and hardcore extraterrestrial lore, dissolving myself into the grand melting pot of bizarre cultures and subcultures, inhaling the smoke that swirls before the mirrors of the mind, all in search for breadcrumbs of cosmic understanding.

But I haven’t found any breadcrumbs yet. I’ve only found rumor-fueled speculation, already debunked pseudoscience, supposedly top-secret information relayed by quote-unquote “Ex-Area-51 employees” who won’t use their real names or produce their credentials due to “personal safety reasons,” fervently told accounts of UFO sightings that are most likely just misidentified swamp gas or ball lightning or literally the planet Venus, stories that amount to nothing more than fiction because there were literally no witnesses other than this one guy who’s basically saying “just trust me bro,” and a number of other tales that, while entertaining as hell, are totally unverifiable and quite possibly made up by unhinged people starving for attention, their fifteen minutes of fame, made possible by Coast to Coast AM.

I imagine the average Coast to Coast AM caller’s everyday life is so mundane that they involuntarily come up with fantastical stories, see things that aren’t there, slot their sensory experiences into some paranormal narrative that they already buy into, all to alleviate their own boredom.

But here I am, being cynical again. Maybe I'm just too old, or maybe I've been indoctrinated by the mainstream science narratives, or maybe I'm just too close-minded to believe in all this shit. I listen to all these far-fetched stories told with approximately zero backing evidence, and I find myself becoming slightly annoyed, like these Coast to Coast AM callers are searching for cosmic breadcrumbs in all the wrong places. They see something they don’t understand and immediately attribute it to the paranormal, like shadow people or aliens or fucking Bigfoot or whatever, and this line of thinking offends me on some level, like the natural world is already full of mysteries without having to make shit up. For example, many UFO sightings are explainable by ball lightning, a mysterious and barely understood phenomenon, yet these so-called “ufologists” are not interested in studying ball lightning, which is super cool and interesting. Instead, they come up with fantastical stories about discs in the sky and big-headed Gray aliens, thereby ignoring the wonders of the natural world.

Ufology is basically like a religion, a belief system with no tangible evidence behind it, yet ufologists like to pretend they’re legitimate scientists practicing the scientific method, though they don’t actually follow the scientific process. They see ball lightning, don’t understand it, and instead of developing a testable hypothesis, they immediately conclude it’s aliens and therefore don’t have to investigate any further. They work backward from a conclusion formed by science fiction media and preexisting biases. I think my point here is that the universe is already full of mysteries waiting to be solved, but by focusing on imaginary Gray aliens and fucking Bigfoot, they are doing themselves a disservice almost, depriving themselves of a deeper understanding of the world around them.

But I am sympathetic because I do actually believe that aliens exist. I really do. Like I said in the sixth paragraph up there, “big-headed gray aliens … might just be the only claim here that’s even remotely plausible.” That's because aliens make sense to me, and this is not a hot take by any means, it’s actually quite basic. Depending on the scientific spacetime model you subscribe to, the universe is either infinite or really really fucking big and expanding. Personally, I don’t think the universe is infinite, otherwise every inch of the night sky would be covered in starlight due to the infinite number of stars, meaning there would be no night at all, but I do believe that the universe is really really fucking big and expanding, and I think physicists have done some math or whatever to sort of verify that. Either way, infinite or not, both scenarios imply that there are lots of galaxies swirling around lots of supermassive black holes within which lots of planets are swirling around lots of stars, “lots” being a gross understatement here, to the point that it would be absurd if aliens did not exist on one of those planets out there. And, based on measuring cosmic background radiation, the universe is something like 13.8 billion years old, and the Earth itself is only 4.5 billion years old, meaning a lot of time has passed for life on other planets to pop up. In fact, I would argue that, based on our current understanding of the universe, aliens are pretty much a given, like 100%, they are out there, they have to be. There is another Earth-like planet out there in another galaxy that has life on it. I am wholly convinced of this. Now, whether or not aliens can get to our planet is another matter entirely, one that I'm skeptical of due to our current understanding of the seemingly hard-coded rules of light-speed travel, but nevertheless, I believe they are out there somewhere. Otherwise, young-Earth creationists are right, and our entire scientific model of the universe is just flat-out wrong, and that's not something I'm willing to accept right now based on the available evidence, because, frankly, I trust modern science over ancient desert scribbles. And aliens don’t even need to exist on Earth-like planets. They don’t even need to be carbon-based like us. There’s nothing stopping life from being silicon-based or nitrogen-based or phosphorus-based or whatever-based. It would be arrogant and naive to think that all life in the universe has to be like us. Life could even exist outside of the human-visible electromagnetic spectrum, like within weird space waves and shit, and we’d never even know it. The thing about science is that we’re literally always learning new things, so it would be insane to think that, right here, right now, we have cracked the code of the universe, as if there’s nothing left to discover.

So, again, I am sympathetic toward believers in the paranormal, because they have the right idea. The universe is vast, and there are many unknowns. They’re searching for cosmic breadcrumbs just like everyone else, they’re just doing it the wrong way. They’re kind of starting with a whole loaf of bread instead of breadcrumbs, beginning with a conclusion and working backward, as if they already have everything figured out and just need to prove it to other people for some reason, which is not how proper science or even logical deduction should work.

And this line of thinking also does a disservice to yourself, as it’s a close-minded worldview, because if you immediately jump to “it’s aliens”, then you’re not really open to any other possible explanation, and those other explanations could be really fucking cool, yet you’d never know it, because you’re not really following the cosmic breadcrumbs, you’re following a story that you’ve already convinced yourself is true.

But maybe that’s just me being cynical again.
f0rrest: (Default)
“The Citadel Military College of South Carolina (simply known as The Citadel) is a public senior military college in Charleston, South Carolina, United States. Established in 1842, it is the third oldest of the six senior military colleges in the United States.”
Wikipedia

A few months ago, I was really into Columbo, and one night, while watching the show on Pluto TV, I was hit over the head by some seriously dreadful deja vu.

A cannon had backfired at a military academy ceremony, killing its headmaster, foul play was suspected, so up drives Columbo in his busted-up 1959 Peugeot convertible, shaking and backfiring and billowing smoke like crazy. He parks, gets out, bumbles through an open portcullis into the courtyard of a massive three-story barracks, floor a checkerboard pattern of red and white, walls smooth and white and taller than the eye can see. It’s all very orderly and intimidating and familiar somehow. And I’m sitting on my couch, overcome by this dreadful sense of profound deja vu, as if I had stood there before, right in the middle of that checkerboard courtyard, but I couldn’t place the when, where, or even the why. So up Columbo walks in his wrinkly old trench coat with that signature drunken-penguin gait of his, and there are dozens of young military cadets performing drills in the courtyard, and their drill instructor, a Colonel Lyle C. Rumford, played by Patrick McGoohan, who plays a villain in like every other episode of Columbo for some reason, instructs his cadets to continue their drills before turning to talk to the aloof hobo detective, at which point Columbo asks a few seemingly innocuous questions before going wait wait just one more thing, then asking a few more questions, and then wait wait just one more thing, and yet more questions before the Colonel reveals, in an overly calm and conspicuous way, that the now-deceased headmaster was planning to allow girls to join the academy, which of course makes Columbo instantly suspect the Colonel as the murderer, and so now Columbo is determined to figure out how the Colonel did it, how the Colonel murdered the headmaster while making it look like an accident done by one of the young cadets. And throughout this scene, shots of the barracks from every angle are shown, the three stories of white-cement archways, the rounded castle-like stairwells at each corner of the rectangular courtyard, the countless dark blue doors lining each identical floor, and of course the cadets with buzz cuts and fatigues all looking both stoic and miserable at the same time somehow. And all this is just making my deja vu more dreadful and profound. So I’m sitting there thinking to myself, I have been here before, I know I have, but where, where is this place, and it’s bothering me a little bit, so I whip out my phone and search up the episode, and that’s when it all comes flooding back.

This is the place my dad sent me for summer camp when I was like twelve. This is the Military College of South Carolina. The Citadel. How could I have forgotten?

“The Citadel was initially established as two schools to educate young men from around the state, while simultaneously protecting the South Carolina State Arsenals in both Columbia and Charleston.”
Wikipedia


Back then, I played a lot of video games and shopped at Hot Topic and listened to 80s music on repeat. My youth was typified by a yin-yang dichotomy of apathy toward anything that didn’t interest me and hyperfocus toward things that did interest me, those things being Zelda, The Cure, Dragon Ball Z, and Gundam Wing, but never school. I was the type of kid who would literally use dog-ate-my-paper type excuses when teachers asked why I didn’t complete my homework. So my grades were terrible and I was put in special-ed classes. I always had the feeling that people thought I was dumb and detached, but looking back, I now realize this is only half true, although for people looking at me from the outside, this was not obvious, understandably so.

My parents divorced when I was like ten, so I would live with my mom one month and my dad the next, as outlined in their court-ordered custody agreement. My dad was a hardass, while my mom basically let me do whatever I wanted. This parental yin-yang colored my entire childhood. My mom’s favorite phrase was “yes, honey.” She indulged my every whim, either because she loved me and wanted to make me happy regardless of the consequences, or because she didn’t want to deal with my tantrums, or maybe a mixture of both. My dad was the opposite. He was all about hard work and personal responsibility, and he didn’t take no shit, and he was the only person who would tell me no. He was also very stubborn, so he could wait out my tantrums no matter how long it took. My dad had an old-school conservative upbringing typified by rulers and staring at walls, and he incorporated a watered-down version of this into his parenting technique. He was never abusive, but I grew to be afraid of my father, and this fear brought about a certain level of obedience. But after my parents got divorced, it was like I lived in two different galaxies, one with a warm bright star and another with a cold dark star. When I was living with my mom, I did whatever I wanted. I would come home from school, tell her I didn’t have any homework, drink soda and play video games all day, spend all night on my Dell PC just chatting away with strangers in the Yahoo! chatrooms while Adult Swim played repeats of Home Movies and Cowboy Bebop in my periphery. There, I lived a life of no responsibility and maximum comfort, courtesy of my new wealthy stepdad. I remember my bedroom only vaguely. It was on the second floor of a mansion, and you had to walk across something like an indoor bridge to get to it, so my mom never bothered to check on me at night as long as I kept quiet. My room was a decent size but felt small because of the king-size bed pushed against the middle wall. My computer desk was on the right side of the bed, with a bookshelf and stereo to the left, and there was a low-standing dresser with my television and Nintendo 64 to the right. A big dresser containing all my band shirts and tripp pants was situated on the left side of the bed, with only a small walking space between the bed and the dresser. I had stuck band stickers all over the dresser itself, which was something my stepdad hated because the dresser was an expensive antique, much like everything else in the lavish house, none of which I appreciated, because back then I never once thought about how privileged I was, because frankly I was a spoiled fucking brat, and my dad knew this better than anyone, because when I came to live with him, I had always gained like ten pounds since the last time he had seen me, and I was tired all the time, and so of course he blamed all my apathy and weight gain and bad grades and inability to focus on my mom.

Living with my dad was like orbiting a whole other star. From the moment I walked through the front door of his square brick house, party time was over. It was all about chores and schoolwork and playing on local church sports teams of which he was the coach. To this day, my old room is decorated with photos of the teams I played on, everyone looking bright and happy except me, wearing a huge scowl in every picture. At my dad’s, there was little time for doing the things I actually wanted to do. The Nintendo 64 was in the basement, and the basement was locked until I completed all my chores and schoolwork or whatever. When I came home from school, the first thing he would have me do was sit at the kitchen table and do my homework until it was perfect, often coming in and checking over my shoulder. But I would sit there in silent protest, in that uncomfortable metal chair, just using my pencil to poke little holes in the apples in the decorative bowl at the center of the table, pretending like I was stuck on a math problem or something. I was stubborn in a very dumb way, because I knew that if I completed my homework, then Dad would let me play video games, but I still didn’t complete my homework for some reason, so I never got to play video games. In this way, my dad’s parenting method didn’t really work to improve my grades, but it did work in preventing me from throwing tantrums like I would with my mom, because I was truly afraid of my dad, not because he was abusive or anything like that, but because he was firm and would take my stuff away and do all the other normal stuff normal parents would do when trying to raise their kids to be fine, upstanding citizens.

At some point, however, my dad got sick of it all, and realizing that my apathy was not fading and that I was not improving, he decided to send me to a summer camp for troubled youth, although he didn’t frame it that way at the time, positioning it as just a normal summer camp that normal kids went to, so it wasn’t until I walked through that open portcullis and onto that red and white checkerboard flooring that I realized that this was not a normal summer camp at all, this was actually a fucking military camp. I remember standing there, frozen, staring up at the castle-like compound, watching kids wearing buzz cuts and fatigues march in the courtyard, realizing that I was a long, long way from home, in a place that might as well have been hell, and that’s the first time I ever felt true dread.

“A lawsuit contends that The Citadel knew one of its counselors was abusing summer campers in the mid-1990s but didn’t fire him and did nothing to stop it, yet another in a string of sexual-abuse accusations that have been made against two men who worked at the military college’s summer camp.”
The Augusta Chronicle, Dec. 13, 2013


The next thing I remember is my dad was gone, and I was being shouted at by some older man in full uniform. He directed me to get into marching formation with the other kids, but I was frozen in terror. I remember I was wearing my Cure t-shirt and tripp pants, and I was sweating profusely in the harsh summer sun. So when I didn’t immediately comply, the man shouted something like, “C’MON PIGGY, WE DON’T HAVE ALL DAY,” which kicked my ass into gear, and I immediately fell in line. We marched out of the portcullis, through the sports field, and into another huge white castle-like building. I had no idea what was going on. Some of the other kids were in civilian clothing, some were in fatigues. The ones in civilian clothing were separated from the fatigues-wearing ones and ordered to march down a thin hallway, where we stood silently outside a blue door. Kids entered this door one by one. At first, I didn’t know what was happening, but after the first kid entered with shaggy hair and exited with a buzz cut, my eyes grew wide, and I knew. They were cutting my hair. Back then, I was serious about my hair. I liked it long and messy, like Robert Smith from The Cure. So as the line and average length of hair for the regiment grew shorter, the pit in my stomach grew larger. Until eventually, I entered the barber’s room and was pushed into the chair. The clippers went BRRRRRR and just like that my hair was gone. I couldn’t even look at myself in the mirror. This was one of many hammers used by The Citadel to pound individuality and ego out of children.

Later that day, they assigned us our quarters. Mine was on the second floor. There’s a scene in that Columbo episode where the titular detective enters one of these rooms to question the cadet accused of accidentally backfiring the cannon. My room looked just like the one shown in the episode, indicating that The Citadel has not changed in a long long time. The walls of the room were white brick. There was a single barred window. It felt like one of those insane asylum rooms. There was a sink in the corner, a single dresser with two cabinets pushed against the right wall, and a bunk bed against the left wall. The mattresses were thin, and the blankets ratty and torn. I was paired with another kid. I forget his name, but he was strange and kind of horrific. I remember he was tall and lanky and acne-ridden and would make a lot of weird sex jokes. I slept on the bottom bunk in a perpetual state of psychic terror. On the first night, in the middle of the night, instead of going out to the bathroom, my bunkmate took a shit in his underwear, wrapped it up in a ball, and then put it in my cabinet dresser for me to find the next morning, like some sort of weird animalistic dominance thing. I was too afraid to report him, thinking he would hurt me or something, so I just cleaned it up and didn’t say a word about it. I remember, night after night, after they would ring the bell and scream “LIGHTS OUT” at 8 p.m., I would just lie in my bunk, frozen, staring up at the wire mesh above me, fantasizing about ways to escape. Occasionally, a camp counselor would creak open the door and peek their head in, checking on us. One time, at night, I remember a counselor entered my quarters, stopped in the middle of the room, and stared at the bunks for what felt like an hour. I was wide awake but holding my breath and keeping my eyes shut real tight, frozen with fear, thinking the guy was going to get me out of bed and beat the shit out of me or something. Nothing happened, but I learned how to play dead that night.

“The suit was filed in federal court in Charleston earlier this week by a now-25-year-old alleged victim who claimed to have been abused on 21 different occasions by Michael Arpaio. The Citadel ultimately closed its summer camp in 2005 after reaching a $3.8 million settlement with five campers who said the former Marine captain had abused them between 1995 and 2001.”
The Augusta Chronicle, Dec. 13, 2013


Every day was the same. I would wake up at five in the morning to the sound of a loud whistle, put on my fatigues, hustle down the stairwell, and line up with the rest of the kids. Then we’d march to the mess hall, where they’d serve us the worst-tasting breakfast you have ever tasted, so bad that I hardly ever ate anything, only drinking some milk most mornings. Then we’d march out to the field, do push-ups and jumping jacks and sit-ups and burpees and laps for a few hours. Then we’d play soccer for some reason. Then we’d march back to the mess hall and eat the worst-tasting lunch ever. Then there’d be a thirty-minute block of free time, where we could socialize or whatever, but being so out of shape and practically starving myself, I was pretty much half-dead by this point, so I would just go back to my quarters and sprawl out on the bottom bunk and pretend I was in another place, pretend I was in the world of Hyrule, and this was a brief respite, my little form of escape.

They wouldn’t let us bring anything personal into the camp with us, but we were allowed paper and pencil for writing letters to family, and I remember one time, during the break period, I wrote a short letter to my grandma, Susu, because her address was the only one I could remember, and the letter went something like this: WHAT DID I FUCKING DO TO DESERVE THIS? I AM GOING TO DIE IN HERE. I WANT TO GO HOME. PLEASE. I’M SORRY FOR WHATEVER I DID. TELL MOM TO GET ME OUT EARLY. PLEASE. I CANNOT DO A WHOLE MONTH IN HERE. SAVE ME. PLEASE. This text is almost verbatim because Susu kept the note and still has it to this day, along with the newspaper clipping she found years later outlining why The Citadel summer camp was closed down permanently.

“Arpaio pleaded guilty to multiple charges in 2003 following a military court-martial and served 15 months at the Charleston Naval Brig. According to the lawsuit, Arpaio was indicted in 2009 on federal charges including conspiracy to commit murder and disposing of a cadaver and is in federal prison.”
The Augusta Chronicle, Dec. 13, 2013


When it was all over, I had lost about thirty pounds and was mute for an entire week. I remember, when I got home, the first thing I did was fold all my clothes and arrange them neatly in my dresser, then I put all my Gundam models and Nintendo 64 games and Dragon Ball Z VHSs in the closet, hiding all the things I loved, then I straightened out my sports team photos on the dresser, organizing everything real nice, because I thought that if I hadn’t done all this, I’d be sent back there, back to hell. And then I sprawled out on my king-size bed, imagined myself in Hyrule, and passed out.

But it must have been midday or something, because I remember my dad woke me up. He was looking around my room with this astonished look on his face, and he said something like, “Wow, you really cleaned up, I guess your time at The Citadel taught you a thing or two, huh?”

And I remember rolling over in bed, looking up at him with this blank expression on my face, and nodding, then I went back to sleep, dreaming of Hyrule.

Then, the following year, around my thirteenth birthday, when the judge gave me the option to pick which parent I wanted to live with, I picked Mom, and then, just like that, I was back in Hyrule, for real this time.
f0rrest: (Default)
I'm writing this from my dad’s basement, where I used to do my homework, where I used to play Final Fantasy X and Vanguard Bandits and Klonoa on a massive gray CRT television set that was once in the corner over there, where I used to write embarrassing LiveJournal entries about the love of my life, hoping she would swoon when she read them. I used to live here twenty years ago, and now, sitting here in this basement, I see visions of two young lovers sitting on the couch just over there, holding hands under a blanket, whispering sweet forevers. There are ghosts.

This is the land of soccer moms and junior sports leagues and electric cars and three-story houses and church groups and ghosts. This is the place where I grew up, the place where I fell in love, the place where most problems are first-world and money solves those that are not. People low-key compete over who can have the most extravagant holiday decorations on their lawn. American flags are flown high with weird, menacing purpose. The trees are deciduous and leaves fall in real time as if in a scene from a movie. Brick retaining walls hold back lawns full of sculpted hedges dotted with pink and white flowers. I have fuzzy recollections of these houses. Craig used to live in that one. Brett’s burned down. Mandy would let us sneak into her basement through the sliding glass door after her parents went to bed. Lexi dropped out and joined Greenpeace. Hayden just disappeared one day. Aaron the Anarchist’s parents kicked him out, now he works as a sushi chef down the road. Em used to live down that road, in a brick house on a hill with a winding driveway and a garage that was always open. I drove by there once, the last time I visited, about a year ago, just to see what would happen. I thought maybe she’d be out there. Maybe she’d see me. The garage was open. Her mom’s old Mini Cooper was still in there. I saw a young man with crazy hair placing a bundle of baby’s breath at her front door. There are ghosts.

Around here, people pick up their dog’s shit in little baggies. There is something subservient about this. People jog down the side paths wearing expensive health-monitoring technology, as if logging heart rates and oxygen levels makes them feel more real, more alive somehow. Kids here used to hide cigarettes and Ziplocs full of weed nugs, now they just vape. Family pets are instantly replaced upon death and no one even bothers to stop and analyze this for a second. She loved cats, one of them was named Pickles. Pickles used to hang out with us in her basement. We used to watch anime. Cowboy Bebop, Elfen Lied, Rurouni Kenshin. We’d just sit there on her big tan couch, holding each other, watching anime, whispering forevers. This was love. The butterflies. The queasiness. The whole “Is she going to make a move, or should I?” thing. The romantic suspense. Sometimes it returns, but only a shadow. There are ghosts.

There is no police presence here whatsoever. I have never once seen a cop car or heard a siren. Any crime happening goes unnoticed. When little Tommy gets in trouble, Daddy pulls some strings. The number of BLUE LIVES MATTER bumper stickers is too high to count for obvious reasons. Cars don't honk, those that do are reported for noise violations. Beers are cracked midday. Lawn-care equipment is wielded like Excalibur. Refrigerators are covered in sons and daughters wearing various sports uniforms and smiling forced smiles. Children are trophies, bragging rights, tickets to vicarious living. Dads congregate in cliques of baseball, basketball, football, and tennis. Soccer is considered faggy. Dads wear baseball caps with symbols on them. They love their symbols. They argue about these symbols. You are considered strange if you do not have a symbol. Moms do yoga and Pilates and vote Republican. Dean Koontz is a highly lauded author around these parts. Movies such as Forrest Gump are considered the absolute peak of cinematic achievement. Everyone is in real estate. They do foreclosures in the bad parts of town. They renovate haunted houses, flip mansions full of ghosts. This is how they make their money. Two-car garages often have three, sometimes four cars in them, many unused. They complain about government waste and vote to cut welfare benefits. The strip malls are multi-storied. There are shops for everything imaginable. We used to walk around the Media Play holding hands and saying very little. There are ghosts.

That Media Play is a Trader Joe’s now. All the soccer moms love Trader Joe’s. Chinese restaurants and Mexican restaurants and Italian restaurants are all owned and managed by Caucasian individuals. Ethnic people exist here, but not on their own terms. They play multicultural pretend. Chiropractic is considered a legitimate medical practice with no harmful long-term consequences. These people live happy, sheltered lives, informed by gossip and Fox News. Chick-fil-A is the only fast food they’ll eat. Everyone waves and smiles from a distance, yet they are unapproachable somehow. There is a fakeness here unlike anywhere else. People look at you weird if your clothes aren’t from American Eagle or Aeropostale. We used to haunt the mall downtown and laugh at the people who shopped in those stores. We wore dark clothing and scowls on our faces. We would shop at Hot Topic and think we were cool and unique and above it all. Last time I went to that mall, I saw two young lovers in a linoleum alley, kissing in secret. There are ghosts.

Whenever I return here, to my dad’s old house, I dream about her. My unconscious mind comes up with all sorts of wonderful situations, often taking place in some Picasso version of her home, and when I wake from these dreams, my whole day is tinged by what-ifs and how-comes, and I become full of regret, and I question all the choices I’ve made up to this point in my life, and I pine. I sulk and I pine. And when I leave the house to go shopping or to the park or whatever, she haunts the corner of my eye. I look for her in each passing car. My stomach flutters with the possibility of catching just a single glimpse of her. I fantasize about running into her at the Half-Price Books, striking up a conversation, getting to know her again, showing her how I’ve changed, how I’ve matured, how I didn’t have to ask what her favorite flower was this time, how I’m not an asshole anymore. I sulk and I pine and I look for her. There are ghosts.
f0rrest: (kid pix w/ pkmn cntr)
“Conditioned place preference (CPP) is a form of Pavlovian conditioning used to measure the motivational effects of objects or experiences. This motivation comes from the pleasurable aspect of the experience, so that the brain can be reminded of the context that surrounded the encounter.”

Nostalgia has dominated my life since as far back as I can remember. I imagine this might be true for everyone to some extent, but my extent feels extreme to the extreme. I have a deep, almost unhealthy fondness for times long past, always have. Carefree childhood summers playing PS1 role-playing games at my grandma’s house. Super Smash Bros. competitions in the basements of suburbia. Staying up all night with a good friend in the same room playing our own separate games on our own separate television sets, having our own separate but shared experiences, just talking and laughing and having a good time. Cozying up in front of my old Dell XPS with a Diet Cherry Cola and some pretzels, playing online games from sunrise to sunset, curtains drawn, enveloped in the glow of warm orange lamplight, losing myself completely in those games, the ego falling away, as if I didn’t really exist in the physical realm but in the digital one. That sort of thing. I long to return to these situations, situations I could never possibly return to, so I chase the feeling, try to recreate it. I foster atmospheres redolent of times and places long gone. I do this through carefully controlled lighting, surrounding myself with certain material things, listening to music I used to listen to during those little epochs, and, most of all, playing the video games I enjoyed as a child and young adult. Video games elicit the strongest sense of nostalgia for me. If I had to analyze it scientifically, I’m guessing the medium’s mixture of aural, visual, and physical stimuli releases the most dopamine or something. I spent so much of my youth in front of a screen that my eyes are like permanently tattooed with a glowing box. I associate epochs of my life with certain video games, and I chase these video games relentlessly, meaning I replay them over and over, pretending I’m back there, pretending I’m feeling the feelings I once felt, as if no time has passed at all. For me, nostalgia is like a cheap time machine, one that has no forward option, only back, and when it takes me back, everything is faded, like I’m sort of phased out, relegated to a background plane, unable to truly interface with what I’m experiencing, but it feels good, so I keep doing it, as if nostalgia is like a CAT-1 controlled substance injected straight into the eyeballs that produces a withdrawal so wicked that I have to keep doing more and more just to feel a slight semblance of whatever it was I felt the first time. I cultivate situations reminiscent of old situations thereby creating new situations based on old situations that are never as good as the original situations but they're better than nothing so I keep doing it. Nostalgia, for me, is like a killer of new joys. I am averse to new things because they do not elicit the same nostalgic dopamine response as old things. There is something biologically harsh about all of this, something having to do with the brain and chemicals and questions of free will that I don’t like to analyze too deeply. I say things like, “I know this is a boomer thing to say, but games are actually much worse than they used to be,” pretending that my self-deprecation backs up the claim, when in reality I lack the knowledge to back up the claim because I have not actually played a new game in like five years. The last five games I’ve played are The Legend of Zelda: Ocarina of Time, Final Fantasy VIII, Chrono Cross, Pokémon Crystal, and The Elder Scrolls IV: Oblivion, all of which I associate with the elysian fields of my youth, blissful meadows wherein I popped Adderall recreationally to get euphorically lost in the games. I was prescribed Adderall from age 10 to 20. Adderall made me feel like I was part of the game’s world, like I was actually the hero holding the sword and casting the magicks and saving the world. Nothing else was important when I took Adderall. For most of my childhood, I was a character in a video game. I developed a fondness for digital places and things. My nostalgia is not linked to fields and meadows in the real world, but fields and meadows in the virtual plane. I feel as if this is a big problem but can’t quite place my finger on why. I cannot help but think this is a uniquely twenty-first-century problem, what with so many digital worlds available to get lost in. There’s also something incredibly sad and consumeristic about the whole thing, because it means that so much of my nostalgia is branded with corporate logos. Nintendo, Sony, The Walt Disney Company, Microsoft, Apple, Electronic Arts, SEGA, and most of all, Square Enix.

“Amphetamine has been shown to produce a conditioned place preference in humans taking therapeutic doses, meaning that individuals acquire a preference for spending time in places where they have previously used amphetamine.”


Out of all the games I have ever played, Final Fantasy XI, developed and published by Square Enix, produces the strongest nostalgic response for me. Final Fantasy XI is a massively multiplayer online role-playing game released back in 2003, and I’ve been playing it on and off since then. I must have been 12 years old when I first installed the game on the Dell-whatever PC that my mom bought and so naively placed in my childhood bedroom. My first character’s name was “Butterfly,” a lanky male Elvaan with jagged, chin-length black hair. I remember this vividly. Back then, I was taking Adderall in therapeutic doses as prescribed by the pediatric psychiatrist. It was thought that Adderall would improve my ability to focus in school, but all it did was improve my ability to focus on video games. I remember the game launcher, the PlayOnline Viewer, would boot up to some of the most sublime free jazz I had ever heard. Music so powerful that, even thirty years later, hearing it instantly makes me want to play Final Fantasy XI again, like some sort of Pavlovian response. The massive, bustling world of Vana’diel blew my little adolescent brain with its dense forests and rolling meadows and arid cliffs and windy grasslands full of windmills and monsters and beastmen who lingered just outside the sprawling cities wherein actual people behind their virtual fantasy avatars congregated at the fountains and auction houses, wearing their subligars and lizard jerkins and scorpion harnesses and haubergeons, their scimitars and staves and zaghnals and baghnakhs and halberds all tightened to their backs or clipped to their belts or whatever. Massive airships would fly over the cities, taking players wherever they needed to go, which was an absolutely breathtaking spectacle, and a technical marvel when you consider that people were actually up there on those airships. I remember I would stand in the markets of Bastok and just watch in awe as high-level players walked by, hoping that one day, with enough effort, I would be powerful and cool just like them. The pastoral, grounded soundtrack working its way into my undeveloped brain the whole time, tattooing itself there, ensuring that, in the future, whenever I heard the music, no matter where I was in life, I would be instantly transported back there, mentally. But back then, when I was 12, I had no idea how to actually play the game, spending most of my time fishing in the waterways of Bastok and getting myself killed by the giant turtle-men living in the Gustaberg region, all while, unbeknownst to my young self, the game was altering the fundamental chemistry of my brain, forming bonds with my neurons, landscaping the groundwork for all my future gaming aesthetic preferences.

“... dopamine levels in the nucleus accumbens have been found to be elevated when rats are placed in the drug-paired environment, compared to the non-drug-paired environment.”

It wasn't until I was like 15 or so that I understood the basics of Final Fantasy XI. My stepdad had moved my mom and me to a fancy island resort primarily inhabited by old rich guys, meaning there were barely any kids around, meaning I had no friends, meaning I spent a lot of time playing games. It was around this time that I started abusing Adderall, hiding pills that were supposed to be taken before school and taking them after I got home, because I was now old enough to realize that this amphetamine stuff was like psychic gold, so I was using it to induce a sort of euphoric trance when playing Final Fantasy XI. I had created a new character named “Einhander,” who was also an Elvaan but had the spiky orange bowl cut. That epoch of my life must have lasted about a whole year, although the exact timeline is hazy. I remember I was listening to a lot of The Police, The Smiths, and Sting back then, and now those songs are like Pavlovian triggers, tempting reminders of Final Fantasy XI. But despite taking Adderall, which improves focus, I was rather unfocused in my approach to the game, leveling jobs up to 30 or 40 or so but then getting bored and switching to another job, only to repeat the process. And back then, leveling a job to 40 was a big deal, a big time-consuming deal, because not only were experience points divided out in very small amounts and traveling the world took literal hours from point A to point B, but also the early era of the game was all about community, meaning you couldn’t solo your way to level 30, you had to find a party of six other real people who had at least three hours to burn, and this party-finding process was often long in and of itself, involving at least an hour of shouting in town or whatever for a party, and sometimes you would go whole days without finding a party. For me, this process looked like the following, get home from school around 4, make myself some Easy Mac, eat the Easy Mac, stock up on Diet Cherry Cola, boot up my PC, stand around Jeuno looking for a party until around 6, get in a party, kill monsters for like 7 hours, get to bed around 3 in the morning or later, go to school the next day pretty much braindead, fall asleep in most of my classes, get home from school around 4, Easy Mac, Diet Cherry Cola, boot up the PC, and so on. The game’s community-minded ethos lent itself to making the world of Vana’Diel feel like a living, breathing world in which you got to know the residents because you were basically forced to, and this was one of the core draws of the game. Back then, Final Fantasy XI felt like a second life because you had to make it your second life, otherwise you wouldn't make any progress. In hindsight, this game-design philosophy is insidious, because it was clearly built around milking as much money from the player as possible, because the game has a monthly subscription fee, so the longer Square Enix can make you play, whether through entertaining means or grueling means, the more money they stand to make from you. And Final Fantasy XI is not unique in this way, this applies to pretty much all MMORPGs, as they’re all built around artificial roadblocks and harsh time constraints designed specifically to maximize profit. But of course, back then, being 15 years old and addicted to amphetamines, I didn’t analyze it in this way, I only wanted to be the coolest Red Mage on the server, which was something I didn’t achieve until years later after taking a long, long break, mostly because my Dad cracked down on me pretty hard and even sent me to military camp one summer, to correct my unfocused, juvenile behavior.

“Most drugs of abuse elicit a Conditioned Place Preference in rats and mice, and the neural substrates of these effects can often be traced to the mesolimbic DA system.”

At some point shortly after high school, when I was working at the animal shelter, a good friend of mine expressed some interest in getting into MMORPGs and asked me for my recommendation. He initially brought up World of Warcraft, which I had played for a bit back in high school but never really got sucked in, so I told him no, fuck that game, you should play Final Fantasy XI instead, it’s quite possibly the best video game ever made. And just like that, we were playing Final Fantasy XI together. I must have been like 18 or 19 or something, and for all intents and purposes I was pretty much a meth head, speed freak, tweaker, whatever you want to call it, because I was hardcore into Adderall. I also had a semi-serious girlfriend, and my mom was paying for me to go to college. But the moment my friend and I started playing Final Fantasy XI, all that stuff took a backseat, because suddenly my life was all about Vana’Diel. I had forgotten the account details to my old Einhander account, so I made a new account with a new character named “Ashleh,” and I would pretend I was an in-real-life girl in the game for some reason, which was kind of an eye-opening experience because guys truly do treat you completely different when they believe you’re a girl, even online. Anyway, my friend would come over with his laptop, pop one of my Adderalls, and we’d both be up until the wee hours of the morning playing Final Fantasy XI and drinking Diet Cherry Cola. Sometimes we’d take short breaks from the game to smoke cigarettes out on my porch, and during these breaks we’d have some of the best conversations in the world. Philosophical conversations. Gaming conversations. Absurd conversations. Philosophically absurd gaming conversations. So many inside jokes were cultivated during this period, many of which still persist between us to this day. WERMZ. WHERE U GET SWARD? Zerva was always trying to get virtually laid by female players in-game. And when my friend left, I’d play all day and night in my room. I skipped college classes, eventually dropping out. I showed up late for work every day because I could never get up on time, and eventually I just stopped showing up. I hesitate to say this, but I was in love with Final Fantasy XI, as much as a human being could love a video game, at least. My identity was intrinsically tied to the game. If something took time away from me playing the game, I would become irrationally upset in an almost drug-withdrawal-like way, like I would become dejected and fuming and just monstrous to be around. I had thrown everything away for love of the game, and it wasn’t until my girlfriend dumped my ass that I realized I had a serious fucking problem, at which point my life was already in total shambles, with only a level 90 Samurai and a blue-colored chocobo to show for it.

“In the standard conditioned place preference procedure, when the unconditioned stimulus is rewarding, rodents will be more likely to approach the compartment that contains cues associated with it. Alternatively, when the unconditioned stimulus is aversive, rodents will be more likely to escape and avoid the compartment that contains cues associated with it.”

Since then, I’ve stopped taking Adderall. I’ve gotten married. I’ve had two kids. I’ve learned to balance my obsessions with my responsibilities in a semi-manageable way. I’ve grown up. And I’ve also played Final Fantasy XI on and off, here and there, every few years. I’ve played it so much, in fact, that Ashleh is now level 99 in most jobs and I’ve got a bunch of colorful chocobos and my Mog House is full of awesome furniture. I’ve played the game so much that the epochs of my life could probably be categorized into “Was Playing Final Fantasy XI” and “Was Not Playing Final Fantasy XI.” Last time I checked, according to the in-game playtime tracker, I’ve played the game for a total of 103 days, 30 hours, and 15 minutes. That is not like “in-universe time,” that is real-world time. What I’m trying to say is, I’ve played the game a lot. And I’ve learned how to gracefully interweave playing the game with tending to my adult responsibilities quite well. I have compensated, adapted, if you will. Yet whenever I play Final Fantasy XI now, despite having grown up, I am always cognizant of the fact that I am sacrificing something else. My focus shifts ever so slightly. Something is always neglected when playing Final Fantasy XI, be it spending time with my kids or work or writing or other games or reading or whatever. Final Fantasy XI becomes my second life every time. Time must always be made for the game. It is almost like, with Final Fantasy XI, I cannot have more than two things going on in my life at once, Final Fantasy XI being one of those two things. And this scares me. It really does. It scares me so much that I haven’t played the game since March 23, 2023. Yes, I know the exact date. That’s how much it scares me.

So, when my friend from high school texted me on Halloween 2025, expressing interest in getting back into Final Fantasy XI, I was both scared to death and excited as hell, because despite knowing the game’s design philosophy is predatory, despite knowing that it has branded my nostalgia with some gross corporate logo, despite knowing that the main reason I like the game so much is probably due to some conditioned-place-preference response, despite knowing that I’ve fucked up my life by playing the game in the past, I still love the game for some reason. The game has like mutated itself into my DNA somehow. And now, faced with the temptation to play Final Fantasy XI once more, there is this internal conflict playing out in my mind. A shoulder-devil, shoulder-angel situation. I worry that I won’t be able to make time for my writing. I worry that I might skimp on my work. I worry that every second not playing the game will once again feel like some excruciatingly long prelude to playing the game. I worry that I won’t spend as much time with my kids. I worry that I’ll become so focused on playing just this one game that I won’t play anything else. And then I start telling myself stuff like who cares about playing other games, it’s all stupid entertainment anyway, why do I need to collect new memories of new stupid entertainments, why not just make new memories of old stupid entertainments, what’s the difference? And of course, I’ll give myself a strict schedule, I’ll only play Final Fantasy XI every other night on the weekdays, focus on my writing on the nights I’m not playing, and I’ll spend every weekend afternoon writing instead of playing, and I’ll never play the game when my kids are awake to ensure I spend as much time with them as possible, and I will strictly enforce this schedule and stick to the path and not stray, because I am a grown man with adult responsibilities and free will.

And just like that, I am flushed with dopamine, listening to some of the most sublime free jazz you have ever heard in your life.
f0rrest: (Default)
It was a gray day. I had spent most of the early afternoon trying to write something, but my head was full of clouds as dark as those outside, so I ended up deleting about two thousand words and playing Zelda until my son woke up from his nap. After an hour of play and Paw Patrol and lunch, my son grew restless and unhinged, so I decided to get us out of the house, go to the playground, so I buckled my son up in his overly complicated car seat, got in the driver’s seat of the Toyota, revved up the engine, played “Nice to Know You” because I was on an Incubus kick again and it's like one of the best songs ever recorded no joke, backed out of the driveway and avoided ducks wading in a pool of hours-old rainwater while doing so, and then floored it out of the neighborhood at a brisk five miles per hour, stopping at all neighborhood stop signs and causeway traffic lights like a law-abiding citizen, passing all sorts of barely drivable junkers and politically incorrect bumper stickers along the way because this town is southern as hell but that's OK because I'm just trying to stay in my lane here.

Singing along, “To obtain a bird’s eye is to turn a blizzard to a breeze,” I drove to the playground by the abandoned school, the one surrounded by two little league baseball fields that get used by the local church about twice a month, the one with the Coke-sponsored scoreboards quantifying every American boy’s dream of making it to the big leagues and getting out of this backwoods southern town, the one where homeless people take shelter in the dugouts overnight. It must have been about 4:30 p.m. Eastern time. The clouds were a dusty old quilt draped over the planet, everything damp, yellow, and pale. I unbuckled my son from his seat and let him run unfettered through the mostly empty parking lot. There were only two cars, mine and some purple van parked a few spots down. The playground was just a few feet away, one of those small kids’ playgrounds with low slides, protective railings, miniature rock-climbing walls, paths of colorful raised plastic, and safety swings that look kind of like those things they strap astronauts-in-training into, all enclosed by a tall wire fence, containing the boundless energy of youth. There were three other kids there, climbing all over everything. Girls, Hispanic, I think. As my son approached the playground gate, he veered off, like he always does, toward one of the empty baseball dugouts, determined to step on some used syringes or empty beer cans or whatever, which is when I caught up to him, placed a hand on his shoulder, and gently steered him toward the playground. And that’s when I saw her, standing there, right by the dugout nearest the playground.

She must have been around thirty years old. Hispanic. She was wearing a black dress, and her blue-black hair flowed waistward in purple highlights. She was holding her phone way out, pointing it at the empty parking lot for some reason, and she was standing behind one of those cheap folding tables you can buy at Walmart. She was totally alone. The table was decorated with black and orange paper tassels, pumpkins and bats made of papier-mache, Halloween-themed grab bags full of candy and snacks, a large basket tagged with the word RAFFLE stuffed with cheap pencils and a Nightmare Before Christmas thermos and some Keurig coffee pods for some reason, two books propped up on little wooden bookstands, and a sign that said BOOK SIGNING in edgy cursive font, hanging from the table with two pieces of clear tape.

And of course, I was instantly intrigued by this. I had so many questions. But, being kind of naturally standoffish and weird, and having to tend to my son, I tried my damnedest to seem disinterested, passed the BOOK SIGNING table, and made my way through the playground gate, closing it behind me. Then I proceeded to climb the playground equipment and chase my son around. We played for a good twenty minutes, but the whole time I was like compelled to look over my shoulder every few seconds at the book-signing table, where the woman in black was pacing back and forth, phone extended, presumably filming the parking lot, totally alone. The whole scene made me feel weird, sad almost, embarrassed in that sort of hyper-empathetic way you sometimes get when something is just so embarrassing that you yourself are embarrassed just by witnessing it. Vicarious embarrassment, cringe, fremdscham, whatever they call it. But I also felt a sort of kindred bond with this woman. After all, I also like to pretend that I’m a writer sometimes, so I sort of respect anyone who makes an effort to write, regardless of the contents of their writing. To me, the desire to write sort of elevates people, romanticizes them in my mind into a more thoughtful, interesting person. So there I was, contradictorily feeling both fremdscham and kinship with this woman, and this created a sort of dissonant pressure in my head, which eventually became so intense that I had to walk over and talk to the woman, so that’s what I did. I walked right up to her and said, in a blunt, almost dumbfounded tone, “What’s going on here?”

She lowered her phone and said, in a chipper tone, “Hello, thanks for asking, I’m having a book signing. I’m the author of two books. I write romance horror thrillers.”

I plucked one of the books off the stand and observed it closely.

SHADOWS BELOW
. The glossy cover featured a cloaked young woman standing in a dark forest. She wore a solemn expression and held a dagger real close to her chest. It looked like something you’d see on a high school girl’s Pinterest feed or something, that sort of brooding, semi-realistic, Twilight-esque artwork that may or may not have been AI-generated because like who can even tell anymore, the line between reality and irreality blurring more and more each day.

Then, awkwardly, and already knowing the answer, I said, “You wrote this?”

And that's when the woman's wine-colored lips curled into a smile. “Yep, that’s the first one. I’m almost finished with the trilogy.”

The book itself was thin, papery, light in my hands. I turned it over. It had a barcode and an ISBN number on it and everything. I wondered to myself if maybe she just came up with the ISBN number herself, like was any of this even legit or what? Is she just out here pretending to be a serious author? With no audience? Has she even sold one book? Don’t you need to like ‘graduate’ to book signings? Gradually work your way up to it? Don’t you need to sell at least a couple hundred copies? Don’t you need to be like an established author for people to even want a signature? I started thinking to myself, wasn’t she skipping steps here? The balls on this woman. What was she thinking? What truly motivated her behavior here? I found the audacity of this woman somewhat offensive but also somehow admirable. But that feeling of fremdscham was not going away, because despite her vaguely admirable qualities, there was something pitiful about the whole thing, but it was a sort of pity I could relate with, like the shared burden of authors unknown. And for some reason, I started thinking maybe she was actually like some sort of well-respected local author, because who in their right mind would be out here at an abandoned playground on a gray day holding a book signing event? I started thinking maybe she was an established author just having an off day or whatever, so I read the synopsis on the back of the book, hoping it would support my hypothesis, but lo and behold, it was riddled with grammatical errors.


“Never Sleep-some Secrets stay buried. Others wake you screaming.

When Luica Ashbourne returns to her hometown after a decade away, she finds more than dust and old photographs waiting for her, she finds the door to her sister sabine's room stilled locked, and her name still whispered in hushed tones. Sabine disappeared without a trace. Everyone has moved on.

Expect the house.

Except mirrors.

Expect Luica.

As buried memories resurface and old friends turn into strangers, Lucia begins to uncover the truth: what happened to her sister wasn't an accident and someone is willing to kill to keep it hidden. In a town that's forgotten how to speak the truth, Lucia will have to tear through layers of lies, family secrets, and her own fractured past to survive.

Because the dead don't rest.

And secrets never sleep.”



This was not helping. My fremdscham was worse, much, much worse, and now also mixed with something like disgust. “Expect the house,” it says. “Expect Luica,” it reads. I mean, did she even proofread any of this? The blurb on the back of a novel is like the solitary draw of the novel, the hook to catch the reader, and she didn't even bother to proofread it? I mean, was the character's name “Luica” or “Lucia”? And “Expect the house”? Are you fucking kidding me right now? I mean, I get it, I'm dyslexic, I mix up “expect” and “except” all the time, among a whole slew of other words, but this is a printed novel, something for people to take seriously, so wouldn't you extensively proofread the thing before publishing it? I started getting kind of pretentious, like does this woman even care about the craft? Is this some sort of joke? I wanted to get in my Toyota and punch the gas, get the hell out of there, make it all go away before I accidentally said some real nasty shit to her, but I felt locked in at this point, unable to escape, and I could hear my son having a blast, screaming his head off with the three girls behind the locked gate of the playground, so I had no legitimate excuse to remove myself from the situation. And after a long period of silence, all I could think to say was, “How long have you been writing?” which was a sly question asked almost solely from a place of mean-spirited judgment.

“About three years. I love writing.”

Her tone diffused my annoyance somewhat. Despite her black dress, goth makeup, and combat boots, her tone was actually quite cheerful, and her aura was very pleasant. She spoke in a matter-of-fact way but had some sort of speech impediment with her S’s going on, which I found to be endearing. She watched me with big, brown, expectant eyes. She was very still but gave off a sort of nervous energy. She seemed to be out there, at the book signing, at the playground by the abandoned school, totally unaware that this was like objectively the worst possible place to have a book signing, because like what is the audience you’re trying to target here, toddlers? And yet there was nothing furtive or creepy about her. She seemed confident in herself and what she was doing.

At a loss for words at this point, I started flipping through pages of SHADOWS BELOW. “Sabine vanished on a warm July night with no shoes, no phone, and no goodbye.” The formatting was awful. There were no line breaks between paragraphs. It was almost all dialogue, no descriptive text or mood-setting or anything, and the dialogue was neither line-broken nor consistently housed within quotation marks, and not in a stylistic way, but in a careless, inept way. The text was filled with ellipses and cliches. It read like some sort of high school girl’s Buffy the Vampire Slayer fan fiction. “Some monsters don’t knock. They bled through the walls.” Her tenses were all fucked up. There were several instances of repeated pronouns at the beginning of sentences. Words were consistently misspelled. Whole chapters were just walls of text. I felt my fremdscham growing, my eyes widening, as I flipped through those pitiful pages. There were like three or four spaces at the start of every sentence for some reason. Em dashes were often used in place of commas. She constantly misused “there,” “their,” and “they’re.” The book read like it was written by someone who barely knew English, frankly. She obviously didn’t know the difference between “its” and “it’s.” I felt my face turning red on her behalf. She called herself a horror author, but the real horror was having to read her awful prose.

I put the book back on its stand, stared down for a few terrible seconds, then looked up at her with a forced blank expression on my face, trying to think of something to say that wasn't just flat-out mean. The whole time she was blinking at me with those big expectant eyes of hers.

Not knowing what to say, I said, “Anyone show up, you know, other than me?”

Her smile died for a second but came right back. “Yeah,” she said, sort of fidgeting, “a few people.”

She was obviously lying, but I wasn’t going to get into it with her, so I just asked, “What were you doing earlier, with the phone?”

“Oh, I was livestreaming, to Facebook.”

She was livestreaming to Facebook? To what, an audience of zero people? She was showing an audience of zero people on Facebook an audience of zero people at the abandoned-playground book signing? Was this like some sort of Schrodinger's book signing event or something? Some tree-falls-in-the-woods-with-no-one-around-to-hear-it type thing? Like, if no one shows up to the book signing event, and no one knows about it, then maybe actually the book signing event was a smash hit, because no one would know otherwise? I guess me and her being there kind of screwed that up, but the point is, what the fuck? All these incredibly judgmental, mean-spirited quips were running through my head, all while she was standing there, expectant eyes and all that, in her weirdly confident way.

Then she said, “So, did you like what you read of Shadows Below?”

And this was like a mental blow to the head, because no, I absolutely did not like what I read, but I didn’t want to crush this woman’s dreams, at least not out here at the abandoned playground with my son nearby, but I couldn’t not say anything, so I figured maybe I would let her down gently, and that's when I started rambling off the first things that came to mind.

“The thing about writing these days is that your work is probably going to be read by like two or three people, tops, and you're never going to get the recognition you think you deserve. That's just the sad truth of it. I mean, like, I read that the latest Battlefield game sold more copies than all of the books sold in the United States in 2024. Isn't that crazy? People are reading less and less. They're turning to these like quick-hit entertainments, stuff they don't have to think about too hard, you know? You can fact-check me if you want, but I think the Battlefield thing is true. Writing is just not the enterprise it once was. So, like, if you're trying to get famous on like BookTok or whatever, it's probably not going to happen. Reading is like a dying form of entertainment, and writing is a dying craft.”

Her smile was quivering at this point, cracking, starting to break, but I just kept going for some reason.

“That’s just something I’ve had to come to grips with, you know? Do I want people to read my writing? Sure. Do I want them to say it’s amazing, the most genius thing they’ve ever read? Yes, deep down I do. But I know it’s not going to happen. It’s a stupid dream, is what it is. And it’s sort of discouraging to think about, it really is. I’m not going to sugarcoat it here. Your books, probably no one is going to read them. That’s just how it is. Maybe your best friend might read them, maybe, but more likely they’ll just tell you they read them when they really haven't, to like make you feel better or whatever. There are also a bunch of free tools out there for spell check and grammar check nowadays that people who do read expect a certain level of polish to the writing, you know? Your stuff has to be readable, is the thing. Not that your stuff isn’t readable, I’m just, like, saying, it has to be readable. You can’t like mix up the tenses and use past perfect incorrectly and screw up ‘their’ with an I E and ‘they’re’ with an apostrophe R E, or else the people online are going to eat you alive. I’ve learned this the hard way, believe me. It’s not pretty. That’s all I’m saying.”

Her smile was no longer a smile but a sort of seriously straight line. She seemed to be listening very carefully. Her big expectant eyes locked on my face. So I kept going.

“So there are, like, two things working against the aspiring writer these days. The first thing is, like, one, it might be easy to start writing, but writing is very, very hard, there are rules at play here that are both punishing and difficult to master, and then, once you know those rules, knowing when to break them takes a whole ‘nother level of skill. I’m talking years of practice. And the second thing is, like, two, you’re not going to get famous writing, no one is going to care, no one is going to read your shit, and by ‘no one’ I mean, like, ‘not many people,’ you know? You’re not going to get famous writing. It’s just not going to happen. I mean, like, the best you can probably hope for is someone significant discovers your stuff after you die and suddenly you’re like posthumously famous, but of course you’ll never know because you’ll be dead. And there’s always going to be people out there that tear your stuff down, laugh at you, call your work shit, and that hurts. It hurts a lot. You know? Taking criticism is really hard.” 

She had averted her eyes to the table at some point during my ramble, so I had no hint as to what she was thinking, but I kept going anyway.

“But the thing is, and this is the kicker, I think, the thing is, if you still choose to write, despite knowing that it’s hard as hell, despite knowing that you’ll likely never become famous doing it, despite knowing that people are going to tear you down, if you still choose to write, despite all this stuff, then maybe that’s what makes someone a real writer or whatever, you know? Maybe that’s the hallmark of a true writer. I don’t know.”

She was still looking down, at the table, nodding her head in a sort of contemplative way, like she had paid full attention and was internalizing everything I had said, even though I felt like I was being kind of a pretentious asshole, because I kind of was. Then, after a few seconds, she looked up at me with this sad, pensive look on her face. But she didn’t seem sad herself, more like she felt sad for me, like she actually felt sorry for me or something, and that caught me off guard. I was at a loss for words. And it was around this time that I heard my son shout, “DADDY, DADDY, COME LOOK,” so I waved my hand at the woman and said, “Anyway, sorry for rambling. Good luck with your books,” then started to turn toward the playground, but as I was walking away, she shouted, “HEY,” so I turned around and saw her holding a book out to me, and that’s when she said, “Please, read the back of this one.”

So I stepped up to the table, took the book from her hand, SECRETS NEVER REST, which featured the same semi-realistic, Twilight-esque, possibly AI-generated woman on the cover, flipped the book over in my hands, and started reading the description on the back.


“This story was born from late nights and quiet questions about memory, about home, about what it means to lose part of yourself and still fight to reclaim it. Vaela's journey is one of courage, but not the loud kind. It's about the bravery it takes to return to the places that hurt you, to face the shadows of your past, and to choose your own future.

Through Vaela and Sabryn, I explored the strength of sisterhood, the complexity of identity, and the danger of buried truths. Magic is real in this world but it often looks like love, grief, or memory. Writing this book helped me understand that stories are how we pass down our fire.

I hope this one lights a spark in you, too.”



And that’s when I bought signed copies of both of her books.

time

Oct. 25th, 2025 02:08 pm
f0rrest: (Default)
About a month ago, I started wearing an analog watch, a men’s Timex Camper Military Field watch. Its round, low-profile design appealed to me. They stopped manufacturing these watches back in the ‘80s, so I couldn’t just go to the Timex website and buy one, I had to purchase one used from eBay. The watch passes an electric current through a quartz crystal that vibrates at a frequency of thirty thousand times per second. It keeps very precise time. The outer chassis is dark brown and smooth. The watch face is black with the words TIMEX QUARTZ at the top and a symbol for water near the bottom, indicating a certain level of waterproofing. The hands are white but coated in some sort of green glow-in-the-dark material, presumably so soldiers could keep time in a foxhole. In very quiet rooms, I can hear it, the passing of time. Tick tick tick. “Cesium atoms absorb microwaves with a frequency of 9,192,631,770 cycles per second, which then defines the international scientific unit for time, the second.” The strap is navy green and deteriorating, indicating a very used, timeworn watch. I sometimes wonder if this watch was worn by a soldier, if that soldier ever erased someone while wearing it, and if so, which numbers the hands were pointing at when that all went down. Do different people experience time differently? “Gravitational time dilation is a form of time dilation, an actual difference of elapsed time between two events, as measured by observers situated at varying distances from a gravitating mass.” The mayfly dies in a day, does that day feel like forever? “The lower the gravitational potential, the slower time passes, speeding up as the gravitational potential increases.” If I flung myself into a black hole, would my time stretch to infinity? What does time feel like? Does it stop for the dead? How would we ever know? I often wonder what that soldier would think now, now that some civilian is wearing his watch, would he be offended, pleased, nostalgic, would he experience some post-traumatic stress response, would he even remember? I don’t know. Where does the time go? I’m not into military stuff. I’ve never even held a gun. The first time I saw this watch was on the wrist of one MacGyver from the ‘80s television show MacGyver. It was then I knew that I had to have this watch. It was not only an aesthetic thing, but also a sentimental thing. My grandma and I used to watch the show all the time when I was a young boy. She barely remembers that, her mind and body now ravaged by the passing of time. Tick tick tick.

“Time, he's waiting in the wings. He speaks of senseless things. His script is you and me, boy.”

You will never truly feel the passing of time until you have children. This is a bold claim, I know, but it is one I fully believe. You may think you feel the passing of time now, but you will never truly feel it until you have a child of your own. No one knows the passing of time better than a parent who has discarded an old toy. The first haircut. The second haircut. The third. Tick tick tick. Dismantling the crib, replacing it with a full-sized bed with protective railings. Putting old stacking blocks and miniature farm sets and wooden alphabet puzzles in cardboard boxes. Donating the remnants of youth to Goodwill. Selling the old changing table on Facebook Marketplace. Tick tick tick. Looking at pictures taken just months ago. “When did he get so big?” The first word. The second word. The sentence. “Where did the time go?” Where does the time go? What happens to it? Do we live only in the present? “Time is probably the most measured quantity on Earth. It tells us when to wake and when to sleep, when to eat, work and play, when buses, trains and planes will depart and arrive. It helps organize and coordinate our lives.” Did the past even happen, what if we forget? Is it all relative? Semantics? Graduating from a high chair to a small table to a full-sized table. Baby formula to cow’s milk to juice and so on. Mush to hard food to Happy Meals and so forth. The first smile. The first laugh. The first steps. Diapers to pull-ups to whitey tighties to boxer shorts. Tick tick tick. “Ball” to “daddy” to “I love you” to “I hate you” to “I'm sorry” to “I'm getting a job” to “I'm moving out of the house” to “I’m getting married” to “I’ll take care of you now, Dad.” The last smile. The last laugh. The last steps. When will we know? Will we ever know, when our time comes? My twelve-year-old daughter wants so badly to be eighteen. She applies makeup and talks on the phone and wears band t-shirts for bands she doesn’t know a single song by. She is excited about getting her first period. She has no appreciation of her youth, resents it almost. She has no idea. Late at night, when I lay in bed with my two-year-old son, helping him fall asleep, I can hear the Timex, tick tick tick. “What’s that?” he says. “That’s just the passing of time, son.” Then I play rain sounds from the Smart Speaker so that he doesn't have to hear it. Tick tick tick. He liked Sesame Street, then he liked Little Bear, now he likes Paw Patrol. He's getting into Power Rangers. I have to buy him new clothes because his shirts are getting too small and his pants are becoming too tight. Pencil marks on the wall, tagged with name and date, progressively getting taller. When he blows out the candles, we celebrate out loud, but we mourn inside. He used to say mama and dada, now he says I want, I want, I want, give me that, mine. He's becoming less cuddly, more cautious, more aware. My daughter wouldn't be caught dead giving me a hug in public. She winces when I say “I love you.” The tragedy of youth is that they never appreciate it, the mercy of youth is that they have neither the experience nor the foresight to do so. They live in the moment, never dwelling on the passing of time. Imagine how awful it would be, to be young and obsessed with the passing of time, tick tick tick, always aware of your own youth slipping away. Muscles aching, wrinkles forming, thoughts muddled and confused. The young are spared this psychic dread. This comes later. I see it in my son’s deep blue eyes. A nascent spark, an intelligence just flickering into existence, soon to become a bright flame. He doesn't know it yet, but he will. Tick tick tick. Soon, it will show him.

And I’m so sorry.
f0rrest: (Default)
For a few autumn months there during the COVID-19 pandemic, I drove a 1998 Volvo V70 GLT.

It reminded me of a boxy silver caterpillar. It was all segmented and rode real close to the ground. It had elongated rear lights composed of several smaller square lights, like a pair of compound eyes. It also had cat-like features. Its front-facing car face was a cat face. It had big feline headlights squinted on either side of an oversized grille reminiscent of the mesh of a wet cat nose. Below the grille was a slightly curved line of black open space, like a neutral but satisfied feline expression, as if it had just filled itself on treats and nip or something. The back hatch opened to a significant amount of storage space. It had that distinct nineties car smell, the kind of smell that, due to the breakdown of dead animal matter, only gets stronger as time passes. You could practically see the warm musty leather smell billowing out in thick golden-brown clouds whenever you opened the doors. The front dash was all analog, with little plastic lines arcing back and forth for fuel usage and miles per hour. The clock had numbers made of those small green rectangles you see on ancient digital alarm clocks. There was no CD player, only radio and cassette, so I bought one of those cassette-to-AUX adapters to play music with my phone, and I'm still mystified as to how that actually works. Pushing down the gas pedal produced acceleration akin to a small fart that got louder the longer you held your foot down. It had no cup holders, so I had to order some cheap plastic inserts that fit between the seats. The brakes were flat-out dangerous. It ate batteries like they were Tic Tacs or something, which ended up costing me a small fortune. And I'm sure it failed all modern-day carbon emission tests. But the car was undeniably cool and retro.

I didn't drive the Volvo for long though, mostly because it seriously broke down only a few months after I got it, but also because it depressed the living hell out of me, because the car wasn't just undeniably cool and retro, it was also haunted.

Every now and then, as far back as I can remember, during the Thanksgiving-Christmas months, my father would take me to my grandma’s house up in Watkinsville, Georgia, to check in on old Rosevelyn. She lived alone in this three-story burgundy brick house on a hill off a side road miles outside of town. The house was photographic. Virginia Creeper crept along the walls, and fuzzy green moss grew between every brick. I imagined the house itself was averse to change, like an inert brick giant standing steadfast and tall against the tides of time, showing faint signs of age but still holding strong. The driveway ran beside a retaining wall that held back a raised lawn, leading to a basement garage that felt almost underground. You had to walk up loose brick steps to even get to her front yard, which looked down on the driveway from the brick wall, the top of which was covered in thick grass. As a child, I would T-pose myself perilously on the top of the wall, descend its elevation all the way to the end and back, and as a teenager, I would sit on the wall, legs dangling, Nokia phone in one hand, texting my girlfriend about how bored I was, and as an adult, I would stand atop the wall, pining nostalgically about how I used to do all those things. But from that high perch, regardless of era, one thing remained constant, Rosevelyn’s 1998 Volvo V70 GLT, parked in the shade of the towering oaks.

Rosevelyn had a driver’s license but hated driving, so from visit to visit, until I was like thirty years old, the Volvo never moved. It was always in that same spot, right up until her death.

The inside of the house was static. It was large but felt somehow small. The front door had a knob right in the middle, and the knob itself was surrounded by ornate gold trim, making it awkward to twist. The door opened to a large room with antique couches and a grand piano. It was more of a parlor, really. The room was sunken somewhat, with steps on either end, and it was long, so as a child I would run back and forth, sometimes stopping to play simple melodies on the piano. The parlor connected to both the living room and the kitchen, themselves connected without walls or doors between them. The living room was cramped, with an antique couch and some musty love seats and a television set all behind a standing screen, and there was a large sliding glass door on the far end that opened to a steep backyard that was unkempt and dotted with oaks. There was only one lamp in the living room, and despite the glass door being uncovered, it was somehow always dark orange and gloomy in there. A number of tables and shelves lined the walls, atop which were family photos and dusty tomes and knickknacks, particularly Hummels, of which she had hundreds, everywhere, some set up in little scenes behind an ornate glass cabinet. Angelic porcelain children laughing, tossing balls, and playing little flutes. There was a desk in the corner, near the entrance to the kitchen, where an old typewriter sat, surrounded by letters, stamps, and fountain pens. She seemed to be an avid writer but produced no notable works and never talked about it. As a young woman, she was a real estate agent, and, when she got much older, started working for my dad’s real estate company, but as far as I could tell, she didn’t do any actual work, although by her desk, there was an old wooden sign with CALL ROSEVELYN HARRISON 760-6231 in bright red font. That number connects to a dead line now. I imagine the sign was probably staked in a plot of land somewhere long ago, but by the time I was like ten, it had become just another relic of her past. There were little historical relics like this all over her house. The kitchen was full of them. The cabinets were filled with ancient tableware. Dishes and plates and bowls with all sorts of ornate trim and images imprinted on them, images in that distinct 50s-style Americana artwork with rosy-cheeked children with big dimples that looked both photorealistic and incredibly uncanny. These things held special sentimental value to her for some reason. The kitchen window stool was decorated with Santas and elves from bygone Christmases. There was no dishwasher, everything was done by hand. The kitchen sink was sunk into the counter and made from vitreous china. The silverware might have been actual silver. Some sort of elaborately patterned red cloth draped every surface. The pantry was full of years-old Little Debbie Oatmeal Cream Pies that she would offer me whenever I visited, regardless of my age, and they tasted great. I grew to love Oatmeal Cream Pies. Beyond the living room was a long hallway that connected to all three bedrooms in the home. There were no televisions in these bedrooms, only antique lamps with ornate shades and big mirrors and nightstands on which King James sat. My father’s old childhood bedroom had been turned into a guest room, but remnants of his youth remained. Baseball cards, sports memorabilia, an ancient radio boombox, loose cassettes from the 70s and 80s, and even some of his old clothing deep in the walk-in closet. I got the impression she kept these things as a reminder. That’s probably why the interior of the home hadn’t changed in decades. Maybe the permanence helped her in some way, made her less lonely. Maybe she thought if she just left things the way they were, she would never forget the past, never forget who she was, never forget what she did. Right outside my dad’s old bedroom was a big wooden door to the basement. As a child, looking down from the top of the long stairwell, it was like staring down into a monster’s den, so I never went down there. As a teenager, it was mysterious and alluring, so I would work up the nerve to creep down the creaky wooden steps, but when I got to the very bottom, I would get spooked due to the lack of light and quickly climb back upstairs, feeling as if a ghost was on my back the whole time. As an adult, I would stare down that dark stairwell and see nothing but an existential void. At least that’s how it felt the last time I was there, at the estate sale.

Sometime in October 2020, I was in my office playing video games, and I received a call from my dad. He usually started every call with some comment about how I hadn’t called him in months, but this time, in a solemn tone, all he said was my name. Forrest.

I thought maybe he was joking around, so I said, “Dad.”

“Your grandma’s in the hospital.”

“Is she OK? What happened?”

“She fell down the basement stairs.”

“Is she OK?”

There was a weird silence. I couldn’t even hear the normal background static, like he had covered the phone’s microphone with his hand or something.

“Is she OK?”

“I hadn’t heard from her in almost a week.”

“What do you mean?”

“She fell down the stairs, Forrest.”

“I know, you said that.”

“She was down there for days.”

Something happened with my stomach, like a phantom had reached through my flesh and twisted at my insides or something. Some horrible revelation reached my body before it had reached my mind, and when my mind caught up, I stared off into the wall, wide-eyed and speechless.

“She was down there for days, Forrest.”

“I… I heard you.”

“I drove down there. To her house. To check on her. The Volvo was still there. All the doors were locked.”

“How did you get in?”

“I went to the basement door, the one by the garage.”

There was another long pause. This time I heard something like a forced cough. When my dad returned, his voice was shaking.

“I looked through the window, the one on the door,” he said, pausing again.

“OK, what did you see? What happened?”

“It was dark, Forrest. I didn’t see anything. But it felt weird. Something was off. I got this feeling in my stomach, you know the one. And I don’t know what I was thinking, but I punched through the glass, cut my hand all up.”

“Are you OK?”

“That doesn’t matter.”

“...”

“I punched through, unlocked the door from the inside, let myself in. Then, first thing I did was, I went to the stairwell to go upstairs. It was dark. I had trouble finding the light switch, but I knew it was at the bottom of the stairwell.”

“Dad.”

“When I turned the light on,” he said, pausing.

“It’s OK, Dad. I don’t need to know.”

A long silence followed this leg of the conversation. I didn’t know what to say. I thought about Rosevelyn tumbling down the dark stairwell, alone, landing on the hard concrete floor, not being able to move, just lying there, maybe a broken leg or a broken hip. I didn’t want to know. Why was she going down there to begin with? What was she thinking? I thought about her just lying there, her body twisted and mangled, screaming out for help, no food or water, writhing in pain, for days. The thought of it made me sick. I started feeling terrible for having not spent much time with her. I never called her. I never sent cards. I never wished her a happy birthday. Nothing. When I was a kid, I thought she was boring. When I was a teen, I thought she was boring. When I was an adult, I told myself I was just too busy, too busy to care. And then I started feeling bad for feeling bad, like how selfish am I just thinking about myself here when she was the one down there writhing in pain at the bottom of a dark stairwell for days. And I couldn’t even imagine how my father was feeling. I had never lost a parent before. I didn’t know what it was like. There was no way for me to empathize. I didn’t know what the hell to say to him. There were no words. I started wondering what was going through Rosevelyn’s head when she was down there on the concrete. I wondered if her life had flashed before her eyes, like they say. I wondered if she had thought about me, how I never called, how I never seemed to care. I wondered if she had cursed me in her mind. And then I started feeling bad about making this all about me again, and then I started feeling really bad because I had started thinking about her Volvo. My car was a wreck. I needed a new car. I wondered if I could maybe have her Volvo. I don’t know why I thought this, but I did, and it made me feel really bad. It made me feel so bad that I closed my eyes shut for what felt like ten minutes. I breathed in, breathed out. I tried to stop myself from thinking about myself. Then I started thinking if she had been angry down there, angry that after 84 years it had to end this way, alone at the bottom of a stairwell. She was a Christian woman. I knew that. But I wondered if, maybe, down there on the hard concrete, I wondered if maybe she had been angry with God for doing this to her. Or maybe not. Maybe she was faithful until the very end. Maybe this was all part of God’s plan, maybe that’s what she had thought down there while she was splayed out, unable to move, on the hard concrete, in total darkness. I don’t know. Maybe on the way down, maybe she just hit her head, passed out. Maybe she just dreamed a pleasant dream the whole time. Maybe her mind went into self-preservation mode, flipped off her consciousness, flooded her body with endorphins, put her to sleep, made her dream a pleasant dream. Maybe she dreamed of my father as a young boy. Maybe her death came so swiftly that she didn’t even know it was happening to begin with. I stopped thinking about the Volvo. I started thinking that maybe she hadn’t felt any pain, and this thought made me feel a little better, until I remembered what my dad had said about Rosevelyn being in the hospital.

I’m not sure how much time had passed since we last said a word to each other, but when I broke the silence, I said, “How’s she doing, you know, in the hospital?”

“She’s in a coma.”

“How quickly did it, you know, happen?”

“What do you mean?”

“I mean, was she conscious the whole time, or did she, you know, did she pass out?”

“I don’t know.”

“What about the doctors? What are they saying?”

“They don’t know either.”

There was another silence, shorter this time.

“I want you to come down in three weeks,” my dad said, his voice lower than before.

“To see her, in the hospital?”

“No, for the funeral.”

“But she’s alive, I thought.”

“She is.”

“...”

“I don’t know, Forrest.”

“What do you mean, you don’t know?”

“I just don’t know, son.”

“Tell me, Dad.”

“I have to go now.”

“Wait.”

“I’ll send you the date.”

And then the line went dead.

My father gave a speech at the funeral. I recited a poem. I don’t remember the details all that well. It was an open casket. Rosevelyn was on display for everyone to see. But she wasn’t herself. Her face was weird, waxy, made up. Her prominent jowls had been removed somehow. She did not look like the Rosevelyn that I knew. I had to look away. It was perverse, in some way. Disrespectful, almost. But no one else seemed to mind, so I didn’t say anything.

Later that day, my dad drove me to the old house on the hill to pick up the Volvo. The driveway was packed with cars. We walked up the loose brick stairs to the front door, which was wide open. Two large men with tattoos were carrying an antique couch through the door. We slid past them. There was a crude cardboard sign in the parlor. ROSEVELYN HARRISON ESTATE SALE. All sorts of people were going from room to room, picking things up, examining them very closely. My father and I walked through the house. There were price tags on literally everything. Little handmade yellow price tags. Some of the Hummels were going for $50 a pop. The antique Santas in the kitchen were $25. The 50s-era dishware ranged from $2 to $10 apiece. The loveseats were $75. Everything had a price. It was perverse. I remember being personally offended, walking through that house. I felt like they were selling pieces of Rosevelyn’s soul or something, like the estate sale company or whoever had organized this had no regard for human life, like they didn't care who Rosevelyn was as a person. As if the moment she died, they swooped in like vultures, tagged every part of her with some arbitrary number, and then opened her soul up to the public and said, “Feast, my pretties, to your heart’s content,” all to make a profit. It was sickening to me. It was gross, disrespectful, and consumeristic. I couldn’t fucking stand it. And when my father and I made it to his old bedroom, where I saw those yellow price tags tacked onto all my dad’s old stuff, I couldn’t hold it in any longer.

I turned to my dad and said, “Who would fucking do this?”

And he said, “What do you mean, son?”

“What sort of asshole would just sell all of Rosevelyn’s stuff like this? She collected this stuff. It was important to her. It had sentimental value. They’re even selling some of your old stuff, Dad. Don’t you care about that? It’s fucking greedy, and gross, that's what it is.”

“I did this.”

I paused for a moment. I think I even did a double take. I wasn’t sure what I was hearing. “What?”

“I hired the estate sale company.”

I couldn’t believe what I was hearing. “What? Why? Why would you do that?”

A small family entered the room. A woman started rummaging through the closet. A man was examining the boombox. A young boy was cycling through baseball cards. My father and I were just standing there, watching this unfold. I was shaking. Something like self-righteous fury had consumed my soul. My fists were clenched. I felt like I was about to scream.

Trying to contain myself, I turned to leave the room.

But just as I was about to leave, my dad stepped into the doorway, blocking me, then he placed a hand on my shoulder and said, “None of this is important, son. Rosevelyn’s not here anymore.”

I looked him straight in the face, thinking like duh, obviously she’s not here anymore. What do you think I am, stupid? I’m a grown thirty-year-old man. Don’t patronize me, asshole. Get the fuck out of my way.

Then he placed a hand on his chest and said, “She’s in here.”

Later that night, I drove home in Rosevelyn’s 1998 Volvo V70 GLT.
f0rrest: (young link amazed by ocarina)
To hear my dad tell it, I learned to read by playing The Legend of Zelda: Ocarina of Time, or so the legend goes.

I must have been like seven or eight or something. I have a hard time remembering that far back, but things come to me in flashes, like a movie montage of disparate events that all occurred somewhere between 1997 and 2000, playing to the background music of whatever my dad was listening to on 99X in his jellybean-shaped Ford Taurus. Stone Temple Pilots, Matchbox Twenty, “Bullet with Butterfly Wings,” Spin Doctors, “Even Flow,” that sort of stuff. Climbing on top of the slides at the playground at the park where my sister played softball while a wicked sunset was going on so everything was dragonfruit pink and cobalt blue and on fire. Time felt different, longer, more mysterious, mystical almost. My parents were still married. “Name” by The Goo Goo Dolls played on MTV a lot. Happy Meals cost like $1.50 and came with high-quality Power Rangers action figures with accessories. The food tasted better. I had a frankly embarrassing haircut that involved a bowl and kid-safe scissors. I would play Power Rangers out in the field by the haunted house with the other suburb kids. Space Jam featuring basketball legend Michael Jordan was heavily advertised, I remember. Special Ed classes and frequent parent-teacher conferences. Pokemon cards and fucking Crazy Bones, if you remember those. After-school programs. That one time I drank a whole gel pen and the teacher had to call poison control. I remember seeing a movie in the theater was like a bona fide special event and the next two months were colored by that movie as if everything in your life took on some aspect of that movie. PE teachers played “Cotton Eye Joe” at max volume over the gym loudspeaker while kids pelted each other with hard foam balls. Blue’s Clues in the mornings, Dexter’s Lab and Johnny Bravo and Powerpuff Girls in the evenings. I’d see scary witch faces in the darkness behind my eyelids at night, so I’d climb out of bed and go sleep in my sister’s room, which she hated. I would get like two dollars a week for allowance and thought that was a lot of money and spent that money at the comic book store in the strip mall that I could walk to through the backwoods area of my neighborhood, and my parents were totally fine with that for some reason. I couldn't read the comic books but loved the artwork. My dad made me play every little league sport imaginable even though I had no interest or aptitude in sports, and one time in the outfield when I was playing baseball a pop fly literally crash-landed into my skull and knocked me out for a good whole minute, and when I came to and my dad asked me, “Son, what were you doing out there, didn’t you see the ball, we were all shouting at you,” I simply responded, “I’m sorry, Dad, I was thinking about Zelda.”

I remember the first time I ever laid eyes on The Legend of Zelda: Ocarina of Time. It was around this same epoch of my youth, at the Media Play, which was a few miles from my home, located in this giant strip mall near the movie theater. Media Play was this big white stucco warehouse-type building, a little smaller than a Walmart almost, with the words MEDIA PLAY in massive red LED channel letters high above the pneumatic double doors, and between MEDIA and PLAY was an image of the store mascot, a face made from an open green book with eyeballs made from a pair of red musical eighth notes, which looked very cubist and robotic. I must have been seven or eight or nine or something. My dad had taken my sister and me to Media Play to buy a new video game console because we had been bugging him for months to get one. The inside of the store was massive, with rows of ground-level shelf wiring for all sorts of entertainment, electronic or otherwise, like CDs and cassettes and VHS tapes and video games and books and even manga, and I remember the ceiling of the store was like this exposed web of steel beams on which hung fluorescent tubes that bathed the whole store in preternatural white light. My dad gave my sister and me the choice between the Sony PlayStation and the Nintendo 64. My sister was dead set on a PlayStation because this boy she hung out with in the neighborhood had Need for Speed II, and they would play it all the time, and she wanted to like fit in or whatever. But I wasn’t sure which console I wanted. The console we had back at home was the Sega Genesis, and I mostly played Sonic the Hedgehog and the 6-Pak on it, and I wanted something like that, and for some reason I had it in my head that the PlayStation was more akin to the Sega Genesis than the Nintendo 64 was, so I was leaning PlayStation. But at some point in the decision-making process, I had wandered off and ended up in the Nintendo section, which actually had its own section for some reason, and in that section, I came across a display cabinet that changed my life.

The cabinet itself is hazy in my memory, but I remember it was dark, woody almost, with curly gold lettering running along the thick wooden side bezels, and it had a large CRT monitor inlaid in the upper portion, and above that, situated on the very top of the cabinet itself, was this golden triangle thing, and the cabinet was double my prepubescent height, so I had to tilt my head pretty much skyward to see the thing in full. There was a single three-pronged controller poking out of the wood, about chin level with my adolescent self. The monitor was playing a scene of a green-clothed man wearing what looked like an elf’s hat, riding a horse through a twilit field while a huge full moon hung in the background. Back then, I wasn’t very attuned to music, but even then I could tell that the cabinet was emitting some of the most beautiful noises I would ever hear in my life. The soothing sounds of synthesized harp arpeggios over a flute melody that sounded like some sort of majestic owl holding its hoots for as long as possible over the ambient noise of hooves clomping and water flowing in a tranquil stream, all calling out to me. I stood there for a few minutes, totally entranced, just watching the green man ride his horse through that twilit field, until eventually I lifted my arms skyward, gripped the controller with both hands, lifted my head up over the thing so I could see the buttons, and pressed down on the big red start button, at which point a dark harmonious jingle sounded and the monitor switched to demo scenes of the same green-clothed man fighting lizard warriors and ghosts and giant super bosses, and then it showed the kid version of that man doing very similar things, and I was totally enthralled by this and at that moment knew I absolutely needed whatever this game was in my life, so when the Nintendo 64 logo popped up on the screen alongside the name of the game, which I couldn’t actually read because I had been diagnosed with dyslexia and had problems with phonetics and couldn’t actually read, but I knew my console-branding logos very well because I loved video games, I quickly released the controller and ran off through the store to find my dad.

When I found my dad, I grabbed him by the hand and dragged him to the magical cabinet I had found and then said, “I want this, I want this, I want this,” over and over until my dad, who was actually a big Mario fan, having played the original games in college obsessively, nodded and turned to my sister, who was arms-crossed and full of blossoming teenage angst, and then he, my dad, asked her what she thought, and at first she disagreed until both my dad and I wore her down, at which point she sort of threw up her hands and said something like, “Whatever,” so my dad flagged down an employee, asked the employee to “get one of those Nintendos and a copy of whatever that game is in the wooden display kiosk my son keeps going on about and a copy of Mario 64 and that Mario racing one too,” the latter of which my sister had picked out, and about an hour later we were back home in front of the old boob tube hooking up the old yellow, white, and red.

Days turned into weeks, and I was hooked on The Legend of Zelda: Ocarina of Time. I played it obsessively whenever my dad wasn’t playing Mario 64 and my sister wasn’t playing Mario Kart. The game blew my little adolescent mind. I got lost in the world of Hyrule, which to little seven-or-eight-or-nine-year-old me felt like a real place with its realistic graphics and its dynamic world and its day-night system and its massive open areas to explore. I skipped all the text because I couldn’t read, but through sheer perseverance and some luck, I managed to complete the Deku Tree and Dodongo Cavern dungeons. I related to the main character, Link, who was like seven or eight or nine himself, and whenever I couldn’t play the game, I was often pretending to be Link, swinging around whatever long sword-like objects I could find, imitating Link’s horizontal sword slashes and vertical sword slashes and that iconic hi-yah jump-slash attack, making the noises and everything. But I couldn’t read, so at a certain point, I was stuck. Weeks turned into months and now my daily play sessions of The Legend of Zelda: Ocarina of Time consisted of wandering around Hyrule Field, defeating skeletons and blowing up stuff, doing the same thing over and over, which kept me entertained for a little while, but eventually I grew confused because I couldn’t figure out where to go next because I couldn’t read, and eventually that confusion turned into boredom, and eventually I slowly lost interest in the game.

Back then, my parents would work with me daily, trying to help me learn how to read better. I could read a little bit, but certainly not at the reading level of the average kid my age. Back then, reading simply didn’t interest me, and if something didn’t interest me, I didn’t care, but if something did interest me, I would hyper-fixate on that thing until I wore it out. I was in special education classes for this very reason. Whenever my parents would sit down to teach me how to read better by practicing phonetics and reading me simple books and sounding things out, I would pretty much immediately zone out, and then my attention would wander to something that did interest me, like my action figures or my Legos or my video games, at which point my parents would give up for the day, letting me do my own thing because I was quite emotional as a child and would literally scream my head off if I was forced to do something I didn’t want to do. Of course, my parents would try to help me with reading the next day, but the same thing would happen, so they’d give up and try again the next day, and so on.

To hear my dad tell it, at a certain point, after so many failed attempts at teaching me how to read better, he became discouraged and was starting to believe that I had a serious incurable mental problem and like “why even try with the boy?”

That was until one day when I was in the living room sitting on the carpet in front of the old boob tube, wide-eyed and transfixed by The Legend of Zelda: Ocarina of Time, when my dad sat down next to me on the carpet and asked what I was doing. I said I was playing Zelda. He said something like, “I can see that, but what are you doing, you know, in the game?” And I said something like, “I’m fighting skeletons.” And he said, noticing that I would fight skeletons a lot when I played Zelda, “Is that all you do in this game, fight skeletons?” And I said, “No, there’s lots of stuff to do, I just don’t know how.” And he said, “What do you mean, you don’t know how?” And that’s when I told him I was stuck. I told him I beat the big spider in the tree and the giant lizard in the cave and now I was stuck. I told him I didn’t know what to do. He just nodded and watched as I vanquished skeletons until the sun rose over Hyrule and there were no more skeletons to vanquish, at which point I was just wandering Link all over Hyrule Field, not really doing anything, until Navi, Link’s little fairy guide, said HEY LISTEN and pulled me into a dialogue with her. Naturally, I skipped all of Navi’s text and then kept wandering around until a few seconds later when Navi said HEY LISTEN again and pulled me into yet another dialogue, which I also skipped, but this time my dad, who was curiously watching me at this point, said, “What did she say? Maybe she's telling you what to do.”

So I turned to my dad and said rather pathetically, “I don’t know, Dad, I can’t read it.”

He smiled softly and said, “But you want to beat the game, right?”

So I said, “Yeah, I do, I want to get all the stuff and beat the game.”

And just then, Navi said HEY LISTEN again, and the text box was back up on the screen. I went to skip the text with the A button, but my dad placed his hand on mine, which froze me for a second, and then he turned to the screen and, presumably reading the text in his head, said, “Yep, she’s telling you what you need to do.”

So I started getting excited. “Tell me, tell me. What does she say?”

But my dad only shook his head, then he said, with that soft smile on his face, “Try sounding it out.”

And about a month later, I beat The Legend of Zelda: Ocarina of Time.
f0rrest: (Default)
My cousin is absolutely retarded.

Now that I have your attention, the word “retarded” is pretty interesting, because it's a good example of how language is ever-changing and fluid and societally constructed. Words and their meanings aren't just floating around out there in the ether. We make the words and we assign the meanings, and we change those meanings based on a variety of different factors. Nowadays, “retard” is a pejorative, a slur pretty much, an insult used to basically call someone a super idiot. The word “idiot” is interesting too, because that's another one of those words that highlights just how fickle language can be.

Until the 60s or so, the words “idiot,” “imbecile,” “moron,” and even “cretin,” according to Wikipedia, were widely used in the medical community to refer to someone with serious mental impairments, that is until mean-spirited people started using those words as general insults toward anyone they thought was annoying or stupid or whatever, at which point those words were reclassified as insults, after which the medical community came up with a new word to refer to people with serious mental impairments, that word being “retard,” that is until mean-spirited people started using that word to also refer to anyone they thought was annoying or stupid or whatever, at which point the word “retard” was reclassified as an insult as well, after which the medical community came up with yet new words to refer to people with serious mental impairments, those new words being “handicapped” and “disabled,” which have thus far withstood the pejorative tests of time, but it's really only a matter of time before mean-spirited people start using those words as insults as well, saying stuff like, “what are you fucking handicapped?” and “were you born disabled or what?”, and when that happens, the medical community will yet again have to come up with brand-new words to refer to people with serious mental impairments, and so on and so forth.

I'm of the opinion that any word we come up with for the mentally impaired will eventually be used as an insult, because it's just low-hanging fruit really, there are mean-spirited people out there, and no one wants to be labeled mentally impaired, so of course any officially dedicated medical term that refers to actual mentally impaired people will eventually be used as an easy insult by these aforementioned mean-spirited people, and these mean-spirited people aren't just going away anytime soon, so any mentally impaired classifiers we could possibly come up with are just kind of doomed to become pejoratives. The only solution here would be for people to just be nice to each other or whatever, but we all know that's a fucking pipe dream. But in the meantime, it's probably wise to steer clear of whichever words we societally designate as pejoratives, because, one, that's just the nice thing to do, and two, you wouldn't want someone to call you a “fucking retard,” so why call someone else one? The golden rule and all that.

So that brings us back around to my cousin, and why I'm calling him retarded. Because if I know, logically, that I shouldn't go around calling people retarded, then why am I so blatantly calling my cousin a retard? Like, what the hell’s wrong with me, right? Well, outside of the fact that I wanted an attention-grabbing opening line for this journal entry, the fact is, even if I were to call my cousin a retard to his face, he wouldn't understand what I meant because he is quite literally retarded. He is as retarded as they come. He is the prime specimen of retarded. He does not possess the necessary cognitive ability to know what words mean, much less even recognize that he himself is retarded. By the time he was like three the doctors had probably written something like “completely retarded” on his medical sheet. To this day, the doctors don't actually know what's wrong with him, just that something is seriously medically wrong with him. He walks around limp-wristed and flapping. He communicates by groaning and yelling and hitting and sometimes using one of those machines a really smart dog might use with big buttons that play pre-recorded messages like “Food please” and “I want to go outside.” As of typing this up, my cousin is thirty-five years old and still wears diapers. He often takes his clothes off and walks around the house fondling himself. He exclusively watches Disney films and gets violent when they're turned off. He was recently put on hardcore narcotics to control these violent outbursts, which puts him in a sort of light vegetative state. He is always dirty, with food and poop smeared all over his chest and face. 

So, if anyone fits the bill for retarded, it’s my cousin, because he's absolutely retarded. I mean, his own mother calls him retarded, if that tells you anything. My whole family, and my close friends, call him retarded, and sometimes we even make slightly off-color jokes at his expense.

Back when I was a young kid, I would live with my grandma during the summers, and eventually my aunt moved in and brought along her son, who is about my age and retarded, and I would share space with this retarded young man, who quickly became the focal point around which all things in that house swirled, because he demanded a lot of attention, on account of him being absolutely retarded. And when my aunt would go to work, she would hire a babysitter to watch her son, who she often comically referred to as retarded in the company of friends and family, and these babysitters were paid for by the government, through some disability program, but the babysitters were not always the most upstanding citizens, many came from sketchy backgrounds and had weird quirks and problems, like sneaking marijuana into the house then getting high in the backyard while they had locked my retarded cousin in his room, which is a huge no-no in the babysitting-mentally-impaired-people line of work, because the state government can and will take your mentally impaired children away if they catch you, or anyone else in your household, with illegal substances, so needless to say, many of these babysitters were very quickly canned, and sometimes it took my aunt a few weeks to find a new babysitter, meaning the babysitter would often end up being my grandma and me.

I would help my grandma feed my cousin, clothe him, make sure his diapers were changed, clean his poop off the walls, make sure he didn’t get out of the house and wander into the street and get hit by a car, hold his hand sometimes and take him on walks, ensure his pill regimen was properly digested, usually by mashing it into his food, make sure his Disney VHS tapes were properly rewound and replayed over and over, take him for car rides to calm him down when he got violent, and make sure the refrigerator and cabinets were all properly tied up with slip knots so that he wouldn’t get into everything and make a huge mess. And we did all this stuff until my aunt came home from work, at which point my grandma would go back to watching her old television shows and I would go back to playing my PlayStation and Nintendo 64 games. And we did all this without resentment or complaint, because, although absolutely retarded, my cousin was part of the family and he couldn’t help how he was born and we loved him, even if we sometimes referred to him as retarded and made slightly off-color jokes at his expense.

During those halcyon summers, I grew to enjoy my cousin’s company. Whenever he was gone, the house just felt weird. I remember he was always very receptive to physical greetings, like if I put my hand up in a high-five position, he would smack it really hard with his own hand, and then he would go back to flapping his arms around, groaning, and watching his Disney films. He always had this blank look on his face, like a sort of vacant stare, but whenever we did those high-five greetings together, I felt something shining through the retarded shell he was trapped in, something deeper than the body and the mind, something like his soul coming through whenever we did those little high-five greetings together, so I would do those greetings with him every time I entered a room he was in, to build a soul-bond connection with him. It got to the point where, whenever I came home from hanging out with my friends, if my cousin wasn’t in the living room, I would go to his room, the walls of which were covered top to bottom in Disney pictures, and his bed was covered in plastic so that it was easier to clean for obvious reasons, and I would do the high-five greeting with him there to help build the connection, before going back to playing PlayStation and Nintendo 64 games in my room, which was actually the garage because my old room was now my cousin’s room, which was something that I harbored no resentment or complaints about, because, although absolutely retarded, my cousin was part of the family and he couldn’t help how he was born and I loved him.

Back then, I was never embarrassed about my cousin. I never tried to hide him from anyone. A good friend of mine, Miles, would often come over to play Super Smash Bros. on the Nintendo 64 with me, and I remember the first time he came over, I hadn’t even warned him about my cousin, because I didn’t even think to do so, because my cousin was just such a normal staple of my life or whatever that the thought hadn't even crossed my mind that someone unfamiliar with him might feel a little uncomfortable. I remember when Miles and I got to my house, opened the front door, and there my cousin was, in the living room, flapping his hands and groaning while wearing nothing but a diaper, I said something like, “yeah, that’s my cousin, he lives here,” and Miles just curiously nodded, not saying anything mean at all, so I showed Miles how to do the high-five greeting, then we all exchanged high-five greetings, and then Miles and I went to my garage room and started playing Nintendo 64. This went on for many summers. Miles eventually became so close to my family that, after hearing my aunt refer to my cousin as retarded many times, Miles and I adopted this language and would casually talk about how my cousin was retarded, and sometimes we would even make jokes at his expense, as if we were just young boys teasing each other, and we did this, I like to think, because we both saw my cousin as a friend, a weird retarded friend, who was just born that way and couldn’t help it and it was whatever because we were all friends here and we had each other’s backs like friends do. We had brought my cousin into the fold of adolescent friendship, as one of the boys, so to speak, and although my retarded cousin could not comprehend that he was essentially one of the boys, I liked to think he could.

But one time, I remember, Miles and I were outside playing with this new kid, Jordan, and I had mentioned wanting to go back to my place to play some Super Smash Bros., not even thinking to mention to Jordan that my retarded cousin lived there too. It turned out that Jordan loved Smash Bros., so we all went back to my place to boot up the old N64, and after a long walk from the clubhouse playground, through the many verdant alleys nestled between the pale blue vinyl siding of cookie-cutter homes, we arrived at my place. Everything was going great until I opened the front door.

My cousin was in the living room, stark naked, pacing around in circles, touching himself with one hand and flapping with the other. I remember Jordan looked at my cousin with this frightened, disgusted look on his face, then looked back at me, then looked at my cousin again, then back at me one last time and finally said, “Who’s the retard?”

Miles and I went completely silent. It was as if a dark cloud had suddenly descended right over us. Eventually, I turned to Jordan, my eyes squinted and my eleven-year-old face just one big scowl, and I said, “What did you just say?”

Jordan repeated himself, “I said, who’s the retard? What’s wrong with him?”

I was pissed and shaking and wanted to scream in the kid's face at this point, but before I could do anything, Miles all of a sudden shoved Jordan’s shoulders real hard, knocking him over, and said,

“What’s wrong with YOU?”
f0rrest: (business time)
A few nights ago, I went to one of those fancy five-star Italian restaurants and ordered noodles with butter.

The dinner was part of this big once-a-year two-day company conference in Dallas, Texas, where us employees are expected to hype up our products and wear the suits and build the relationships and pretend we're happy to be there and wake up at like six in the morning because sessions start at seven and end at four at which point everyone goes out to wine and dine customers before sneaking off to seedy dive bars to get totally debauched, all at the company’s expense. 

It was one of those four-star hotel slash convention center tech conferences with keynote speakers and customer panels and announcers saying stuff like “now presenting, the chief technology officer of the best software company in the world, John Smith” over poorly chosen alternative college rock with lyrics that are probably critical of corporate stuff like this if you actually bother to read them and of course there’s breakout sessions and customer-appreciation parties and raffles and long hallways with lots of double doors each opening to identical-looking people behind podiums presenting criminally boring PowerPoints on massive pull-down projector screens, PowerPoints about product roadmaps and industry best practices and return-on-investment case studies, all to an audience of middle-aged middle-management people jotting down notes in cheap little company-branded notebooks between taking iPhone photos of the slides themselves and occasionally burying their heads into their laptops because they're so whipped by work that they’re double-tasking work shit while attending the conference itself. And of course I’m tasked to sit in on all these presentations, mostly to fill out seats, so I’m just sitting in the back row, bored as hell, people-watching, counting the number of laptops in each room for some reason, and, by my count, there must have been at least like a million dollars’ worth of ThinkPads and MacBook Pros in that hotel conference center over the course of those two days, the future e-waste potential kind of mind-boggling to think about.

Anyway. I went to the Italian restaurant on the first night of the conference. About twenty customers were there. My boss was there, too. I was business casual in a gray short-sleeved collared shirt and some long khakis and I had taken my little silver-hoop earring out the night before, because for some reason people still raise eyebrows at men wearing earrings, and I was sitting opposite my boss between two clients, one of whom was a conservative woman who kept going on about her five-year-old son being like totally gifted and having a killer six-pack, for whatever reason, and I knew she was conservative because, after a few glasses of wine, she was not shy about telling me, plainly, that she was a conservative, and that the recent news shattered her faith in humanity, but only in humanity on the left-leaning side of the political spectrum, who, according to her, were irrationally violent and trying to start a civil war and must be stopped at all costs, so of course I was nodding along and smiling and just going with the flow, not wanting to get into some stupid meaningless political debate with a middle-aged wino mom who doesn’t know what the word “objectivity” means. The second customer sitting next to me was this younger African American woman who worked for an online school and kept going on about how she’ll never send her kids to college because it’s a scam and they don’t teach you anything there that you can’t learn online, which I thought was just a little ironic. So of course I hate these dinners with a fucking passion because not only do I not fit in with most of the people who attend these things, but also, despite being surrounded by people on all sides, I always feel this expectation to be host-like, because technically the company I work for is the one hosting, so I always feel like I should be making banal small talk and cracking little jokes and schmoozing everyone, so that’s what I was doing, making banal small talk and whatnot, asking about peoples’ days and their flights and their kids and like what sort of stuff do you like to do in your free time, oh play pickleball? nice, very cool, all while pretending that I don’t think pickleball is just a pussified version of tennis. 

The whole dinner made me feel very fake, as these things always do, so I decided to be daring and, instead of coming up with some sort of lie to get out of eating the food, because I’m very picky, having the diet of like a literal toddler, that being like pizza and Kraft Mac and Cheese and fucking white rice, I decided to be true to myself and just order what I wanted to order, which was noodles with butter, the only thing on the menu that seemed remotely appetizing, and it wasn’t even on the main menu, it was on the children’s menu, so I was ordering from the fucking children’s menu at the five-star Italian restaurant, and instead of alcohol, I just got some water, because I hadn’t drunk alcohol in like a year, which was another thing that kind of separated me from all my peers here, all of whom liberally drink alcohol as a sort of social lubricant, which is something I just cannot do because I have serious addiction problems that can only be avoided if I just do not partake in the things I enjoy, otherwise I will partake in those things until I literally die. 

So, again, there I was, at the upscale and very sophisticated Italian restaurant, sitting at a lavishly decorated table with candles and bread baskets and shit, surrounded by clients, my boss sitting right across from me, me ordering noodles with fucking butter and a glass of water please, somehow having convinced my toddler-ass self that this whole ordering-off-the-children's-menu thing was a good idea.

And by uttering the words “penne pasta with only butter please,” I fear I may have unwittingly gaslighted my boss, because after ordering this very juvenile order at this very expensive Italian restaurant, my boss was looking at me with this what-the-fuck-is-wrong-with-you kind of expression on his face, you know the one where the eyes are narrowed and the hand is at the temple and the mouth is slightly agape and all that. So I can only imagine what he must have been thinking, surely something like “How could this child have come to be employed at my company? What was I smoking when I interviewed this guy? How could this toddler have slipped through the fucking cracks?” And then he just sat there silent for a few seconds, wearing the face of a man wrestling with some sort of serious personal crisis. He was probably rethinking all his life choices up to the very point where he witnessed an employee under his leadership and tutelage ordering noodles with fucking butter, probably questioning his entire ability to judge the character of others and his own effectiveness as a leader. So, needless to say, I was pretty worried about losing my job at that point.

But then, by the grace of God, the woman with the five-year-old with a six-pack said, “That’s exactly what my son eats when we go out,” at which point the conversation shifted to our children and their eating habits and the two women sitting next to me made many jokes at my expense, which kind of annoyed me, internally, like how come food is such a big deal and why can’t people just let others eat what they want without this sort of weird shame attached, like why is having a diverse palate some measure of a man in corporate America, nigh the entire fucking adult world, and how come I can’t just be myself and eat like a toddler and not get low-key ridiculed, and the more I thought about it, and the more jokes were made at my expense, the more I became flustered and annoyed, so, tired of being the butt of so many toddler-tinged jokes and tired of the woman next to me, who was at one point poking meat with a fork and holding it up real close to my face saying try it just try it, I said, “Look, I have a medical condition, so I can’t eat many foods,” which was of course a bold-faced lie, but at least it got everyone to shut up about my eating habits, because that’s when everyone’s demeanor shifted and the subject was changed and the dinner proceeded with its usual banal small talk, until eventually everyone finished their meals and my boss paid the egregiously expensive bill and we all exited the restaurant.

Later that night, at a seedy dive bar with my boss and some peers, after everyone, except me, was nice and debauched, I went up to my boss and I said, “do you want to hear something funny?” And he said, “yeah, sure, what?” And I said, “I don’t have a medical condition.”

And you know what he did, he literally burst out laughing. That’s it. And then he patted me on the back and said,

“You know what, Forrest, I like you.”

So I’m starting to think I overthought the whole thing.
f0rrest: (Zantetsuken)
“Suddenly now and then someone comes awake, comes undone, as it were, from the meaningless glue in which we are stuck—the rigmarole which we call the everyday life and which is not life but a trancelike suspension above the great stream of life—and this person who, because he no longer subscribes to the general pattern, seems to us quite mad finds himself invested with strange and almost terrifying powers…”
—Henry Miller, Sexus (The Rosy Crucifixion, #1) 


There I was, sitting in my faux-leather office chair, playing Final Fantasy VIII via DuckStation emulator on an old transparent SecureView CRT via an HDMI to Coax Modulator set to CH3 running from an Ubuntu Linux desktop PC to said CRT so that I could play the game How It Was Meant To Be Played in the year 2025 of our lord, because I'm insufferable like that. My good and perhaps only true friend, Robert, visiting from Florida, sitting next to me in the slightly less comfortable office chair, reading orange-highlighted passages out of Henry Miller’s Sexus between taking sips of Red Bull and waxing pontifical on all his various interpretations of said passages, because he's also insufferable like that. It's like three in the afternoon, and we had planned to take my napping two-year-old son to the mall after he woke up. And of course I’m barely paying attention to what Robert is saying because I’m hyperfocused on fighting monsters to grind materials to make Doomtrain, a Guardian Force that looks like a train made of stretched human muscle and bone and teeth with a ghastly scream stuck on its face as if it had just seen itself in the mirror, when all of a sudden there's a VOOM and the word ZANTETSUKEN appears at the top of the screen and I start bouncing up and down in my faux-leather office chair like I’m ten years old again shouting LOOK LOOK LOOK right over one of Robert’s long-winded-but-I’m-sure-very-interesting Miller rambles.

Our heroes fade. The phosphor goes dark. The screen pans to a 320x240 sky cloaked in black and gray clouds. Rain falls in thin pixely white lines. A low-res puddle forms on the virtual ground. There’s a clomp, a splash. The polygonal hoof of a white mare is shown. The clomps continue, slow, foreboding, off-time. The beast has six legs. The screen pans to reveal the rider, an entity only vaguely human, full of strange and terrifying powers, clad in black armor. His face is yellow and his eyes are red and his scowl is permanent. It is Odin, the god of death. The camera pauses on his indignant mug. He looks severely displeased and ready to fuck shit up. Lightning splits the sky. Thunder booms. The screen goes white, turning the wrathful God silhouette, but only for a moment, because suddenly, with massive blue-steel blade in hand, Odin tugs the reins. The nightmare beast neighs a wicked neigh, rears up on hind legs, plumes smoke from its flared nostrils, and then violently leaps toward the enemy. Odin swings his massive blade, big kanji flashes, not once æ–¬, not twice 鉄, but thrice 剣, then he is motionless, posed with sword crossed by his face, blood-red 斬鉄剣 splattered on the screen, enemy in view behind him, and then, in the silent blink of an eye, that same enemy is split in two, destroyed.

“That’s gotta be the coolest summon animation in all of Final Fantasy,” I say so matter-of-factly that Robert really has no choice but to nod his head and agree before turning his attention once again to Sexus and saying something like, “The thing about Miller is that, like, he can go from these raunchy-as-fuck sex scenes, which are like ‘I touched her only once and it made her cum like six times,’ which makes me wonder if he ever actually had sexual intercourse with a woman, to these vast philosophical musings on what it means to be an artist and how to navigate the soul-suckingly fake modern world, in a way that really no other author, at least that I’ve read, could. I mean, you really should read Tropic of Capricorn at least, I think you’d like it.” And of course, at this point, I’m zoned out on my grind shit again, but Robert keeps going. “I mean, Miller himself, whose middle name is Valentine which is kinda cool, was kind of an awful person, I think he had a daughter that he pretty much abandoned for a life of debauchery in France or something, all while bumming money off people because he was broke as fuck or whatever, but his writing is incredibly good, so it’s kind of like an art-before-the-artist thing, if you know what I mean.” And I’m nodding along, doing the whole absent-minded mhm-yeah-I-know-what-you-mean thing, repeatedly pushing X on my DualShock, watching Squall gunblade monsters to death, when all of a sudden there’s a knock on my office door and in walks my son, Arthur, at the absolute height of his terrible twos, so of course he immediately starts going through my bookshelf, grabbing at all sorts of paperbacks that, if given enough time, will surely be ripped to shreds, so now I’m scrambling to grab the books out of his hands all while he’s repeating “Daddy, daddy, mall, mall, wanna go to the mall, wanna go to the mall with The Robert,” which is what he calls Robert, “The Robert.”

So The Robert and I get our stuff together, pack up my son’s bag, and head off to the mall.

The mall sucks. It’s dying. There's not one store in there worth going to, and there's hardly anyone ever there, so it's kind of like this vast liminal space left over from a pre-terminally-online age. I only take my son to the mall to ride the motorcycles. Arthur loves riding the motorcycles. They're not real motorcycles, they're like these motorized electric three-wheelers dressed up as unicorns and Paw Patrol characters and shit, but they're pretty fast for indoor children’s vehicles, like 10mph at least, and they can technically support up to 200lbs, so I sometimes ride them too, often the same one my son rides, because frankly he's not a very good driver, having run into many benches, walls, and glass display windows in his time, which is easy for him to do because the employees at this little motorcycle kiosk let the kids ride these little disaster machines all over the place with basically zero supervision as long as you pay the going rate of like two dollars a minute, which is actually pretty expensive considering you're really only paying for electricity and experiences, but the motorcycles are just sitting there untethered outside the kiosk, so anyone could potentially just climb up on them whenever, but the motorcycles won't actually rev up unless the kiosk employee inserts a little card into the motorcycle’s backside which, considering these things are dressed as colorful beasts, ends up looking a little sodomitic, to tell you the truth, but I guess that's beside the point.

Anyway. When we get to the motorcycle kiosk inside the mall, it’s like four in the afternoon, and not a soul is there, besides us, and there’s no OUT FOR LUNCH or BE RIGHT BACK sign or nothing. So I’m scanning the area, checking if maybe the kiosk employee is nearby somewhere, maybe actually supervising one of the little cyclists for once, but no, nothing, not a single person that looks even remotely close to an underpaid mall kiosk employee that hates their life, and all the motorcycles are there, right in front of the kiosk, and my son is now climbing up on the unicorn one, which, from previous rides, we have discovered is actually the fastest one of the bunch, so little Arthur always wants to ride that one, so he’s now repeating, “go go go go go,” but little does he know, there is no way to make it go, for the underpaid mall kiosk employee is not there to stick the little card up the thing’s butt, so I walk to my son, lift him off the unicorn, and try to explain the situation, “no one’s here, buddy, we’ll come back in 10 minutes,” but of course he doesn’t understand and, at the absolute height of his terrible twos, while I’m holding him skyward, he starts kicking and screaming like a madman, so I put him down, at which point he climbs up on the unicorn again, so I say something like “what the hell why not” then The Robert helps me push the unicorn out of its little spot in front of the kiosk, and then I get behind the thing and start pushing it, Arthur going “weeeeeeeeeeee” while holding the handlebars and revving it like it’s actually working, which it’s not. I push him around for a few minutes, figuring maybe the kiosk employee will show up at some point, but no one ever does, so eventually I get kind of exhausted pushing this unicorn around, especially since there’s like a thirty-pound toddler on top of it, so I push the thing back into its spot right by all the other motorcycles, and Arthur hates that, so he starts moaning and groaning, doing his terrible-twos shit, at which point I’m like, “OK, what the hell, where is this person?” and The Robert is like, “how am I supposed to know? Maybe they skipped out on work.” So, not taking that for an answer, I tell The Robert to push Arthur around for a minute, and, once he starts doing that, I walk off to the nearby shoe store, which is called something generic like Shoe Emporium or something, and I walk right up to the front desk and say, “Where’s the Motorcycle person?” And the woman at the front desk, who has brown hair and is quite round and whose face just sort of sinks into her neck because she’s quite round, not trying to be mean, those are just the facts, the woman says, “They do whatever they want, just leaving all the time, taking breaks whenever, last I saw them was an hour ago.” So I nod, say thanks, then, figuring surely the kiosk employee will be back soon, considering they’ve already been gone for an hour and it’s still like four hours until mall-closing time, I go back to the motorcycle kiosk, where The Robert is still pushing the unicorn around, and Arthur, who now looks quite bored sitting atop the unicorn, is saying, “I wanna do it, I wanna go fast, go fast,” so I trade off with The Robert and start pushing Arthur around again for another minute or so, but Arthur keeps repeating, “wanna go fast, wanna go fast,” and of course, as his father, I too want him to go fast, I want him to have a great time, I want him to be happy always, forever, and that’s when something strikes me, psychically, so I stop and think to myself, “you know what, fuck it,” and then, with a glint in my eye and a confident smile on my face, I tell The Robert, “Push him around for just another minute, I got an idea,” and The Robert, who is now looking at me with an eyebrow raised and a stern look on his face, as if he’s seen this side of me before and knows something’s up, says, “What are you planning to do?” But I do not respond, I say nothing. I simply walk up to the kiosk and start circling it, looking for an opening, an entrance, but the entrance I find, a wooden gate, is locked, so that’s when I get creative.

The kiosk itself is pretty much just a rectangular wall enclosure that goes up to about my chest, and it's got a raised desk in the middle where the little electronic credit card reader is, and there's also a small bench back there, for employee sitting, and there’s also a long broom, and, upon examining the desk closely, I also see the little card that the kiosk employees use to power up the motorcycles, which is exactly what I was hoping to find, and upon seeing that little sodomitic card, I'm overcome by this tingly heady feeling as if I’ve been endowed with strange and terrifying powers, as if I have become unstuck from the fabric of reality, free of all the frankly fucking pointless rules of the world, and of course I want my son to have some fun here at the mall, and these damn motorcycles are pretty much the only way for him to do that, so without a second thought I decide to use this newfound strange, terrifying power to reach my long arm over the kiosk wall, grab the broom, pull it toward me, examine it as if it were my blade, all while big kanji flashes in my mind, 斬鉄剣, which frankly I don’t know the meaning of, then I move the attached detachable dustpan to the end of the broom, near the bristles, and then I start using the broom as like an extension of my arm, holding it out far over the kiosk wall, maneuvering it onto the desk in the middle, all to reach the little power-up card, and then I start nudging the card off the desk, and after a few seconds of this, the card falls right into the little dustpan, at which point I pull the broom back toward me, to like retrieve the card, but while doing this the card slips from the dustpan, falling onto the floor below, so I quickly pull back the broom, lean it upright on the kiosk, and, thinking to myself, “fuck it, I’m going all in,” I start lifting my leg, totally intent on just climbing over the fucking kiosk wall, to get in there and pick up the damn card, but that’s when I hear a loud, “HEY, WHAT DO YOU THINK YOU'RE DOING?”

So I turn around, and I see the woman from the shoe store, standing about ten feet away, staring at me with this harsh look on her face, then I look back and see both The Robert and Arthur just standing there staring at me too, although they’re staring at me with these big eyes, as if they’re in awe of the strange and terrifying power radiating from my person, but it’s at this point that I think to myself that perhaps I am setting a poor example for my son, so I turn back to the woman from the shoe store and, acting totally oblivious, say, “What?” And she says, “What do you mean ‘what?’ You can’t do that.” So I say, “Do what?” And she says, “Mess with their stuff.” And I’m just sort of blinking at her at this point. And then she repeats, “You can’t mess with their stuff when they’re not there.” So I say, “Well, when are they coming back?” And she says, “How should I know? You just can’t mess with their stuff.” And I’m like thinking to myself like, “What are they going to do, throw me in mall jail? For trying to climb over a kiosk to get a card that powers a child-sized motorcycle so that my son can have a little fun in this run-down dump of a fucking mall? What is this woman trying to prove? Is she like lonely and miserable, so she gets off on ruining kids’ fun? On a Saturday for fuck’s sake? What’s her fucking problem?” And then she says something like, “You have to wait for them to come back or you have to leave, sir.” And now, feeling the strange and terrifying power dissipating from my body and soul, like I’m slowly becoming stuck in the pointless fucking rules again, I blink and say, “OK, but when are they coming back?” And she says, “I told you, sir, I don’t know, please leave.” And now I feel totally stuck, like I’m fully back in reality again, so I say, “Sorry, I just wanted my son to have some fun, is all.” At which point the woman’s expression softens a little bit and she says, “I get it, but you can’t do that.” So I sigh dejectedly and say, “I know.”

And I did know, but, for a moment there, I didn’t, for a moment there, I was unstuck.

So I turn to my son and The Robert and say, “C’mon, let’s go downtown or something.” But my son shakes his head, “No, no, wanna ride the motorcycles, please daddy, please.” So I crouch down eye-level with my boy and say, “I know, son, but we can’t today, I’m sorry, but we can go to the playground, you’ll have fun there.” And, upon hearing the p-word, his rosy little cherubic face lights up, and off we go, leaving the motorcycles and dead mall in our wake.

Later that night, Arthur is asleep, and The Robert and I are back in my office, doing our literary-nerd shit. I’m repeatedly encountering these Blitz monsters to steal a bunch of Betrayal Swords to turn them into Confuse magic so that I can junction that magic onto Quistis so that I can survive Malboro Bad Breath attacks so that I can kill Malboros so that I can get some Malboro Tentacles so that I can create Doomtrain, which is a fucking pain in the ass and gives you an idea of just how grindy and repetitive Final Fantasy VIII can be, when The Robert, index finger on an orange-highlighted passage of Sexus, says, “You know, at the mall today, for a moment there, you were unglued.” And I’m like, “What?” And he’s like, “Unglued, like, here, let me read this passage here,” and then he starts reading the passage, but I wave my hands and interrupt him because, at that moment, ZANTETSUKEN appears on the screen again, and now, instead of being excited and ten years old again, I’m very annoyed, so I say, “You see, this is the problem with Odin sometimes, it’s like, he just does whatever the fuck he wants. I’m trying to steal Betrayal Swords here, which means I have to actually fight the monster, so that I can use steal on them, but I can’t fight the monsters when Odin just on a whim decides to fucking show up and slice them in half. He slows the whole stealing process down. And he’s done this like five times now, as if he knows I’m trying to steal from these monsters specifically. And since he randomly shows up, there’s nothing I can fucking do about it. It’s ridiculous. It’s like he’s outside of the normal rules of the game, almost.” But The Robert, blinking at me a little bit, just says, “Can I read the passage now?” So I pause the game, turn to him, and say, “Whatever, sure, read the passage.” And that’s when he starts reading the passage, “Suddenly now and then someone comes awake, comes undone, as it were, from the meaningless glue in which we are stuck,” and so on, and this passage actually captures me, I am sitting there, rapt, as he keeps going and going, reading the whole page, and then, after a long pause, he goes, “You know, I’ve known you for a while, and sometimes you really can be one unglued motherfucker. I wish I could be like that, sometimes.” And I sort of shrug and say something like, “It’s not all it’s cracked up to be, the whole mall thing was kind of embarrassing, in hindsight.” But he shakes his head, “No, it was cool as fuck.” And I sort of smile before turning back to my game, unpausing, then running Squall around in circles in the woods again, to encounter more Blitz monsters, which, after a few seconds, I do, but, lo and behold, there’s a VOOM and the word ZANTETSUKEN appears at the top of the screen again, so I swivel my faux-leather office chair to face The Robert again, incredulous look on my face, and say,

“You know who’s unglued?”

“Who?”

I point at the screen. “This asshole.”

The Robert laughs. “Yeah, well, at least he’s still cool as fuck.”

斬鉄剣

f0rrest: (Default)
If my life were a movie, it would surely be part of the “body horror” subgenre. 

For context, I'm about 6'2 on a good day, and last time I checked, I weighed around 185 lbs, but this was years ago, because I haven't gone to a doctor in like forever and I'm deathly afraid of scales. My wife says I'm very thin, but I don't believe her. Herein lies the problem. In regards to my appearance, my reality and the reality of those around me do not align, they seem to be vastly different, like we’re in totally different movie genres, almost.

Because every time I look in the mirror, I see a monstrous human blob, and then I see myself lifting my shirt, counting my ribs, squeezing at the flab around my stomach, suddenly overcome with the urge to cut the fat out with the nearest sharp object, thinking maybe that will slay the monster. Often I push my face real close to the glass and trace my jawline, which seems to me to just melt away into my jowls and neck, so I practice sucking my cheeks in to add some much-needed contours to my face, because otherwise I look like some sort of nasty toad creature. Sometimes I even lock myself in the bathroom, sit on the toilet seat, and attempt to create a circle around my thighs using the thumb and index finger of both hands, as some sort of thinness test, and when I can’t get my opposing thumbs and index fingers to touch, because my thighs are too thick or whatever, I end up feeling like a literally massive failure. And whenever I go out of the house and come across a mirror, like in the Target clothing section or whatever, I stop whatever it is I’m doing and pull at the loose fabric of my shirt so that it’s flush against my skin, then I obsess over the outline of my stomach and love handles, which puts me in some sort of fatass funk for the rest of the day. I now shun clothes whose fabric rests too close to my skin, because it makes me very body-conscious, thinking everyone can see how fat I actually am, so I wear incredibly baggy clothing, like sweatpants two sizes too big and sweaters, all to avoid these body-horror blues. I often fantasize about leaving my body entirely, releasing my consciousness from this sad sack of skin, my soul or whatever drifting away without fleshy constraints. And I have no impulse control whatsoever so sometimes I'll eat whole bags of candy and feel guilty like what the hell am I doing to myself, the whole obsessing-over-my-weight thing and lack-of-impulse-control thing constantly in conflict with one another, like some sort of mind-body dissonance that wreaks havoc on my psyche. Back in high school, I abused amphetamines and sometimes didn't eat for days, one time even passing out in my bedroom for a few hours, yet, to this day, I still think about getting a new Adderall prescription, mainly just to kill my appetite. And I only eat like one meal per day, and, for the last seven days, that meal has been Kraft Mac & Cheese Spirals, which is approximately 660 calories according to the nutritional label on the box. And I do push ups and sit ups throughout the day, not to get in shape, but to burn those Mac & Cheese calories off. I take supplements so that I don't die, although sometimes I want to die. And I'm acutely aware of when the waistline of my pants seems tighter than before, taking distressed mental notes whenever I need to use a new belt notch, and I become despondent whenever these things happen. And sometimes I eat snacks, usually saltines or pretzels, but this makes me feel like an expanding flesh balloon, so I tell myself no more snacks but somehow still end up eating snacks every day, which contributes to the whole mind-body dissonance thing. Sometimes I feel like I never grew up mentally beyond the age of sixteen, what with all my crippling self-image issues, like I’m trying to be thin and attractive for some high-school crush or something, yet my wife claims I’m already thin and attractive, so I have no idea who the fuck I’m actually trying to impress. I don’t want to feel this way. It's juvenile, vain, and ultimately unimportant in the grand scheme of things. I know this logically, but I can't help it, these body-horror blues seem to be totally outside of my conscious control. It has been something I’ve struggled with for as long as I can remember. This is not a plea for attention. I am not looking for hugs or compliments. These are just the facts.

I guess I wanted to write this because, first, I’ve never really captured these feelings in text before, and second, I thought perhaps maybe writing about the body-horror blues would bring me closer to understanding why I even experience the body-horror blues to begin with. 

And when I begin to analyze the “why,” two main things come to mind.

I grew up in the age of MySpace. Everyone at my schools, plural because I went to many, had a MySpace. This was also the era of the “scenester,” which was this emo-adjacent cultural phenomenon amongst teens at the time, typified by skinny jeans, screamo bands like Senses Fail, Thursday, Boys Night Out, and Underoath, and these flat long uneven haircuts with bangs that fell down across the face like dark daggers with blonde highlights. Every scenester kid’s MySpace had pretty much the same profile picture, which was usually shot with a digital camera held way above the head pointing down to capture both the frankly ridiculous haircut and the skinny jeans, this camera angle also made everyone look thin as hell, often the hair would completely cover the eyes and the kid would be wearing a scowl, many had bite-mark lip piercings, and sometimes they would PhotoShop a black heart with an X over it into the picture or something. I was not really one of these scenester kids, per se, I was always a bit of a contrarian, but I hung around kids who fell into this crowd. I also had my own MySpace with my own embarrassing profile pictures, and many of these scenester kids were on my friends list, and we all followed these MySpace micro-celebrities, like Jeffree Star, for example, whose entire shtick was that he was thin and beautiful and androgynous, and he, due to his immense popularity on the site, proliferated this sort of image-is-everything attitude among young impressionable teenagers who spent far too much time on MySpace, myself included. I had been prescribed Adderall from the age of ten, but it was around this time, the MySpace epoch, when I was like thirteen or so, when I started to use Adderall as an appetite suppressant more so than a medical aide. And I did this because, in my mind, to become popular on MySpace, I had to be thin and beautiful like Jeffree Star. So I strived to become thin and beautiful. I cannot say if I was ever very successful at being beautiful, but I did gain a decent following on MySpace over the course of that year, and I attributed this popularity to being if not beautiful at least thin as fuck, like I was obviously putting in the effort and the MySpace micro-celebs could tell, and, as such, they treated me like one of their own, communicating with me and putting me in their “Top Friends” section, which resulted in even more image-is-everything minded followers, and this felt nice, for a time. Until, eventually, one girl from my class made a huge picture collage of all my embarrassing MySpace photos. She had printed them all out on this huge board, not to make fun of me or anything but literally out of some weird kind of stalkery admiration, and she had tried to gift this collage to me. And it was then that the whole MySpace thing started to feel a little embarrassing. Because when that girl showed me the collage she had made, which again included all my embarrassing MySpace photos, many of which were taken with a digital camera from a top-down perspective, many of which I tried very hard to look like a brooding skeleton who hadn’t eaten in days, because I hadn't, when she showed me this collage, at school one day, I immediately thought to myself “fuck I can’t bring this home, my dad would probably send me off to a camp or something,” so I actually took the collage, hid it in the janitor’s closet, and just left it there. To this day, I have no clue what ended up happening to that wretched thing. But it was then that I realized that I was pretty much uncomfortable and embarrassed about the whole MySpace scenester thing, and very soon after, I deleted my MySpace and kind of removed myself from the whole scenester image-is-everything crowd, becoming somewhat of a hermit who just sat around at home all day listening to old 80s pop music and playing video games. But for whatever reason, the desire to be thin and attractive never really went away.

So, yeah, MySpace was certainly a contributing factor in my body-horror blues, but that can’t be the only reason, surely something primed me for falling into this MySpace, image-is-everything trap at such a young age, and the only thing I can think of, outside of perhaps some sort of biological inclination toward vanity, is something that, on its face, seems a little arm-chair-psychology-ish, something a little Freudian and amateur, something that seems kind of like an excuse almost, as if I lack the agency to control myself or something, and that something is just how I was raised, my upbringing.

From a young age, both my mom and grandma, whom I had primarily lived with, would constantly make comments about my weight. As a young kid, I had the impulse control of like a cat chasing butterflies in the garden or something, meaning, if I saw food that I liked, I ate it, without a second thought, and because of this, I was a pretty chubby kid. And I remember my grandma would always say things like, “your face is getting a little puffy” or “that shirt is a little too tight on you now” or “how about unbreaded chicken and whole-wheat crackers instead? It’s a little less fattening.” And my mom would constantly buy me low-fat diet snacks and make half-joking comments about my belly and my “baby fat.” And even to this day, when I visit them, the first thing they mention is something about my weight, “you’ve filled out a little bit,” or, if I’ve lost weight, they like break out into song and dance almost, “have you been on a diet, you look great, have you been working out,” as if the first thing they notice about someone is their weight, almost like, to them, image is the most important thing about a person. And it’s been like this since as far back as I can remember.

But, back then, when I was a kid, none of this really bothered me. I certainly didn’t consciously internalize it. I didn’t really give a shit. I just wanted to keep eating and doing my dumb kid stuff. But now, as an adult, thinking back, and this is where it gets a little arm-chair-psychology-ish, I wonder if perhaps, even if I didn’t consciously internalize all this stuff, maybe I subconsciously internalized all of it? Perhaps this constant subtle reinforcement of image-is-everything from a very young age is what led me down the path of body-horror blues?

So, I guess, if there’s a lesson to be learned here, be careful what you say to your kids.
f0rrest: (YA self-portrait)
It's not often I remember my dreams, but the dreams I do remember are often ones that seem very real and end up terrifying me to the point of violently jolting up in bed in a cold sweat, which usually happens right before my dreamself dies or something.

The nice thing about these dreams, however, is that, when I do wake up, I'm filled with this overwhelming sense of relief, a surreal gratefulness, which puts the rest of the day into this whole new positive perspective, where anything bad that could possibly happen to me is now framed in this sort of “well at least I'm not trapped in a virtual reality Big Brother-esque gameshow for eight years all to win some huge cash prize while my real body is in a cryostasis chamber and my family is out there living their lives without me in a post-apocalyptic hell world” type way.

It's funny how sometimes dreams load you up with all sorts of imaginary context for the dream itself, like you somehow know the exact time, place, and reasons you're in the surreal dream situation you happen to be in, like you’re plugged via USB into some dream supercomputer that’s transferring data into your brain at very high bits per second.

For this particular dream, the time was like 2099 or something, years after some world-ruining nuclear exchange between all major Earth superpowers. And the place was actually two places, underground and virtual reality. Underground because, after the bombs dropped, the surviving citizens of Earth were forced to move into vast below-surface bunkers, as the face of the planet was irradiated beyond hope, although I personally did not spend any dreamtime there, but I knew, via the dream supercomputer data upload or whatever, that that was where both my physical dreambody and family were located. My physical dreambody was housed in a cryostasis chamber in some sort of underground mega-structure owned by a corporate media conglomerate that ran various televised gameshows, which I got the impression, once again from the dream supercomputer or whatever, that these gameshows were the surviving citizens of Earth’s main source of entertainment, that all they did all day was sit around in cramped pod-like housing units watching these gameshow broadcasts while sustaining themselves off some sort of goopy mystery meat concoction and slightly irradiated water, with the added detail that these nuclear-holocaust survivors were all slightly deformed with extra thumbs, toes, and bubbly skin tags, many of which grew out of their faces. My consciousness was trapped in virtual reality, in a big virtual home, along with about ten other people of all races and genders. The house itself was post-modern in its design, with weird almost incomprehensible geometry and walls made entirely of see-through glass that allowed you to see what everyone was doing in the house at all times and also looked out onto a beautiful green world of tropical flora and fauna. I couldn’t venture outside of the house, however. I was stuck in there with the rest of the gameshow contestants. And I knew, again because of the dream supercomputer or whatever, that I was there because my family was destitute, deformed, and miserable, so I was trying to win the huge cash prize awarded by toughing-it for eight years inside this virtual reality house that also housed ten other people, all of whom I somehow knew were also there for the same reasons I was, to win the cash prize, for fame, fortune, or to make a better life for their horribly deformed families. The kicker here is that, in this virtual world, where your consciousness exists inside a virtual avatar that looks identical to your real body out there in the cryostasis chamber, you can still feel real actual pain, like psychologically I guess, pain somehow amplified beyond real-world pain, as per the rules of the game or something like that, and you could die, but when you died, your avatar was instantly resurrected. And, as you might imagine, no matter how beautiful the house you’re in, ten people in a house together for eight years can and will lead to all sorts of drama, and this drama often turns into flat-out violence, so what ended up happening was, people were just killing each other all the time, be it from petty arguments or romantic competitions or whatever, and of course the gameshow corporation knew this fact about human behavior and encouraged it by leaving all sorts of heinous killing tools all over the house. I distinctly remember a chainsaw being used to cut me in half one time, at which point I was resurrected only for the same guy who had just cut me in half to immediately cut me in half again, at which point I resurrected again, got hold of the chainsaw, and cut that guy in half, at which point he resurrected and I cut him in half again, and so on and so forth, all because I felt like I had to do it, kill this guy, because otherwise he was just going to keep killing me, meaning I was just going to keep killing him, and so on. One time, after some romantic fling gone awry or something, some guy strung up his ex-lover and, using a kitchen knife, poked holes in her skin throughout the day, making sure she stayed alive the whole time so she would feel every little prick, until eventually all the blood drained from her body, at which point she was resurrected only to be strung up and poked full of holes again, and again, and again. You could also smell stuff in there, and, needless to say, it smelled fucking awful. And I got the impression that this gameshow had really high ratings, that viewers back home really enjoyed this whole spectacle, the fact this was happening to virtual people and no real physical people were harmed in the making of the gameshow somehow justifying the perverse pleasure of watching people die in the most gruesome ways possible over and over again. And I remember, at one point, toward the end of the dream, I had texted my wife, because I guess the gameshow rules allowed you to do that sometimes, communicate with your family, and my wife told me that, since it’s been like seven years already, she’s moved on and is now seeing some other man who has taken up the father role for my son, my son who is now eleven and calling this other dude “dada” while sometimes, when he’s been real good and gets television privileges, watching his biological dad get split in two via chainsaw on television every night. And it was at that point when I woke up in a cold sweat, grateful the whole thing was a dream.

What really scared me was not the dream itself per se, although it was terrifying as hell and felt very real at the time, it was the fact that I could see this type of thing actually happening in real life, what with all the recent advances in virtual reality and our willful surrender to technology and all that. I could totally see some mega media company using the false promises of fame, fortune, and feeling good to lure people into some virtual reality hellscape wherein you slowly lose touch with reality and become some twisted monster version of yourself that cares about nothing other than fame, fortune, and the false promise of feeling good.

And, after thinking about all that, I had another really harrowing thought.

I started thinking, what if, when I look down at my phone or tablet or whatever, what if this is already happening?
f0rrest: (kid pix)
There’s a novel’s worth of material in every second of the day. This is not only the most beautiful thing about being a quote-unquote “writer” but also the most frustrating, knowing that those stories are there but not being able to capture them, the expectation that you actually even could.

Like, just earlier, I was sitting in my backyard, smoking a cigarette, and I noticed, on the ground in front of me, one of those brown digger wasps, pathetically crawling across the sand, its needly back legs splayed out behind it, wings motionless, depressed stinger drawing a death map in its wake. It was clearly dying. I was momentarily transfixed by the thought of how there's all sorts of hidden stories going on in our periphery, like within the tall grass and the sand and the canopies of all those towering trees, and I started thinking to myself, surely there was a series of secret events that placed this dying wasp right here, in front of me, on this gray Saturday morning, perhaps our crossing of paths was a sign or something, so I tried to draw some meaningful parallel, some deep poetic connection to my life, but I just couldn't think of anything. I couldn't think of anything at all.

Then my son, whose bedroom window opens out into the backyard, poked his head through the curtains, big smile on his face, and said, “Dad, Dad, what doing, what doing,” and I thought to myself, surely there’s some sort of deep parallel I could draw from the dying wasp to me sitting here smoking to my son obliviously questioning me from behind a plane of glass? But how does it all tie together? How does it relate? What is the meaning of it all? Is there some commentary here about smoking? How being a smoker is sort of like being a dying digger wasp, both hopelessly dragging ourselves across the sand, both knowing that we’re going to die yet still pulling ourselves along regardless, perhaps waiting for the perfect time and place to give up the ghost? But how does my son fit into all this? Maybe my son is actually the wasp, oblivious to the machinations of life and death, unaware of the mortal-coil shit going on with his father in the backyard? To him, Dad just likes to sit back there sometimes while holding glowy white sticks that twirl little streams of blue-gray smoke? Perhaps my son is the wasp because I am slowly killing my son by slowly killing myself?

None of the aforementioned parallels impressed me. They were actually sort of embarrassing. They all seemed too labored and dramatic, too try-hard, pretentious almost, and they barely made any sense when I started really thinking about them. So I tried to think of parallels that were a little more nuanced, a little more interesting, a little more unique, perhaps something that actually made sense, something that would be like wow this is very deep and wise and smart, but the thought of myself having these thoughts also made me feel pretentious, so I ended up pretentiousing myself right out of any meaningful insight whatsoever, meaning, once again, I couldn’t think of anything at all.

The other day, someone asked me if I thought of myself as a “writer,” but I don’t really know what that means. What actually makes someone a writer? Do you have to be published to be a writer? Or do you merely have to believe yourself to be a writer to be a writer? Do you even need to write to be a writer? I mean, yes, I do think of myself as a “writer” sometimes, but this is a sort of pretentious label that I have given myself, like labeling yourself a goth in high school and then going through all the motions of portraying yourself as such, like wearing the tripp pants and the studded belts and the eyeliner and affecting this sort of detached melancholy attitude and of course scowling at every polo shirt that happens to walk by, all to meet this self-imposed label of “goth.”

What I’m trying to say is, labels create expectations, not only from others but also from yourself.

And, if I’m being honest, I don’t like having all these expectations, because they fuck me up mentally. But at this point I can’t really help it, having all these expectations, because this label, this idea of “being a writer,” has rooted itself so deeply in my psyche that I’m constantly thinking about writing and others perceiving me as a writer and how everything that happens around me, like the wasp for example, can be warped into some sort of deeply meaningful writing prompt, all driven by these expectations I have unwittingly given myself by believing myself to be a quote-unquote “writer.” And when I can’t come up with anything that meets my own self-imposed expectations, I become frustrated and discouraged, like I am now, this whole rambling journal entry being something I am not particularly proud of, writing-wise, as I think it’s kind of vacuous and forced and stupid, and I’m actually considering just deleting the whole thing, because, when I write poorly like this, I am very aware of it and I start to think myself a bad writer, which makes me want to stop writing forever, meaning I get into these little writing funks that I suppose could be called something like “writer’s block,” but it’s deeper than that, I think, it’s more like a self-inflicted cycle of disappointment, “writer’s curse” more like, a sort of deep frustration with myself because I can’t meet the expectations I have placed on myself by even thinking that I am a “writer” to begin with.

So, to answer the question, do I think myself a writer? I guess so, but I would much rather just think of myself as myself, nothing more, nothing less, because at least then I would be free from the shackles of expectation.
f0rrest: (Default)
My neighbor is in her late thirties. She’s got rust-colored hair in thick fat mats. Her skin is a tannish yellow and often very clammy. She's got scabs all over her arms, some open and bleeding. Her face is sort of smushed and toad-like. Her eyes dark and beady. The interior of her home is a trash labyrinth reeking of cat piss, vodka, and wet dog. Her voice reminds me of an old ashtray filled with forgotten half-smoked cigarettes. She's frumpty and unkempt in all respects. You could say she’s goblinesque. Sometimes, late a night, I hear her screaming about god knows what. The cops have been called to her home many times. She is a straight-up dope fiend. Her name is Erin. One time she tried to choke me out.

This is the story of that one time Erin tried to choke me out, and why I haven't talked to her in like four years.

I remember it well. It was Mother's Day night. I had just returned home from a family function where I drank way too much wine, which I was prone to do back then, so I was kind of fucked up, and I’m very social when I’m fucked up, loving to be around others just as fucked up as myself, so when I got out of the passenger seat of my car and saw Erin and her husband sitting on the ratty couch in their open garage, drinking out of red disposable party cups, I eagerly waved hello with the ulterior motive of perhaps being invited over so that I could continue being fucked up in what I inebriatedly believed would be good fucked-up company.

Of course, I was wrong, as we will soon discover.

When I entered the garage, smell of sticky icky wafting through my nostrils, I noticed Erin and her husband were watching Cops on the big flat screen, so I navigated to the ratty old couch, through a maze of lawn care equipment, cardboard boxes, and loose trash, sat down, and that's when Erin offered me a Dixie cup filled with some mysterious green liquid, which I happily started sipping on without a second thought, eager to continue my fucked-up escapades. It turned out to be Mountain Dew mixed with vodka, and it tasted quite good. Then, prompted by some scene in Cops where the boys in blue were brutally forcing some incoherent black man into the cop car, Erin started going off about our other neighbors, who happened to be cops, and she was saying something like,

“Can you believe those fuckers actually pressed charges on me, just for going over to their house. Their damn children, who are wild as hell, are always playing tag or some stupid shit in my yard, coming up to my patio, and I can see them on the damn Blink cameras, I’ve got several saved recordings of this happening, so I went over there, just wanting to talk to their parents, knocked on the door with my phone in hand, and started talking to the mom about her kids, showing her the footage and all that, and can you guess what she fucking told me, she fucking told me to get off her property, and I swear to god I was being civil as hell and nice as hell, I actually was, but she still told me to quote ‘get the fuck off my property,’ so I did, I got off the property, but when I got to the road, I yelled back, ‘IF I SEE THOSE KIDS ON MY PATIO AGAIN I’M CALLING THE COPS,’ and then I went home and that was it, until the next day when I get a visit from the police telling me that the woman filed a restraining order on me, even though I was being nice as fuck to her, and the police tell me I can’t come within 10 feet of their yard or else there will be serious consequences, so I say ‘whatever fine I won’t go into their yard,’ but then, not even a few hours later, can you fucking believe it, I bet you can, those fucking wild ass kids are back, playing tag or whatever, in my yard, up on my fucking patio, again, but I was feeling generous and didn’t want to like break the restraining order, so I didn’t call the cops or even go over there and talk to the parents, but what I did was, I wrote this note, this really nice, polite note, that said something like, ‘please tell your children not to play on my patio because my dogs are very skittish and they will start barking and my husband sleeps late and needs his sleep for his job,’ and I sign my name at the bottom of the fucking note, and then, later that night, I sneak into their yard and I pin this note on their fucking front door, just to relay the message, that’s it, just to relay the message, and then I go home, get some sleep, and can you fucking believe, can you fucking believe it, I wake up to the sound of cops banging on my door, and they’re saying I broke the restraining order, and they say they have proof, so I tell them to show me the fucking proof, so they hold up my note, can you believe it, my fucking note, with my name signed on it and everything, and they say that leaving the note broke the fucking restraining order, so I say ‘FUCK THAT’ and slam the door on their faces and next thing you know they’re forcing me into the back of their fucking cop car, and I mean really forcing me, like serious police brutality kind of shit, even though I was being cooperative and civil as hell, and they take me to the courthouse and, long story short, I’ve got to be in court in like three weeks to face charges, can you believe that, can you fucking believe that?”

And I’m just like nodding along, saying stuff like, “oh that sucks, wow, damn, ok,” while sipping my green liquid and chain smoking Marlboro Lights, kind of zoned out, words going in one ear and out the other, but her whole aura is kind of weirding me out, so I turn to her husband, who’s sitting there staring at the floor with a drink in hand, and he looks quite despondent and miserable, so I say something like, “Hey man, are you OK?” And he slowly lifts his head, looks me dead in the eye, and says, “Erin cheated on me last week.” And for some reason the sheer randomness of this, combined with the emotional gravity of the situation itself, makes me burst out laughing, incredulously almost, so I turn to Erin, so drunk that I’m likely oblivious to basic human social cues at this point, and I say to her in a chuckling tone, “That’s not very nice, why’d you do that?” And Erin, whose two eyes are sort of blinking at different times, off-sync, giving off serious goblin-queen vibes, says, “Because he’s always too drunk to fuck me,” and I’m like, “OK, well, that’s, uh, that’s something, maybe lay off the vodka Mountain Dew there,” and I’m saying this while chuckling a little bit, but Erin and her husband aren’t chuckling, they’re just staring off into the world of Cops in this thoughtful drunken awkwardness, but I don’t feel awkward at all, in fact I feel really good, sipping green liquid and chain smoking, and then Erin turns to me and says, “What about your wife? Do you guys fuck a lot?” And I’m like, “Uh, maybe like once a week, I guess, I don’t really keep count, you know.” And she stares at me with this dumbfounded look on her face before saying, “Really?” And I sort of shrug and focus my attention back on Cops, but Erin won’t let it go, she says, “I don’t believe you, call her and get her over here,” and I’m like, “OK, sure, the more the merrier,” so I text my wife, who had just put our daughter to bed, “Come over, we’re having a blast,” from my perspective, and she replies with something like, “I guess, give me a few minutes,” because she never liked Erin to begin with, thinking she was weird and dangerous even from the first time we met her, which she was, but I naively believed myself to have a good handle on dangerous people, thinking they were interesting in an at-least-I’m-not-like-that sort of way, so we sat around in the open garage, watching Cops, waiting for my wife to show up.

A few minutes turns into like ten minutes and Erin gets restless, she turns to me on the couch and says, “Where’s your wife? Did you really ask her to come?” And keep in mind she’s heavily slurring her words, which I’m not really capturing in the quoted dialogue here. And I respond with something like, “She’s slow sometimes but she’ll be here.” But Erin won’t let it go, “But it’s been like two hours.” I check my watch and say, “It’s been like ten minutes.” And Erin abruptly stands up and heads out of the garage, so I get up and follow her, just kind of going where the night takes me, heavily fucked up at this point but still forming memories and coherent. Then Erin says, “I’m going over to your house, I’m knocking on the door.” And, knowing my wife really doesn’t like Erin, I’m like, “Just wait, she’ll be here in a second.” But Erin keeps going, and I keep telling her to wait, until eventually I somehow convince her to wait, at which point Erin starts walking back into the open garage, and as she passes me, I joke, “Besides, if you go on my lawn, I’m gonna call the cops on you.” And that’s when Erin’s demeanor totally changed.

Suddenly, and in what I drunkenly perceive to be completely out of fucking nowhere, Erin activates goblin mode. She turns to me, glazed madness in her eyes, and says in the most raspy and serious voice I’ve ever heard, “What the fuck did you just say to me?” And me, cognizant of her goblinesque shift but too drunk to really understand the gravity of it or care, I repeat clearly, “I’m going to call the cops if you step on my lawn,” even though I had no intention of calling the cops, as I was merely joking, and I’m no narc. And that’s when Erin lunges at me, hands outstretched. She grips my neck with both hands and starts squeezing at my throat as hard as I imagine she possibly can. But I am unfazed, because she’s actually quite weak, totally unable to choke me, so I just look down at her, because she’s also quite short, and I say, “What are you trying to do?” At which point I can tell she’s intensifying her grip around my neck, but I still barely feel a thing, so I lift my hands to hers, grip them, and say, “Can you stop?” But she doesn’t stop. She just keeps trying to choke me out. I don’t remember exactly how long this lasted, but at some point I considered just pushing her off me, though I decided against that because, even though I was drunk as hell, I still had sense enough to know that Erin, being a total drama queen junkie, would likely spin my self-defense as some sort of assault against her and try to get me arrested or something, so I just stood there while she weakly attempted to kill me. Then my wife showed up and saw the whole thing happening in real time, so she yelled something at Erin, who let go of my neck, then my wife and I got the hell out of that goblin den as fast as humanly possible.

When we got home, my wife and I debated on calling the police, reporting the assault, but I convinced her otherwise, because I didn’t want to start any drama. We ended up just deciding to never associate with them again. But the next day, Erin, who had our phone numbers, texted my wife with this whole made-up story of how I was actually talking mad shit about my wife and she, Erin, was simply trying to protect my wife’s honor, which absolutely was not what happened, so needless to say, we ended up blocking her phone number and never speaking to her again, although my wife does covertly call the police every now and then when Erin’s out there in her driveway screaming her head off like a Goblin Queen at three in the morning for god knows what reason, even though I advise against it, the whole calling-the-police thing, because it’s already awkward enough having to avoid her all the time, and no matter how many times the police are called, it doesn't seem to change her goblin ways.

Because, to this day, late at night, if you listen closely, you can still hear the Goblin Queen’s heinous screeches echoing off the vinyl siding of the suburbs.

Most Popular Tags